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Bricky wanted to turn around and go away, turn around and go away fast. Boy, how she wanted to turn around and get away from there. But she wouldn’t let herself. She knew she was going to get in there, even if it was to her own destruction. That door had to stay open.

She did it with her foot and with her elbow.

The woman’s muzzle became a white cicatrice of menace. “Take that out of the way,” she warned in a sort of slow-rolling growl.

“We don’t know each other personally,” Bricky said, borrowing her huskiest dance-hall tones, “but we’ve got a friend in common, so that makes it even.”

The Bristol woman gave her head an upward flip. “Wait a minute, who are you? I never saw you before in my life. What d’ya mean a friend?”

“I’m talking about Mr. Stephen Graves.”

A white flash of consternation came over the Bristol woman’s face. But she might have reacted that same way, Bricky realized, even if she’d only been up there trying to blackmail him and then had walked out again, without anything else.

Until now, on a strip of background-wall visible just behind her, there had been a vague outline-shadow discernible. Not a very sharply etched one, just a faint tracing cast by some impediment in the way of the light coming from the room off to one side. It now moved very subtly, slipped off sidewards, disappeared — as though whatever was causing it had altered position, withdrawn, was secreting itself.

The caraway-seed centers of the woman’s eyes flicked briefly in that same offside direction, then immediately straightened back again, as though she had just received some imperceptible signal attuned to herself alone. She said tautly, and with an undertone of menace: “Suppose you come in a minute, and let’s hear what’s on your mind.” She widened the door. It wasn’t done hospitably, but with a sort of commanding jerk, as if to say: Either come in of your own accord, or I’ll reach out and haul you in.

For one moment more Bricky was a free agent; the hallway stretched unimpeded behind her. She thought: Here I go. I hope I get out of here alive. She went in.

She moved slowly past the other woman, turned aside into a tawdry, smoke-stenched room. Behind her the door champed back into its frame with a sound of ominous finality, as though it were meant to stay that way for good. A key ticked twice; once against the lock in turning, the second time against the keyhole in withdrawal.

She’s locked me in here with her. I have to stay and win now, I can’t get out again.

The battle was joined. A battle in which her only weapons were her wits, her sheer nerve, and the feminine intuition that even a little chain-dancer is never without. She knew that from this point on every veiled glance she cast around her, every slightest move she made, must be made to count, because there would be no quarter given, no second chances.

The room was empty, apparently. A door, presumably to a bath, was already firmly closed when her eyes first found it, but the knob had just stopped turning, hadn’t quite fallen still yet. If it appeared that she didn’t know too much, the door would stay that way, wouldn’t open again. But if it developed she knew too much— Therein lay her cue; how to find out just what there was to know here, and what too much of it was. That door would tell her. She already had a yardstick to measure her own progress.

For the rest, drawers in the shabby bureau were out at narrow, uneven lengths, as though they had recently been emptied. A Gladstone bag stood on the floor at the foot of the bed. The bag was full, ready for removal. A number of objects were strewn about on top of the bureau, as though the room’s occupant had returned in some turmoil, flung them down on entering. There was a woman’s handbag, a pair of gloves, a crumpled handkerchief. The handbag had been left yawning open, as if the agitated hand that had plunged into it in search of something had been too hurried to close it again.

The Bristol woman sidled in after her, surreptitiously ground something out under her toe, but then a moment later, as she turned to face Bricky, was holding a half-consumed cigarette between her fingers again. Bricky pretended she hadn’t noticed it smoking away on the edge of the table, ownerless, until now. A man will often leave a cigarette balanced on the edge of a table or some other bare surface, a woman hardly ever.

It really was superfluous. That flexing of the doorknob just now, that shifting of light-tones on the wall before, had been enough to tell her all she needed to know. There are three of us here in this place.

Joan Bristol drew out a chair, adjusted it, swerved it, so that its back was to the closed door. Then she invited: “Help yourself to a seat.” Even if Bricky had wanted to sit somewhere else, she made it the only one available by taking the only other one herself. She lowered herself into it as though she were on coiled springs ready to be released at any moment.

She moistened her rouge-matted lips. “What’d you say your name was again?”

“I didn’t say, but you can put me down as Caroline Miller.”

The other gave her a smile of disbelief, but took it in her stride. “So you know some guy named Graves, do you? Tell me, what makes you think I know him? Did he mention me to you?”

“No,” Bricky said, “he wasn’t doing any mentioning of anybody.”

“Then what makes you think I—?”

This would have been sheer repetition, and she wanted to get past this point. “You do, don’t you?”

Joan Bristol tasted her own rouge some more, reflective. “Tell me, you been over to see him lately?”

“Pretty lately.”

“How lately?”

Bricky said with crafty negligence: “I just came from there now.”

The Bristol woman was tautening up inwardly. You could tell it quite easily on the outside, though. Her eyes strayed to some indeterminate point over and beyond Bricky’s shoulder, as if in desperate quest of further guidance. Bricky carefully avoided turning her head to follow the look with her own eyes. There was nothing but a door there, anyway.

“How’d you find him?”

“Dead,” said Bricky quietly.

The Bristol woman didn’t show the right type of surprise. It was surprise, all right, but it was a vindictive, malevolent surprise, not a startled one. In other words, it wasn’t the news that was surprising, it was the source of it.

She didn’t answer right away. She evidently wanted to “confer” with the recent shadow on the wall. Or it did with her. A brief spurt of water from a faucet somewhere behind the closed door, turned on, then quickly off again, was the signal to this effect.

“Excuse me a sec,” she said, getting up. “I must have forgotten to tighten the tap in there.”

She sidled around Bricky’s strategically-planted chair and slipped inside to the bath without opening the door widely enough to show anything beyond it. She closed it behind her for a moment, so the visitor couldn’t turn her head and look in.

She had given Bricky the chance herself. The chance to find whatever there was to find, if there was anything. It was only good for thirty seconds. For the space of time it would take to receive a whispered instruction in there on how to proceed. And it wouldn’t occur again. Almost before the knob had fallen still in the door behind her, she was up out of the chair. She only had time to go for one thing. She made it the open handbag atop the dresser. It was the obvious place. More than that, it was the only accessible one, within the limitations of time and space granted her. The bureau-drawers were presumably empty, their position implied that. The Gladstone bag was presumably locked already, its fullness indicated that.