Randy nodded once, curtly, then Katie said, “No! There has…”
“Don't make me pull rank on you. Please. Katie, you know we aren't getting out of this, none of us. So.” Heath shrugged his broad shoulders, dropping his pack on the floor behind him, “It is time to choose how to die. Randy you get those coordinates for the artillery strike written down?”
“Yes.”
“Written down? Why? Won't you be there to call them in?” Katie turned worriedly towards Randy.
“Just in case I am not.” he said, pressing a listing of numbers into her hand. “There is the field, the stadium area, this is the art center, and use this last one only when the shit really hits the fan.”
Katie looked at the paper, then at the building across the street, she frowned, then nodded. “Fuck.”
“No time now, but I will remember your offer for the rest of my life.” Heath quipped.
“In your fucking dreams.”
“I don't think I will be dreaming much more. I promise you; you will have time to reach the other side.” Heath fished around in his pack and produced a small square of plastic.
“Explosives? It is awful small.” Randy ventured.
“Explosives? No, I don't think one man could pack enough explosives to make much of a dent in this crowd. It's my mp3 player. Are you ready to rock?” gathering his pistol, rifle and taking a large kukri style knife from his pack he stood up. He tucked the large knife into his belt at his back and after checking the pistol he held out his hand to first Katie and then Randy. While shaking his hand he said, “Good luck. Wait until they leave then make your move. Don't fuck this up. I know you are low on ammo, but if you can and if you see me later, well…dead, put one through my brain, would you? If you can afford the shot.”
Katie nodded, Randy just shook Heath's hand in a wooden manner. Then the special forces operative turned and strode back through the building turning down a corridor that led north, instead of back the way they had come.
“What do you think he is going to do?”
“Create a distraction. I hope it's big.” answered Randy.
Heath headed towards the light at the end of the hallway. The fire escape door was clear glass and he approached it warily. Most of the zombies were in the streets to the west of the building, but enough of them were flocking to the area that they were spilling around to the north side as well.
'Good the crowd is thinner here.' he thought as he walked close enough to the door to see outside. He looked into the crowd for the controlling zombies, the ones everyone called super zombies, Heath didn't see any. Ahead of him the city's open park cut a green swath between him and lake Michigan. The pavilion he was aiming for was about two hundred meters away. Heath had a distinct advantage in Chicago, he knew the city. As a younger man he had been to many concerts and festivals along Lake Shore Drive in his time and he was familiar with the park ahead of him. The park had its own speaker system, far below the usual standard that musicians used, but adequate to get sounds out to large masses of people in the park when announcements were needed. That was the building Heath was aiming himself towards. There were only two hundred or so slow zombies between him and it. 'One per meter.' he told himself, 'I can do this. I was born to do this.' Before exiting the door he went down on his knees, crossed himself and said a brief prayer that ended with “…mom, I will see you soon! Amen.” Heath stood up and slung his rifle over one shoulder, pulling the strap tight so it would not fall off or impede his running. He took his pistol in his off hand and pulled out the kukri with his right. For the close in and dirty fighting he knew the rifle's power would not be needed, besides he was optimistic he could make it without firing a shot. Heath plotted his course one last time and then pushed through the fire door.
He made it over a hundred meters before he made his first kill. The zombies saw him, but he was in the prime of life, he ran five miles a day carrying a heavy pack and now he was carrying next to nothing. The zed who had gotten too close was brought down by a single sharp blow from the twisting, curved blade. Twirling away from the blow, Heath spun away from the zombie's companions and kept running for his objective. The zombies were not as densely packed in the park and, as he had hoped, he did not have to fire a single shot to reach the stage where he had once assisted a band in setting up their music system. The door was padlocked from the outside, without hesitation Heath pounded the kukri into the door, then barreled into it with the side of his body. The door and lock gave away too easily and he sprawled onto the floor of the room beyond. 'Fuck! Look at mister special forces now!' he thought while getting up. He kicked the door shut behind him with one foot and secured his pistol back in its holster. Holding the door with one hand he opened the fuse box next to it and flipped all the breakers to 'on', which powered up the room he was in, he hoped. Nothing came on or hummed to life when he flipped the switches, but there was not much in this room either. He closed the fuse box and pulled a ratty t-shirt off of a shelf near the door. Heath draped the shirt over the box to hide it from casual view. Still holding the door shut he flipped on the industrial light switch on the other side of the door, the light went on just as a zombie tried to push into the room. He was shoved back, but not far enough for anyone to get inside the room. Looking at the shelves he thought he could pull one set down in front of the door, with his gun hand free he pulled on them experimentally. They didn't budge. The shelves were mostly empty, there were a few other ragged shirts on them, left over from some concert or another and a cardboard box that displayed the size of the cups within on its side. The shelf was wood with a metal frame, giving Heath an idea, he punched upwards from below it and sure enough the wood popped off and clattered sideways at an angle, he caught it before it fell to the ground. Holding the door with his back he maneuvered the piece of wood between the door knob and the floor, it would not hold the zombies for long, but what he was after was not in this room.
After he had the door wedged shut he cautiously took his weight off of it and stepped back. The zombies outside pounded on it and the board bent alarmingly, but held. Heath turned and fled the length of the room towards the two doors located there. He choose the one on the right hand side and to his relief found that it was not locked. Once inside he shut it and twisted the deadbolt to lock the door behind him. The short passage he was in led to a set of concrete steps that ended in a small, glass enclosed office filled with electronic equipment, Heath punched buttons and turned on everything he could, then looked at the large directional button that was mounted to the wall. Outside of the glass booth he could see the stage, for concerts the massive doors would be lifted up, this was what the buttons were for, to raise and lower the doors.
Heath pulled a cable free from an ancient compact disc player that was covered in decals and sticky with spilled drinks and dust. Taking out his mp3 player he plugged the cable in, turning on his device he scrolled down the list of music, “What is the best music to die to?” he said out loud. A crash sounded from the room beyond as the zombies made it through the door. In no hurry he frowned, then said, “No, what is the best music to save the world to?” then repeated 'no' to himself several times as the zombies started pounding on the door to the room he was in. “Well fuck it, when in doubt go hard or go home. But don't go home hard.” smiling he thought of his friends and him coming up with the line at one of many of the parties he had been to. Setting his mp3 player on the stereo he pressed pause, then hit the button to open the stage doors. He had to hold the button for the doors to go up, if he were to let off of it the door would stop. Slowly the park was revealed, there were a smattering of zombies milling about a few of whom looked towards the stage at the movement of the doors.