"How did you know I would be here?" Liz asks. She avoids Betty's eyes.
"I didn't. The only place I knew for sure you wouldn't be was a party at Thandi's."
Liz nods.
"That was a joke, by the way." Betty looks at Liz's wet suit. "Actually, I found the empty tank box in your room and I thought you might be planning to make Contact."
"Are you angry?" Liz asks.
"At least I know what you spent the money on," Betty says. "That was another joke, by the way. In this book I'm reading, it says that humor is a good way to cope with a difficult situation."
"What book?" Liz asks.
"It's called How to Talk to Your Recently Deceased Teen."
"Is it helping?"
"Not really." Betty shakes her head. "In all seriousness, Liz, I certainly wish you hadn't lied to me, but I'm not angry. I wish you had come to me, but I know it isn't easy for you right now. You probably have your reasons."
Affected by Betty's words, Liz thinks that Amadou probably had his reasons, too. "I saw the man who was driving the cab. The cab that hit me, I mean," Liz says.
"What was he like?"
"He seemed nice." Liz pauses. "Did you know I was a hit-and-run?"
"Yes," Betty replies.
"Why didn't he stop? I mean, if he's a good person. He seems like one."
"I'm sure he is, Liz. People, you'll find, aren't usually all good or all bad. Sometimes they're a little bit good and a whole lot bad. And sometimes, they're mostly good with a dash of bad. And most of us, well, we fall in the middle somewhere."
Liz starts to cry, and Betty takes Liz in her arms. All at once, Liz knows she won't tell anyone that Amadou was the driver of the lucky cab today or any other day. She knows it won't help anything. She suspects that Amadou is a good person. There must have been a good reason he didn't stop. And even if there wasn't, Liz suddenly remembers something else, something that she had not wanted to remember in all this time.
"Betty," Liz says through tears, "that day at the mall, I didn't look both ways when I was crossing the street. The traffic light had already turned green, but I didn't see it because I was thinking about something else."
"What was it?" Betty asks.
"It's so stupid. I was thinking about my watch, how I should have brought it with me to the mall to be repaired. I kept forgetting to do it. I was deciding whether I had enough time to turn around and go back for it, but I couldn't make up my mind, because I didn't know what time it was because my watch was broken. It was a big, meaningless circle. Oh Betty, this was my fault. This was all my fault, and now I'm stuck here forever!"
"It only seems like forever," Betty says gently. "It's really only fifteen years."
"It won't make me alive again if he goes to prison," Liz whispers. "Nothing can ever do that."
"So you forgive him?"
"I don't know. I want to, but . . ." Liz's voice trails off. She feels empty. Anger and revenge gave her heft. Without her old friends to prop her up, she's only left with a single question: what now? !
"Let's go home," Betty says. Betty picks up the garbage bag with one hand and brushes the sand off Liz's wet suit with the other.
They take the long way back to the house. The summer air is warm, and Liz's wet suit sticks to her skin.
On one lawn, a boy and a girl run through the sprinklers even though it's after dark.
In a porch swing, a very old man, hunched and shriveled, holds hands with a beautiful, young redheaded woman. Liz thinks the old man might be the woman's grandfather until she watches the way the pair kisses. "Te amo," the redheaded woman whispers in the old man's ear. She gazes at the old man as if he's the most beautiful person in the world.
On another lawn, two boys of about the same age play catch with a worn-out baseball. "Should we go in?" the one boy pauses to ask the other.
"No way, Dad," the other boy answers, "let's keep playing."
"Yeah, let's play all night!" the first boy replies.
And so Liz really looks at Betty's street for the first time.
They stop outside Betty's brownstone, which is painted a bold shade of purple. (Strange as it may seem, Liz has never noticed this before.)
The summer air is thick with perfume from Betty's flowers. The scent, Liz thinks, is sweet and melancholy. A bit like dying, a bit like falling in love.
"I'm not going to the ODs anymore, Betty. I'm going to find an avocation, and when I do, I'll pay you back everything, I promise," Liz says.
Betty looks in Liz's eyes. "I believe you." Betty takes Liz's hand in hers. "And I appreciate that."
"I'm sorry about the money." Liz shakes her head. "All this time, I don't know if you've noticed . . .
The thing is, I think I may have been a little depressed."
"I know, doll," Betty replies, "I know."
"Betty," Liz asks, "why have you put up with me for so long?"
"At first, for Olivia, I suppose," Betty answers after a moment's reflection. "You look so like her."
"No one wants to be liked for who their mother is, you know," Liz says.
"I said, at first."
"So, it wasn't just for Mom's sake, then?"
"Of course not. It was for your own, doll. And mine. Mainly, for mine. I've been lonely for a very long time."
"Since you came to Elsewhere?"
"Longer than that, I'm afraid." Betty sighs. "Did your mother ever tell you why she and I argued?"
"You had an affair," Liz states, "and for a long time, Mom wouldn't forgive you."
"Yes, that's true. I was lonely then, and I've been lonely ever since."
"Have you considered maybe getting another boyfriend?" Liz asks tactfully.
Betty shakes her head and laughs. "I'm through with love, at least of the romantic kind. I've lived too long and seen too much."
"Mom forgave you, you know. I mean, I was named after you, wasn't I?"
"Maybe. I think she just felt sad when I died. And now, I suggest we both go to bed."
************************************
For the first time, Liz sleeps a dreamless sleep. Before, she had always dreamed of Earth.
When she wakes in the morning, Liz calls Aldous Ghent about the position at the Division of Domestic Animals.
Sadie
Your first real job!" Betty crows. "How marvelous, doll! Remind me to take your picture when we get there."
Hearing no response, Betty glances over at Liz in the passenger seat. "You're certainly quiet this morning," she says.
"I'm just thinking," Liz answers. She hopes she won't get fired on her first day.
Aside from the odd babysitting job, Liz never had a "real job" before. Not that she would have minded having a job. She even offered to get one at the mall when Zooey had, but her parents wouldn't let her. "School's your job," her father was fond of saying.
And her mother was in agreement: "You have your whole life to work." Liz's mother certainly had been wrong about that one, Liz thinks with a smirk.
What troubles her is this business of speaking Canine. What if she couldn't pick it up and was fired soon thereafter?
"I remember my first job," Betty says. "I was a hatcheck girl at a nightclub in New York City. I was seventeen years old, and I had to lie and say I was eighteen. I made fifty-two dollars a week, which seemed like a great deal of money to me at the time." Betty smiles at the memory.
As Liz gets out of the car, Betty snaps her picture with an old Polaroid camera. "Smile, doll!" Betty commands. Liz forces her mouth muscles into a position that she hopes will resemble a smile.
"Have a nice day, Liz! I'll pick you up at five!" Betty waves.
Liz nods tensely. She watches Betty's red car drive away, fighting the urge to run after it. The Division of Domestic Animals is housed in a large A-frame building across the street from the Registry. The building is known as the Barn. Liz knows she has to go inside, but she finds she can't move. She breaks into a sweat, and her stomach feels jittery. Somehow, it reminds her of the first day of school. She takes a deep breath and walks to the entrance. After all, the only way to absolutely ensure things will go badly is to be late.