if you want.
the french doors are open. there is a crowd. we slip in behind a tall vase on the other side of which a man is standing and four women. ne se peut plus celer. larceny legacy as the poet says. honoured in his community. by day. at the far end of the room the man stands with a hammer raised in one hand as he points at people in the crowd. it is harder to make out what he is saying at this distance with all the other life. come on. i take xs hand. come on, through here. excuse me. a row of chairs. no it was the men who did the floor in the cathedral crypt. i think you must be. here, you mean, morrow had something to do with it. we have to go along the backs of the chairs to the opposite wall. when we get there we are about to push forward again when i see mother ahead of us. she is half turned towards the front of the room her hands are fluttering at her sides. someone is talking to her. and it isnt just his excessively and exorbitantly stocked garage or the cirkut cameras he never took out of their cases. you know the year he built this place instead of settling down he went and ordered a french hydroaeroplane. the parts arrived in four crates and he assembled it himself at the port in double bay. got a maurice guillaux to help him fly it too. wonder if there werent any bits left over when he was finished. excuse me. mother was opening her mouth again. raised her. she turned. her eyes. you.
run. i tell x to run i turn on my heels. i hear a thud. there is a splintering sound rising suddenly to a crash and a space emptied of people where a mass of shattered glass is falling and scattering in sculpted fragments across the floor. its falling back. the shards are falling. there is a scream then there is silence. she stares. what made her a mother. my daughter, she says. somebody pick my daughter up. which one. that one. the other can walk. its powder. dont touch. i know this game, up under the shoulders and i am soaring out of there. had a very bowel movement. it is x she is making for the back door. i grab the hem of her skirt and tow after. i will never. we are hurtling across the garden over the fence is that the word never mind no one is coming after us. probably fainted. her furious louing beastly dumbed, where are we going. i see. obvious. we dont need to go so fast not to be facetious theres no one after us wait. the masts. fly by fast as is that miss sutt shelves, i think she saw. assunder the eart. the heave through a barrel. i wonder if my legs are bleeding. happened once when i broke something no time to check. strike watch out. nothing so pressing you dont have time to look the other way. i will never. still the hem of her dress in my fist getting damp. she is too old for this kind of dresses much too old. she should wear silk. not a pin. i am running. it is planted. her vows, shall have, not denied, ever fly off. my feeth hurt i too have fierth affections maybe they are bleeding if only. forget it this must be guts. i just hope when we get there i will get there. i hope we get. when i. when we get there. we run up the stairs x lets us in. i think i have a headache. whats it. doesnt feel like stroking. x takes a golf club out of the bag leaning on the hallstand. she going to do look for the secret rooms. she goes in i follow her i see her stand above the piano with the club raised it was a palmer did i say that compass of seven thirteen 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in i ch he lasq qt ne had b eenhh wr apm y ped a b atter e eed and brke n wa tch sm ehw le ft be h i aa a a d hriemd a nd brkccen dnn er r l l nd the b f s e d ativ pw wwders br ugkht bm ctrells zff fz ie cam e ver th e tabl and siveyed he r rimly u sezkies quit eg p a cl lectiny n g t take tgem and ut iz ben ver he abl an p icki ed u p he b f pwdyrs aam hy sid ith ytrym e falit u areii n tpu iare ging t take te and g t bend iss rnelia d d. then we took the invitation from the fruit basket and we went to the screening and it was shit and we sat through it.