"Get married then! Why do you not get married?"
Clotilde remained silent for a moment, surprised. She had not thought of marriage. Then she smiled again.
"No doubt we will get married, grandmother. But later on, there is no hurry."
Old Mme. Rougon went away, obliged to be satisfied with this vague promise.
It was at this time that Pascal and Clotilde ceased to seclude themselves. Not through any spirit of bravado, not because they wished to answer ugly rumors by making a display of their happiness, but as a natural amplification of their joy; their love had slowly acquired the need of expansion and of space, at first beyond the house, then beyond the garden, into the town, as far as the whole vast horizon. It filled everything; it took in the whole world.
The doctor then tranquilly resumed his visits, and he took the young girl with him. They walked together along the promenades, along the streets, she on his arm, in a light gown, with flowers in her hat, he buttoned up in his coat with his broad-brimmed hat. He was all white; she all blond. They walked with their heads high, erect and smiling, radiating such happiness that they seemed to walk in a halo. At first the excitement was extraordinary. The shopkeepers came and stood at their doors, the women leaned out of the windows, the passers-by stopped to look after them. People whispered and laughed and pointed to them. Then they were so handsome; he superb and triumphant, she so youthful, so submissive, and so proud, that an involuntary indulgence gradually gained on every one. People could not help defending them and loving them, and they ended by smiling on them in a delightful contagion of tenderness. A charm emanated from them which brought back all hearts to them. The new town, with its bourgeois population of functionaries and townspeople who had grown wealthy, was the last conquest. But the Quartier St. Marc, in spite of its austerity, showed itself at once kind and discreetly tolerant when they walked along its deserted grass-worn sidewalks, beside the antique houses, now closed and silent, which exhaled the evaporated perfume of the loves of other days. But it was the old quarter, more especially, that promptly received them with cordiality, this quarter of which the common people, instinctively touched, felt the grace of the legend, the profound myth of the couple, the beautiful young girl supporting the royal and rejuvenated master. The doctor was adored here for his goodness, and his companion quickly became popular, and was greeted with tokens of admiration and approval as soon as she appeared. They, meantime, if they had seemed ignorant of the former hostility, now divined easily the forgiveness and the indulgent tenderness which surrounded them, and this made them more beautiful; their happiness charmed the entire town.
One afternoon, as Pascal and Clotilde turned the corner of the Rue de la Banne, they perceived Dr. Ramond on the opposite side of the street. It had chanced that they had learned the day before that he had asked and had obtained the hand of Mlle. Leveque, the advocate's daughter. It was certainly the most sensible course he could have taken, for his business interests made it advisable that he should marry, and the young girl, who was very pretty and very rich, loved him. He, too, would certainly love her in time. Therefore Clotilde joyfully smiled her congratulations to him as a sincere friend. Pascal saluted him with an affectionate gesture. For a moment Ramond, a little moved by the meeting, stood perplexed. His first impulse seemed to have been to cross over to them. But a feeling of delicacy must have prevented him, the thought that it would be brutal to interrupt their dream, to break in upon this solitude a deux, in which they moved, even amid the elbowings of the street. And he contented himself with a friendly salutation, a smile in which he forgave them their happiness. This was very pleasant for all three.
At this time Clotilde amused herself for several days by painting a large pastel representing the tender scene of old King David and Abishag, the young Shunammite. It was a dream picture, one of those fantastic compositions into which her other self, her romantic self, put her love of the mysterious. Against a background of flowers thrown on the canvas, flowers that looked like a shower of stars, of barbaric richness, the old king stood facing the spectator, his hand resting on the bare shoulder of Abishag. He was attired sumptuously in a robe heavy with precious stones, that fell in straight folds, and he wore the royal fillet on his snowy locks. But she was more sumptuous still, with only the lilylike satin of her skin, her tall, slender figure, her round, slender throat, her supple arms, divinely graceful. He reigned over, he leaned, as a powerful and beloved master, on this subject, chosen from among all others, so proud of having been chosen, so rejoiced to give to her king the rejuvenating gift of her youth. All her pure and triumphant beauty expressed the serenity of her submission, the tranquillity with which she gave herself, before the assembled people, in the full light of day. And he was very great and she was very fair, and there radiated from both a starry radiance.
Up to the last moment Clotilde had left the faces of the two figures vaguely outlined in a sort of mist. Pascal, standing behind her, jested with her to hide his emotion, for he fancied he divined her intention. And it was as he thought; she finished the faces with a few strokes of the crayon-old King David was he, and she was Abishag, the Shunammite. But they were enveloped in a dreamlike brightness, it was themselves deified; the one with hair all white, the other with hair all blond, covering them like an imperial mantle, with features lengthened by ecstasy, exalted to the bliss of angels, with the glance and the smile of immortal youth.
"Ah, dear!" he cried, "you have made us too beautiful; you have wandered off again to dreamland-yes, as in the days, do you remember, when I used to scold you for putting there all the fantastic flowers of the Unknown?"
And he pointed to the walls, on which bloomed the fantastic parterre of the old pastels, flowers not of the earth, grown in the soil of paradise.
But she protested gayly.
"Too beautiful? We could not be too beautiful! I assure you it is thus that I picture us to myself, thus that I see us; and thus it is that we are. There! see if it is not the pure reality."
She took the old fifteenth century Bible which was beside her, and showed him the simple wood engraving.
"You see it is exactly the same."
He smiled gently at this tranquil and extraordinary affirmation.
"Oh, you laugh, you look only at the details of the picture. It is the spirit which it is necessary to penetrate. And look at the other engravings, it is the same theme in all-Abraham and Hagar, Ruth and Boaz. And you see they are all handsome and happy."
Then they ceased to laugh, leaning over the old Bible whose pages she turned with her white fingers, he standing behind her, his white beard mingling with her blond, youthful tresses.
Suddenly he whispered to her softly:
"But you, so young, do you never regret that you have chosen me-me, who am so old, as old as the world?"
She gave a start of surprise, and turning round looked at him.
"You old! No, you are young, younger than I!"
And she laughed so joyously that he, too, could not help smiling. But he insisted a little tremulously:
"You do not answer me. Do you not sometimes desire a younger lover, you who are so youthful?"
She put up her lips and kissed him, saying in a low voice:
"I have but one desire, to be loved-loved as you love me, above and beyond everything."
The day on which Martine saw the pastel nailed to the wall, she looked at it a moment in silence, then she made the sign of the cross, but whether it was because she had seen God or the devil, no one could say. A few days before Easter she had asked Clotilde if she would not accompany her to church, and the latter having made a sign in the negative, she departed for an instant from the deferential silence which she now habitually maintained. Of all the new things which astonished her in the house, what most astonished her was the sudden irreligiousness of her young mistress. So she allowed herself to resume her former tone of remonstrance, and to scold her as she used to do when she was a little girl and refused to say her prayers. "Had she no longer the fear of the Lord before her, then? Did she no longer tremble at the idea of going to hell, to burn there forever?"