The Hartani walks over the stones, he lopes along quickly as if he were alone. He runs along on his long wobbly legs, crossing ravines, striding over rifts. The sun and the dusty wind have stopped whirling over the stony plain, but there are still slow movements out on the red horizon throwing sparks off the flint stones. There is something like a huge funnel of light before them, out where the sun has plunged toward the earth. Lalla listens to the Hartani’s heart beating in the arteries of his neck, she can hear his panting breath.
Before nightfall, they reach the rock and the tree, the place where there is an eye of water. It’s just a hole in the stony ground with gray water in it. The Hartani sets Lalla down gently beside the water and helps her drink from his cupped hand. The water is cold, a little bitter. Then the shepherd leans over too, and drinks for a long time with his head near the water.
They wait for the night. It falls very rapidly out here, sort of like a curtain being drawn, with no mist, no clouds, nothing spectacular. It’s almost as if there were no more air, or water, just the glow of the sun being gradually extinguished by the mountains.
Lalla is lying on the ground against the Hartani. She isn’t moving. Her legs are bone tired, lacerated, and the clotted blood has made scabs covering the soles of her feet like black shoe leather. Sometimes the pain from her feet shoots up through her legs, running along the bones and muscles to her groin. She moans a little, teeth clenched to keep from crying out, her hands squeeze the young boy’s arms. He doesn’t look at her; he’s looking straight out at the horizon, over in the direction of the dark mountains, or maybe he’s watching the huge night sky. His face has grown very black due to the shadows. Is he thinking about something? Lalla would really like to go inside of him to find out what he wants, where he’s going… She starts to talk, more for herself than for him. The Hartani listens to her in the way a dog does, lifting its head and following the sound of the syllables.
She talks to him about the man with the gray-green suit, about his hard black eyes like bits of metal, and then about the night spent with Naman, when the wind of ill fortune was blowing over the Project. She says, “Now that I’ve chosen you for my husband, no one can take me away, or force me to go before a judge to get married… We’re going to live together now and we’ll have a child, and no one else will want to marry me, you understand, Hartani? Even if they catch us, I’ll say that you are my husband, and that we are going to have a child, and they won’t be able to stop that. So then they’ll let us go, and we can go and live in the lands to the south, far away, in the desert…”
She no longer feels the fatigue, or the pain, only the exhilaration of that freedom, in the middle of the field of stones, in the silent night. She holds the body of the young shepherd very tightly until their odors and their breaths have completely mingled. Very slowly, the boy enters and possesses her, and she can hear the sound of his heart quickening against her chest.
Lalla turns her face up toward the center of the sky, and looks out intently. The cold, beautiful night envelops them, holding them in its blue darkness. Never has Lalla seen such a beautiful night. Back there in the Project, or on the shores of the sea, there was always something that came between you and the night — mist or dust. There was always a veil dulling it, because there were people everywhere, with their fires, their food, their breathing. But here, everything is pure. Now the Hartani lies down beside her, and a very deep, dizzy feeling traverses them, widening their pupils.
The Hartani’s face is taut, as if the skin on his forehead and cheeks was of polished stone. Above them, space slowly fills with stars, thousands of stars. They throw out bursts of white, pulse, trace their secret figures. The two fugitives watch them, almost holding their breath, eyes wide. They can feel the pattern of the constellations settling on their faces, as if they only existed through their gaze, as if they were drinking in the soft light of night. They aren’t thinking of anything anymore, not of the path in the desert, not of the suffering they will know tomorrow or the other days; they can’t feel their wounds anymore, or hunger or thirst, or anything earthly; they have even forgotten the burn of the sun that blackened their faces and bodies, that devoured the inside of their eyes.
The starlight falls gently down like rain. It makes not a sound, raises no dust, stirs up no wind. Now it is lighting the stony field, and the area around the mouth of the well, the charred tree becomes light and frail as a wisp of smoke. The earth is no longer really flat, it has been drawn out like the prow of a boat, and now it drifts slowly forward, glides along, rocking and rolling, moving slowly through the lovely stars, while the two children holding tightly to one another, bodies buoyed, carry out the gestures of lovemaking.
New stars appear every second, tiny, hardly even possible in the blackness, and the invisible threads of their light join the others. There are myriads of gray, red, white lights intermingling with the deep blue of the night, suspended like bubbles.
Later, as the Hartani is drifting peacefully off to sleep with his face against her, Lalla watches all the signs, all the bursts of light, everything that is pulsing, flickering, or remaining fixed, like an eye. Still higher up, directly above her, is the vast Milky Way, the path traced by the blood of Gabriel’s lamb, according to what Old Naman used to say.
She drinks in the extremely soft light coming from the clusters of stars, and suddenly she has the feeling, like the words to the song Lalla Hawa’s voice sang, that it is so very close, she could simply reach out her hand and take a handful of the beautiful shimmering light. But she doesn’t move. Her hand is resting on the Hartani’s neck and listening to the blood beating in his arteries, the tranquil passage of his breathing. Night has eased the fever of the sun and the dryness. Thirst, hunger, anxiety have all been relieved by the light of the galaxy, and on her skin, like droplets, are the marks of each star in the sky.
The two children can no longer see the earth now, holding tightly to one another, they are wheeling out through the open sky.
EACH DAY ADDED a little more land. The caravan had been divided into three sections, separated by a two- or three-hour march. The one headed by Larhdaf was on the left, over by the foothills of the Haua, on the route to Sidi al-Hach. Saadbou, the youngest son of the great sheik, was leading the one on the far right, following the dried riverbed of the Jang Saccum up through the middle of the valley of the Saguiet al-Hamra. In the middle, and hanging back, Ma al-Aïnine moved along with his warriors on camelback. Then came the caravan of men, women, and children prodding their livestock out in front, following the huge cloud of red dust rising into the sky ahead of them.
Each day, they walked along the bottom of the immense valley while the sun over their heads followed the opposite path. It was the end of winter, and the rains had not yet assuaged the earth. The bottom of the Saguiet al-Hamra was as hard and crackled as an old goatskin. Even its red color burned their eyes and the skin on their faces.
In the morning, before the sun was even up, the call for the first prayer rang out. Then the sounds of the animals arose. The smoke from the braziers filled the valley. In the distance, Larhdaf’s soldiers called out their chants and were answered by Saadbou’s men. But the blue men of the great sheik prayed in silence. When the first signs of red dust rose into the air, the men set the herds to moving. Everyone picked up their bundles and started walking again over the earth, which was still cold and gray.
Slowly, day broke on the horizon, up above the Hamada. The men watched as the gleaming disk lit up the valley bottom and, already, they squinted their eyes and leaned slightly forward, as if to resist the weight and pain of the light on their brows and shoulders.