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"Sachetti met her up there. Then one time the old man had some tough luck. Three children died on him."

The old creepy feeling began to go up my back. He went on. "They died of-"

"-Pneumonia."

"You heard about it?"

"No. Go on."

"Oh. You heard about the Arrowhead business."

"Yes."

"They died on him, and there was an awful time and the old man took the rap for it. Not with the police. They didn't find anything to concern them. But with the Department of Health and his clientele. It ruined him. He had to sell his place. Not long after that he died."

"Pneumonia?"

"No. He was quite old. But Sachetti thought there was something funny about it, and he couldn't shake it out of his mind about this woman. She was over there too much, and she seemed to take too much interest in the children up there. He had nothing to go on, except some kind of a hunch. You follow me?"

"Go on."

"He never did anything about it till the first Mrs. Nirdlinger died. It happened that one of those children was related to that Mrs. Nirdlinger, in such fashion that when that child died, Mrs. Nirdlinger became executrix for quite a lot of property the child was due to inherit. In fact, as soon as the legal end was cleared up, Mrs. Nirdlinger came into the property herself. Get that, Huff. That's the awful part. Just one of those children was mixed up with property."

"How about the other two?"

"Nothing. Those two children died just to cover the trail up a little. Think of that, Huff. This woman would even kill two extra children, just to get the one child that she wanted, and mix things up so it would look like one of those cases of negligence they sometimes have in those hospitals. I tell you, she's a pathological case."

"Go on."

"When the first Mrs. Nirdlinger died, Sachetti elected himself a one-man detective agency to find out what it was all about. He wanted to clear his father for one thing, and the woman had become an obsession with him for another thing. I don't mean he fell for her. I mean he just had to know the truth about her."

"Yeah, I can see that."

"He kept up his work at the university, as well as he could, and then he made a chance to get in there, and talk with her. He already knew her, so when he went up there with some kind of a proposition to join a physicians'-and-nurses' association that was being formed, he figured she wouldn't think anything of it. But then something happened. He met this girl, and it was a case of love at first sight, and then his fine scheme to get at the truth about the wife went on the rocks. He didn't want to make the girl unhappy, and he really had nothing to go on, so he called it off. He didn't want to go to the house after what he suspected about the wife, so he began meeting the girl outside. Just one little thing happened, though, to make him think that maybe he had been right. The wife, as soon as she found out what was going on, began telling Lola cock-eyed stories about him, and got the father to forbid Lola to see him. There was no reason for that, except that maybe this woman didn't want anything named Sachetti within a mile of her, after what happened. Do you follow this?"

"I follow it."

"Then Nirdlinger got it. And suddenly Sachetti knew he had to go after this woman to mean it. He quit seeing Lola. He didn't even tell her why. He went up to this woman and began making love to her, as hard as he knew. That is, almost as hard as he knew. He figured, if it was her he was coming to see, she'd not forbid him to come, not at all. You see, she was Lola's guardian. But if Lola got married, the husband would be the guardian, and that would mix it all up on the property. You see-"

"Lola was next."

"That's it. After she got you out of the way for what you knew about her, Lola was next. Of course at this time Sachetti didn't know anything about you, but he did know about Lola, or was pretty sure he knew."

"Go on."

"That brings us down to last night. Lola followed him. That is, she followed his car when you took it. She was turning into the parking lot when you pulled out."

"I saw the car."

"Sachetti went home early. The wife chased him out. He went to his room and started to go to bed, but he couldn't shake it out of his mind that something was going on that night.

For one thing, being chased out looked funny. For another thing, the wife had asked him earlier in the day a couple of things about Griffith Park, when they closed the roads down there for the night, and which roads they closed-things that could only mean she had something cooking in that park late at night sometime, he didn't know when. So instead of going to bed, he decided to go up to her house and keep an eye on her. He went out to get his car. When he found it gone, he almost fainted, because Lola had a key to it. Don't forget, he knew Lola was next."

"Go on."

"He grabbed a cab and went down to Griffith Park. He began walking around blind-he didn't have any idea what was up, or even when to look. He started at the wrong place-at the far end of the little glade. Then he heard the shot. He ran over, and he and Lola got to you about the same time. He thought Lola was shot. She thought he was shot. When Lola saw who it was, she thought Sachetti shot him, and she was putting on an act about it when the police got there."

"I get it now."

"That woman, that wife, is an out-and-out lunatic. Sachetti told me he found five cases, all before the three little children, where patients died under her while she was a nurse, two of them where she got property out of it."

"All of pneumonia?"

"Three. The older two were operative cases."

"How did she do it?"

"Sachetti never found out. He thinks she found out some way to do it with the serum, combining with another drug. He wishes he could get it out of her. He thinks it would be important."

"Well?"

"You're sunk, Huff."

"I know it."

"We had it out this afternoon. Down at the company. I had the whip hand. There was no two ways about it. I called it long ago, even when Norton was still talking suicide."

"You did that all right."

"I persuaded them the case ought never to come to trial."

"You can't hush it up."

"We can't hush it up, we know that. But having it come out that an agent of this company committed murder is one thing. Having it plastered all over every paper in the country for the two weeks of a murder trial is something else."

"I see."

"You're to give me a statement. You're to give me a statement setting forth every detail of what you did, and have a notary attest it. You're to mail it to me, registered. You're to do that Thursday of next week, so I get it Friday."

"Next Thursday."

"That's right. In the meantime, we hold everything, about this last shooting, I mean, because you're in no condition to testify at a hearing. Now get this. There'll be a reservation for you, under a name I'll give you, on a steamer leaving San Pedro Thursday night for Balboa and points south. You take that steamer. Friday I get a statement and at once turn it over to the police. That's the first I knew about it. That's why Norton and his friends left just now. There's no witnesses to this. It's a deal between you and me, and if you ever try to call it on me I'll deny it, and I'll prove there was no such deal. I've taken care of that."

"I won't try."

"As soon as we notify the police, we post a reward for your capture. And listen, Huff, if you're ever caught, that reward will be paid, and you'll be tried, and if there's any way we can help it along, you're going to be hung. We don't want it brought to trail, but if it is brought to trial, we're going through with it to the hilt. Have you got that?"

"I've got it."