House calls were impractical. Practicality could be confining. Now I'd have the chance to stretch.
I found the turnoff easily enough and sped up a very dark street that climbed into the Palisades. No sidewalks, front lawns the size of small parks, walls and gates and talkboxes, night-black shrubbery, towering cascades of old-growth trees.
Close enough to the ocean to feel the breeze and smell the brine. Were ugly September mornings better up here?
I caught glimmers of moon-blanched water between the bulk of big houses. As I continued, the properties got wider, offered broader glimpses of Pacific. Now I was high enough to see all of the moon, gravid and low. The sky was a cloudless indigo comforter.
Very few cars were parked on the street, and the unmarked, fifty yards up, was as inconspicuous as a roach on a fridge. I sped by, vaguely aware of two heads in front, not bothering to notice if Korn or Demetri made me. Assuming they had. Now I was a notation in the murder book.
I cruised, looked for the address Safer had given me, wondered which neighboring structure housed the Mani-tows' dreams and nightmares.
Richard's monument to success turned out to be a two-story Monterey colonial, pale and ambitious above a hillock of ryegrass spacious enough to host several clusters of trees. Coconut palms, Canary Island pines, lemon eucalyptus, pittosporum, all prettified by clean white lighting that created herbal sculpture. Meticulous flower beds kissed the front of the house. Lights from within turned curtained windows amber. The lack of wall and gate implied openness, welcome. So much for architectural cues.
Stacy's Mustang sat in the driveway, in front of a silver Cadillac Fleetwood of a size no longer manufactured. No sign of Richard's black BMW. Perhaps the auto warrant had gone through and the vehicle was being raked and combed and vacuumed and luminoled in some forensic garage.
I pulled in behind the Caddy. Its plates read SHYSTER.
A Bouquet Canyon rock pathway snaked to a heavy door banded with hand-forged iron. Before I got to the entrance, the door opened and a rabbi gazed out at me. A tall, rangy, black-suited, yarmulked, gray-bearded rabbi in his sixties. The beard was clipped square and blocked the knot of his silver-gray tie. The suit was double-breasted and tailored. He stood with his hands behind his back and rocked. His presence threw me. The Dosses were Greek-Sicilian, not Jewish.
The rabbi said, "Doctor? Joe Safer."
One hand appeared. We shook, and Safer motioned me into a chandeliered entry hall guarded by a pair of blue-and-white vases as high as my shoulder. An iron-railed staircase swept upward to the second story. Safer and I walked under it and continued to another vestibule bottomed by a crimson Persian runner that fed into a wide, bright hallway. To the left was a dining room papered in blue and set up with plum-colored rosewood furniture that looked old. Across the foyer was a high-ceilinged living room. Ivory ceiling, cream silk sofas, cherrywood floors. If the neutral tones had been designed to show off what was on the walls, they worked.
Case after case of brass-framed, mirror-backed, glassed-in etageres, custom-fit to the crown molding. Glass shelves so clear they were rendered nearly invisible. What rested upon them appeared suspended in midair, just as Milo had described.
Hundreds of bowls, chargers, ewers, jars, shapes I couldn't identify, each piece spotlit and gleaming. One side wall of more blue and white, the other filled with simple-looking gray-green pieces, the widest expanse populated by a porcelain bestiary: horses and camels and dogs and fantastic, bat-eared creatures that resembled the spawn of a dragon with a monkey, all dappled in beautifully dripping mixtures of blue, green and chartreuse. Human figurines rode some of the horses. On a seven-foot coffee table sat what looked like a miniature temple glazed with the same multicolored splotch.
"Something, eh?" said Safer. "Richard informs me that those animals are all Tang dynasty. Over a thousand years old. They pull them up out of graves in China, beautifully preserved. Quite remarkable, wouldn't you say?"
"Quite brave keeping them here," I said, "given the seismic risks."
Safer stroked his beard and pushed his yarmulke back on his head. His hair was an iron gray crew cut specked with red. I still couldn't get rid of the rabbinical image. Remembered his comment about the death of his gay son. His diagnosis sped my learning curve. His eyes were gray-green, borderline warm. Like many tall men, he stooped.
"Richard's a courageous man," he said. "The children are courageous. Let's go see them."
We continued through the center hallway. Black carpeting muffled our steps as we passed more brass cases. Monochrome bowls of every color, the mirror backs reflecting Chinese inscriptions on white bases, tiny mud-colored figurines, shelves of potters' creations in white and cream and gray, more of that pale, clean green that I decided I liked best. A row of closed doors, two more at the rear. Safer beckoned me through the one that was open.
Cathedral ceiling, black leather sofas and chairs, black grand piano filling a corner. Through a wall of french doors, an aqua pool and green-lit foliage. Beyond the chlorinated water, palm fringes and the hint of ocean. The seating faced rosewood bookshelves filled with hardcovers, a Bang & Olufsen stereo system, a seventy-inch TV, laser-disc machine, other amusements. On an upper shelf, four family photos. Three of Richard and the kids, a single portrait of Joanne as a smiling young woman.
Richard sat upright on the largest of the sofas, unshaven, sleeves rolled to the elbows, kinky hair ragged- pulled-at, as if birds had attacked, seeking nesting material. He wore the usual all-black and blended so thoroughly with the couch that his body contours were obscured. It made him seem very small-like a growth that had sprouted from the upholstery.
"You're here," he said, sounding half asleep. "Thanks."
I took an armchair and Richard gazed up at Joe Safer.
Safer said, "I'll go see how the kids are doing," and left. Richard picked something out of the corner of his mouth. Sweat beads ringed his hairline.
When Safer's footsteps had faded completely, he said, "They say he's the best." Staring past me. "This is our family room."
"Beautiful house," I said.
"So I've been told."
"What happened?" I said. Any way he took that would be fine.
He didn't answer, kept his gaze above me-focused on the blank TV. As if waiting for the set to come on by itself and feed him some form of enlightenment.
"So," he said, finally. "Here we are."
"What can I do for you, Richard?"
"Safer says anything I tell you is confidential, unless you think I'm a direct threat to someone else."
"That's true."
"I'm no threat to anyone."
"Good."
He jammed his fingers in his hair, tugged at the wiry strands. "Still, let's keep it hypothetical. For the sake of all concerned."
"Keep what hypothetical?" I said.
"The situation. Say a person-a man, by no means a stupid man but not infallible-say he falls prey to an impulse and does something stupid."
"What impulse?"
"The drive to attain closure. Not a smart move, in fact it's the single stupidest, most insane thing he's ever done in his life, but he's not in his right mind because events have… changed him. In the past, he's lived a life full of expectations. That's not to say he's wedded to optimism. Of all people, he knows things don't always work out according to plan. He's earned a living understanding that. But still, after all these years of building, establishing, he's done very well, gotten sucked in by the trap of rising expectations. Feels he has a right to some degree of comfort. Then he learns differently." He shrugged. "What's done is done."