"I know how it sounds, goddamn it," she said. "But what the hell else can it be?"
I could think of a lot of other things it could be, but it didn't seem politic to say so, and after a moment Deborah went on.
"All right, maybe I'm full of shit," she said. "But I need some luck on this thing. There's a clock ticking here, and that girl…" She paused almost as if she were feeling strong emotion, and I looked at her with surprise. Emotion? Sergeant Iron Heart?
Deborah didn't look back at me. She just shook her head. "Yeah, I know," she said. "I shouldn't let it get to me. It's just…" She shrugged and looked grumpy again, which was a bit of a relief. "I guess I've been a little… I dunno. Weird lately."
I thought about the last few days, and realized that it was true: My sister had been uncharacteristically vulnerable and emotional. "Yes, you have," I said. "Why do you think that is?"
Deborah sighed heavily, another action that was very unlike her. "I think… I dunno," she said. "Chutsky says it's the knife wound." She shook her head. "He says it's like postpartum depression, that you always feel bad for a while after a major injury."
I nodded. It made a certain amount of sense. Deborah had recently been stabbed, and had come so close to death from blood loss that the difference was a matter of a few seconds in the ambulance. And certainly Chutsky, her boyfriend, would know about that-he had been some kind of intelligence operative before being disabled, and his body was a raised-relief road map of scar tissue.
"Even so," I said, "you can't let this case get under your skin." As soon as I said it I braced myself, since it was a surefire setup line for an arm punch, but once again Debs surprised me.
"I know," she said softly, "but I can't help it. She's just a girl. A kid. Good grades, nice family, and these guys-cannibals…" She trickled off into a moody and reflective silence, which was a really striking contrast to the fact that we were speeding through heavy traffic. "It's complicated, Dexter," she said at last.
"I guess so," I said.
"I think I empathize with the kid," she said. "Maybe because she's so vulnerable at the same time I am." She stared straight ahead at the road, but didn't really seem to see it, which was a little bit alarming. "And all this other stuff. I dunno."
It might have been because I was hanging on for dear life in a vehicle that was careening through traffic at breakneck speed, but I didn't quite get her point. "What other stuff?" I said.
"Ah, you know," she said, even though I had said quite clearly that I did not know. "The family shit. I mean…" She scowled suddenly and looked at me again. "If you say one fucking word to Vince or anybody else about my bio clock ticking, I swear I'll kill you."
"But it is ticking?" I said, feeling mildly astonished.
Deborah glared at me for a moment and then, happily for life and limb, looked back at the road again. "Yeah," she said. "I think it is. I really want a family, Dex."
I suppose I could have told her something comforting based on my experience: perhaps that families were overrated and kids were really just a sinister device to make us all prematurely old and crazy. But instead, I thought of Lily Anne, and I suddenly wanted my sister to have her family so she could feel all the things I was learning to feel. "Well," I said.
"Shit, that's the exit," Deborah said, swerving hard for the off-ramp and effectively killing the mood, as well as guaranteeing that I lost all sense of what I had been about to say. The sign that flashed by, seemingly just a few inches from my head, told me we were heading for North Miami Beach, into an area of modest houses and shops that had changed very little in the last twenty years. It seemed like a very odd neighborhood for a cannibal.
Deborah slowed down and nosed into traffic at the end of the off-ramp, still moving too fast. She took us several blocks east, then a few more north, and then steered into six or seven blocks of houses where the residents had planted rows of hedges to seal off all the roads leading in, except one main entry street. It was a practice that had become common in this part of town, and was supposed to cut down crime. Nobody had told me whether it worked.
We went through the entrance to the minicommunity and two blocks over, and then Debs pulled up onto the grass in front of a modest, pastel yellow house and the car rocked to a stop. "That's it," Deborah said, glancing at the paper on the seat beside her. "Guy's name is Victor Chapin. He's twenty-two. House is owned by Mrs. Arthur Chapin, age sixty-three. She works downtown."
I looked at the little house. It was slightly faded and very ordinary. There were no skulls stacked outside, no hex signs painted on the yellow walls, nothing at all to say that evil lived here. A ten-year-old Mustang squatted in the driveway, and everything about the place was still and suburban.
"He lives with his mom?" I said. "Are cannibals allowed to do that?"
She shook her head. "This one does," she said, opening her door. "Let's go."
Deborah got out of the car and marched briskly toward the front door, and I could not help remembering that I had been sitting in the car and watching when she had gone alone to another door and been stabbed-so I got out quickly and joined her just as she pushed the doorbell. From inside the house we heard an elaborate chime playing, something that sounded very dramatic, although I couldn't quite place it. "Very nice," I said. "I think it's Wagner."
Deborah just shook her head and tapped her foot impatiently on the cement stoop.
"Maybe they're both at work," I suggested.
"Can't be. Victor works at a late-night club," Debs said. "Place on South Beach called Fang. They don't even open until eleven."
For a moment I felt a small twitch somewhere on the ground floor of my deepest and darkest dungeon. Fang. I had heard of that before, but where? In the New Times? In one of Vince Masuoka's tales of late-night clubbing? I couldn't quite remember, and it went out of my head when Deborah snarled and slapped the doorbell again.
Inside, the music swelled up a second time, but this time, over the top of the most dazzling chord, we heard somebody shout, "Fuck! All right!" and a few seconds later the door swung open. A person who was presumably Victor Chapin stood there holding the door and glaring out at us. He was thin, about five inches short of six feet tall, with dark hair and several days of stubble on his cheeks, and he was wearing a pair of pajama bottoms and a wife-beater undershirt. "Yeah, what!" he said belligerently. "I'm tryna sleep!"
"Victor Chapin?" Deborah asked, and the official cop tone of her voice must have penetrated his sulkiness, because he stiffened suddenly and looked at us a bit more warily. His tongue darted out and moistened his lips, and I could see one of his Dr. Lonoff-capped fangs for a second as his eyes moved from Debs to me and back again.
"Whuddya-Why?" he said.
"Are you Victor Chapin?" Deborah repeated.
"Who are you?" he demanded.
Deborah reached for her badge. As soon as it was obvious that it was, in fact, a badge, and even before she flipped it open, Chapin said, "Fuck!" and tried to slam the door. Purely out of reflex, I got my foot in the way, and as the door bounced back open and swung toward Chapin, he turned and ran for the rear of the house.
"Back door!" Deborah said, already running for the corner of the house. "Stay here!" And then she was gone around the side. In the distance I heard a door slam, and then Deborah yelling at Chapin to stop, and then nothing. I started thinking again of the time so recently when my sister had been stabbed, and the bleak helplessness I had felt watching her life drain out onto the sidewalk. Debs had no way of knowing Chapin had actually run for a back door-he could just as easily have gone for a flamethrower. He could be attacking her right now. I peeked into the dimness of the house, but there was nothing to see, and no sound of any kind except for the rush of a central air conditioner.