“What swamp?”
“By every big city there’s always some sort of large swamp nearby, usually of about the same area. It keeps the smog down, supplies most of the oxygen, and half a dozen other absolutely essential things. New York has the Jersey Flats, San Francisco, the whole muddled-out Oakland edge of the bay. You fill the swamp in, the smog goes up, the sewage problem gets out of hand, and the city becomes unlivable. No way to avoid it. I think it’s fair to say most people would find this unlivable.”
Kid sniffed. “We sure got enough smog.” The blades at his belt tickled the hair on his inner forearm. “Where’s our swamp?”
“Obviously you’ve never taken the ride out past Holland Lake.”
Kid shrugged in his bindings. “That’s true.” The chain that wrapped him had worked down so that it tugged across the back of his left hip at every other step. He reached under his vest and moved it with his thumb. “Do you think that’s what happened to Bellona?” Someday I’ll die, turned irrelevantly through his mind: Death and artichokes. Heaviness filled his ribs; he rubbed his chest for the reassuring systolic and diastolic thumps. Not that I really think it might stop, he thought: only that it hasn’t just yet. Sometimes (he thought), I wish I couldn’t feel it. (Someday, it will stop.)
“Actually,” Tak was saying, “I suspect the whole thing is science fiction.”
“Huh? You mean a time-warp, or a parallel universe?”
“No, just…well, science fiction. Only real. It follows all the conventions.”
“Spaceships, ray-guns, going faster than light? I used to read the stuff, but I haven’t seen anything like that around here.”
“Bet you don’t read the new, good stuff. Let’s see: the Three Conventions of science fiction—” Tak wiped his forehead with his leather sleeve. (Kid thought, inanely: He’s polishing his brain.) “First: A single man can change the course of a whole world: Look at Calkins, look at George—look at you! Second: The only measure of intelligence or genius is its linear and practical application: In a landscape like this, what other kind do we even allow to visit? Three: The Universe is an essentially hospitable place, full of earth-type planets where you can crash-land your spaceship and survive long enough to have an adventure. Here in Bellona—”
“Maybe that’s why I don’t read more of the stuff than I do,” Kid said. He had had his fill of criticism with Newboy; the noise was no longer comforting. “Wasn’t there a street lamp working on this block?”
Tak bulled out the end of his sentence: “—in Bellona you can have anything you want, as long as you can carry it by yourself, or get your friends to.”
“It’s funny, not that many people have that much.”
“A comment on the paucity of our imaginations—none at all on the wonders here for the taking. No—it’s a comment on the limits of the particular mind the city encourages. Who wants to be as lonely as the acquisition of all those objects would make them? Most people here have spent most of their time someplace else. You learn something from that.”
“You’ve got more than practically anybody else I know,” Kid said.
“Then you know very few people.”
“Except Mr. Calkins.” Kid thought about the Richards. “And I don’t know him.” But Tak had seen Mr. Newboy earlier. Tak would know his book was set.
“There’s a whole range between,” Tak said. “You’ve limited your acquaintances to the people who don’t want very much. Essentially a religious choice, I suppose. All things considered, I’d say it was a wise one. There are a thousand people—perhaps—in this city.”
“I did meet one family who—”
“There are many others. And most of them, as Paul Fenster keeps reminding us, are black.”
“George Harrison just told me I should come over and visit him in Jackson.”
Tak beat the darkness with his poster. “There! The whole thing. Paul will tell you, but George will show you, if you give him half a chance.” Now Loufer sighed. “I’m afraid I’m still pretty much a verbal type. I’d just as soon be told.”
“And look at posters.”
“And read books. Preferably science fiction. But like I say, Bellona is terribly hospitable. You can have your fantasy and…well, besides eating it too, you can also feel just a bit less like you’re depriving anyone else of theirs. Home again.”
Kid looked around with blunt thumbs of darkness on his eyes. “We are? Tak, didn’t there used to be a street light working at the end of your block?”
“Went out a few days ago. This way. Watch out for the steps. There’s all sorts of junk around.”
Some of it rolled beneath Kid’s flexible leather sole. Soft darkness turned hard. The echo from the sound of breath and footsteps changed timbre.
They went through the hall, went downstairs, went up.
“First time you were up here,” Tak laughed, “I made you park your weapon at the door. Boy, I don’t know how some people put up with me.”
The roof door opened on distant, flesh-colored light.
Where the streets had been hopelessly black, the roof was dusted with nightlight.
Like two giant hieroglyphs, over-printed and out of register, the bridge’s suspension cables rose to twin cusps, then dropped in smoke. No more than one row of buildings away, night water took up the glitter of both street lamps and redder quavering fires. “Hey, it’s so close…”
Before him, above the city, shapes unfurled out over the water. He could not see the far shore. It could even have been a sea he gazed at, save for the bridge…Above, sky-bits seemed to clear, their clarity, however, unconfirmed by stars.
“How come it’s so close?” He turned from the wall, as the light came on in the shack.
Tak had already gone inside.
Kid looked at the warehouses, at the waters between. Joy, sudden and insistent, twisted the muscles of his mouth toward laughter. But he held the sound in with tiny pantings. What swelled inside was made of light. It burst—he blinked and the backs of his lids were blinding—and left a great wave of trust washing inside. Not that I trust that trust for a moment, he thought, grinning. But it was there, and pleasant. He went into the shack. “It’s…it’s so clear tonight.”
A tiny solitaire of sadness gleamed in the velvet folds of good feeling.
“Last time I was up here, Lanya was with me.”
Tak just grunted and turned from his desk. “Have some brandy.” But he smiled.
Kid took the glass and sat on the hard bed. Now Tak unrolled the poster:
George Harrison as the moon.
“You got all three now.” Kid sipped, with hunched shoulders.
George in cycle drag was still above the door.
George in the forest had replaced the Germanic youth.
Tak rolled his chair to the wall and climbed onto the green cushion. Corner by corner he tugged loose “Spanish boy on the rocks.” “Hand me the staple gun?”
The first poster swayed to the floor.
Ch-klack, ch-klack, ch-klack, ch-klack, the new moon replaced it.
Kid sat down again and regarded the three aspects of George over the rim of his glass while Tak got down from the chair. “I…” Kid’s voice sounded hollow and made something deep in his ear tickle so that he grinned. “You know, I lost five days?” He slid his fingers around the glass till the nubs butted.
“Where—” Tak put down the stapler, took up the bottle and leaned back against the desk, hands locked on the green neck; the base put a crease in his stomach—“or would you be telling me if you knew—did you lose them?”
“I don’t know.”
“You look pleased enough about it.”
Kid grunted. “A day now. It takes about as long as an hour used to when I was thirteen or fourteen.”