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Thirty years later, Bat Masterson earned Kate’s everlasting contempt by pimping Doc’s memory in a magazine article that portrayed the dentist as a bitter, bad-tempered drunk who killed without cause or conscience—libel that would be repeated for a hundred years. Then, in 1931, a successful posthumous biography of Wyatt Earp reminded people of Doc’s part in the Tombstone gunfight. It was Wyatt’s defense of Doc’s good character that sent those two publishers to Kate when they heard that Doc Holliday’s woman was still alive.

After some thought, Kate concluded that Doc would have been pleased if she could turn his misfortune to her advantage. She had almost signed the book contract when she found out the cheap bastards weren’t going to pay her for the work, so she told the publishers to go to hell.

Nevertheless, thoughts of Doc preoccupied Kate at the end of her own long life. Of all the men she’d been with—and there must have been a thousand or more in two decades of active frontier prostitution—only John Henry Holliday remained memorable. The rest were as obvious and as easily dealt with as a phallus. Doc was different, start to finish. She never truly understood that man, but she loved him in her way.

A single letter from Kate has been preserved. Written in the last year of her life, it includes an outline of her time with Doc and an unflattering portrayal of Wyatt Earp, whom Kate considered an illiterate bumpkin. She hardly mentioned Morgan; that might seem odd, but Kate was the kind who remembered animosity more passionately than affection, and it was impossible to dislike Morgan Earp. He and Kate had forged a bond at Doc’s bedside back in Dodge, and she always appreciated the way Morg could tell when his own easy strength and robust health were a comfort and a support to Doc, and when they felt like mockery and an undeserved rebuke.

That first hemorrhage was neither the last nor the worst that Doc survived, but it remained the most frightening—for Doc himself and for those who cared about him. “You get used to it,” Doc always said. “You can get used to anything.” Used to the gnawing pain; used to the sudden taste of iron and salt; used to the struggle to pull air in as blood from his lungs rose. After 1878, Kate and the Earps knew what to do when Doc started coughing blood and they, too, got used to the way he would rally and recover. “Cheatin’ the Fates is gettin’ to be a habit,” Doc would say, but his cough and breathlessness worsened steadily, and each successive episode of bleeding left him weaker than before.

Please thank the children for their prayers and tell them I am not dead yet, he wrote in a letter to Alex von Angensperg after a bout of pneumonia in December of 1879. That said, I appear to be decomposing considerably ahead of schedule. Kate finds me poor company.

And so did everyone else.

When he was sober, intensifying pain left him sleepless and short-tempered, so he drank to get relief, and it took a lot of bourbon to do the job. When drunk, he found it difficult to govern his sly, teasing tongue. Either way—sober and snappish or drunk and droll—he was accumulating enemies. Warned, he was defiant. Kate began to feel that he was courting death and left him twice, but came back again when he asked her to join him in Tombstone.

By then liquor had begun to erode the quick wit and thoughtful intelligence that Morgan had liked so much in Doc. He, too, was worried by the chances Doc took, but no matter how difficult Doc became, Morg stuck by him. “He is a brother to me,” Morg always said. That loyalty was mutual. When the Clanton and McLaury brothers faced off against the Earps at the O.K. Corral in October of 1881, John Henry Holliday stood at Morgan’s side.

In Kate’s opinion, the men involved in that shoot-out were spoiling for a fight and they got what they all wanted. Her account of the showdown in Tombstone is remarkable for its focus on the aftermath, when Doc retreated to their hotel room, sat on the side of their bed, and wept. He seemed stunned that what started as a misdemeanor arrest had gone so wrong, so quickly. Three men dead; Morgan and Virgil Earp badly wounded. “Doc was all broken up,” Kate recalled, “and he kept saying, ‘This is awful. This is just awful.’ ” Kate herself was worried that Wyatt and Doc would be lynched by Ike Clanton’s friends.

Morg and Virgil recovered. Doc and the Earps were exonerated of wrongdoing by a judge, but Kate was right. Ike’s friends weren’t the kind to forgive and forget. On the night of March 18, 1882, Morgan Earp was shot in the back while playing billiards: retaliation for the deaths of the three men killed during the gunfight at the O.K. Corral.

When Morgan died in Wyatt’s arms, no one—not even Virgil or James—understood the depth of Wyatt’s loss or shared his grief and rage and guilt as fully as Doc Holliday. It was Doc who bought the blue suit that Morgan was buried in. And when Wyatt Earp left Tombstone to avenge his brother’s murder, Doc Holliday was right beside him.

From that day forward, legend would link their names as halves of an iconic frontier friendship, but Kate knew the truth. Without Morgan to draw them together, Wyatt and Doc had little in common apart from the desire to see Morg’s killers dead in the dirt. When that was accomplished, Wyatt and Doc split up and soon lost contact.

Kate was glad of that at first. She had never liked Wyatt, but with Morgan gone and the Earps scattered, the full burden of Doc’s care soon settled onto her own small shoulders. That load was sometimes more than she could bear.

Doc understood why she fled and never held it against her. Kate is gone again and it is my fault, he wrote to Alex von Angensperg in a copperplate hand loosened by drink. She is weary of life with a man who has been dying for years and cannot seem to finish the job. The strain of a long illness will exhaust the most compassionate.

Despite Kate’s occasional interference, John Henry had continued to correspond with his cousins, though his notes became brief and infrequent as his condition deteriorated. When Martha Anne wrote of her decision to enter the Catholic Order of the Sisters of Mercy, it made no great difference between them. Distance and time had worked their changes. Their childhood romance had long since mellowed into cousinly caring. John Henry’s last letter to Sister Mary Melanie was dated May 5, 1887, and postmarked in Leadville, Colorado. Thank you for your prayers, dear heart. I have nothing happy to report. I will be moving to Glenwood Springs when I am well enough to stand the journey. Mountain air may help.

If anything, Glenwood’s thin air and sulfur springs hastened his decline. In September, Doc wrote to Kate, asking her to join him. She could tell from his handwriting how weak he was and came as quickly as she could. He was waiting on a bench at the stagecoach depot the afternoon she was due to arrive. Kate walked right past him.

He called her name. The effort set off a coughing fit more recognizable than the man himself. Eyes hollow, cheeks sunken, John Henry Holliday was a fragile old man at thirty-six: bent and emaciated, his fine ash-blond hair now thinned and silver-white.

He had beaten the odds before and believed that, with Kate’s care, he could do it again. But there are games that cannot be won, no matter how cleverly they are played. Consumed by fever, weakened by pneumonia, undermined by alcohol and laudanum, exhausted by the violent cough that shook him day and night, John Henry Holliday died, like his mother before him, too young, after a terrible struggle with tuberculosis.

Kate was at his side.

He had wished to leave some sort of legacy but he was penniless at the end. Kate used her own savings to pay his bill at the Glenwood Springs Hotel. In memory of Doc’s ruinous, reflexive openhandedness, she even gave small cash gifts to members of the hotel staff who had been especially kind to them during the last days of Doc’s life.