I examined the gate. It is what I think used to be called a postern, a wooden affair, very old now, dark and rotted to crumbling stumps at top and bottom, set into the whitewashed wall on two big rusted rings and held fast with a rusted bolt. Often as a boy I would enter by this gate when coming home from school. I tried the bolt. At first the flange refused to lift, but I persisted and in the end the cylinder, thick as my thumb, turned in its coils with a shriek. Behind the gate was a mass of overgrown creeper and old brambles, and I had to push hard to make a gap wide enough to squeeze through. The rain had fully stopped now and a shamefaced sun was managing to shine. I shoved the gate to behind me and stood a moment in survey. The garden was grown to shoulder-height in places. The rose trees hung in dripping tangles, and clumps of scutch grass steamed; there were jewelled dock leaves big as shovels. The wet had brought the snails out, they were in the grass and on the briars, swaying on the tall thorned fronds. I set off toward the house, the untidy back of which hung out in seeming despair over this scene of vegetable riot. Nettles stung me, cobwebs strung with pearls of moisture draped themselves across my face. All of childhood was in the high sharp stink of rained-on weeds. The sun was gathering strength, my shirt clung wetly warm to my back. I felt like a hero out of some old saga, come at last, at the end of his quest, unhelmed, travel-worn and weary, to the perilous glade. The house out of blank unrecog-nising eyes watched me approach, giving no sign of life. I came into the yard. Rusted bits of kitchen things were strewn about, a washboard and mangle, an old refrigerator with its eerily white innards on show, a pan to the bottom of which was welded a charred lump of something from an immemorial fry-up. On all this I looked with the eyes of an expectant stranger, as if I had seen none of it before.
Now, through the top part of the barred basement window, I caught sight of Quirke, or of his head at least, turned away from me, in quarter-profile. It was an uncanny sight, that big round head resting there behind bars at ground level, as though he were interred up to the neck in the floor of a cage. At first I could not make out what it was he was up to. He would lean his head forward briefly and then straighten again, and would seem to speak in some steady, unemphatic way, as if he were delivering a lecture, or committing lines to memory. Then I stepped forward for a better look and saw that he was sitting at table, with a plate of food before him, on which with knife and fork he was methodically working. The sun was burning the back of my neck now, and my skin smarted from thorns and nettle stings, and the rich deep gloom in which Quirke sat seemed wonderfully cool and inviting. I crossed to the back door. It had the look of a square-shouldered sentry standing in his box, tall and narrow, with a many-layered impasto of black paint and two little panes of meshed glass set high up that seemed to glare out with suspicion and menace. I tried the knob, and at once the door opened before me, smoothly silent, with accommodating ease. Cautiously I crossed the threshold, eager and apprehensive as Lord Bluebeard’s wife. At once, as if of its own volition, the door with a faint sigh closed behind me.
I was in the kitchen. I might never have been here before. Or I might have been, but in another dimension. Talk about making strange! Everything was askew. It was like entering backstage and seeing the set in reverse, all the parts of it known but not where they should be. Where were my chalk-marks now, my blocked-out map of moves? I was seized by a peculiar cold excitement, the sort that comes in dreams, at once irresistible and disabling. If only I could creep up on the whole of life like this, and see it all from a different perspective! The door to the basement scullery was shut; from behind it could be heard the faint clink and scrape of Quirke at his victuals. Softly I stepped into the passageway leading out to the front hall. A gleam in the lino transported me on the instant, heart-shakingly, to a country road somewhere, in April, long ago, at evening, with rain, and breezes, and swooping birds, and a break of brilliant blue in the far sky shining on the black tarmac of the road. Here is the front hall, with its fern dying in a brass pot, and a broken pane in the transom, and Quirke’s increasingly anthropomorphic bike leaning against the hatstand. Here is the staircase, with a thick beam of sunlight hanging in suspended fall from a window on the landing above. I stood listening, and seemed listened back to by the silence. I set off up the stairs, feeling the faintly repulsive clamminess of the banister rail under my hand, offering me its dubious intimacy. I went into my mother’s room, and sat on the side of my mother’s bed. There was a dry smell, not unpleasant, as if something ripe had rotted here and turned to dust. The bedclothes were awry, a pillow bore a head-shaped hollow. Through the window I looked out to the far blue hills shimmering in rain-rinsed air. So I remained for a long moment, listening to the faint sounds of the day, that might have been the tumult of a far-off battle, not thinking, exactly, but touching the thought of thought, as one would touch the tender, buzzing edges of a wound.
Cass was good with my mother. It always surprised me. There was something between them, a complicity, from which I was irritated to find myself excluded. They were alike, in ways. What in my mother was distraction turned out in Cass to be an absence, a lostness. Thus the march of the generations works its dark magic, making its elaborations, its complications, turning a trait into an affliction. Cass would sit here for hours with the dying woman at the end, seeming not to mind the smell, the foulings, the impenetrable speechlessness. They communed in silence. Once I found her asleep with her head on my mother’s breast. I did not wake her. Over the sleeping girl my mother watched me with narrow malignity. Cass was always an insomniac, worse than me. Sleep to her was a dry run for death. Even as a toddler she would make herself stay awake into the small hours, afraid of letting go, convinced she would not wake up again. I would look into her room and find her lying big-eyed and rigid in the darkness. One night when I—
The door was opened from without and Quirke cautiously put in his head. When he saw me his Adam’s apple bobbed.
“I thought I heard someone, all right,” he said, and let a grey tongue-tip snake its way from one corner of his mouth to the other.
I went down again to the hall and sat on the sofa there with my hands in my lap. I could hear Quirke moving about upstairs. I stood up and walked into the kitchen and leaned at the sink and poured a glass of water and drank it slowly, swallow by long swallow, shivering a little as the liquid ran down through the branched tree in my breast. I glanced into the scullery. On the table were the remains of Quirke’s lunch. What pathos in a crust of bread. I heard him come along the hall and stop in the doorway behind me.