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"Yes."

"You know."

She said nothing, but of course she knew it was so, had always known, and from now on (he thought) she would know he knew too.

"So I can't tell what this will be,” he said, “or what it really means, no. But it's what I want. I know that. And if you'll do it with me, then I'll do everything I need to do, whatever it is. But just step by step. Just step by step."

The soda was filling up with men and women, men in white figured shirts, women with children.

"Really?"

"Yes. I want to do this."

"I don't know how you can say that without knowing."

"Well, I'm saying it. And you don't know everything anyway."

She wouldn't smile; he wished she would, and he refused to think that she didn't smile because she truly saw all that lay ahead, for him and her and them.

"Both,” she said at length. “Oh my God."

He waited.

"We could go back there, at least,” she said. “Arrange another visit. We could ask, ask what, what..."

"Okay,” he said. “Okay then. Come on.” For a brief moment the soda around him, the poster for Emu cigarettes and the coffee machine and the Pepsi tables and the street outside lurched or sank as though preparing to vanish, but that was only because of his own rising to his feet, his own lifting of himself by his legs and arms, which changed his Point of View and the world with it. Relativity. It all settled again peaceably in an instant, and he felt in his pocket for taxi fare.

* * * *

Maybe it was only because Roo had been so well prepared for the future she had previously cast for herself that the different future she was offered had unsettled her so badly. Pierce thought this later, when not having the two of them was inconceivable. She wept in the taxi, she shook her head to shake him off when he asked why, but shook her head too when he offered to turn back.

Strong and clear, though, and fearfully gentle to take one and then the other in her arms, then to do what had to be done. Come on, she said to him, and he did. It meant starting all over again, as she had known and he hadn't, because the forms, stamps, seals, permissions, visas, authentications, oaths couldn't simply be copied exactly, alike as they would need to be; they were identical yet unique, as Jesusa and Maria were. And there would be a journey home alone for one of them, Pierce the one, and back again, as the unbearable days and weeks slid away.

But then on the airplane together, going home bringing them both, looking down at them as they looked up or slept or woke; bigger already than they had been when the four of them had first met.

"What'll we do,” Roo said, leaning over close to him, “about their names?"

She'd asked before. “I don't know,” Pierce said.

"Their names are their names. New ones would be so ... fake."

"But."

"Well, I mean you know. Maria, okay. But together with Jesusa?"

"I know. Why are we whispering?"

"You can't just change one name; that would be terrible."

He thought it would be too, and thought maybe he knew why. “Well, we'll change both. Maria can be Mary. Mary, Mary, sweet as any name could be."

"Okay and?"

"Jesusa. Jesus. Hm. Well, he said I am the way the truth and the life. Via Veritas Vita. How about one of those? An epithet."

"I thought an epithet was a cussword."

"No no."

"Say them again?"

"Via. Veritas. Vita."

"Vita,” Roo said. “I might actually have a relative by that name."

"Vita,” Pierce said. “Life."

It's what I want, he'd said in the soda. He felt again, with huge, calm pride, himself saying it, as though it had been the first time in his life he ever had, and in the deepest way it was: the very first time. And he had felt his soul thereupon coming back to him, double.

"This isn't going to be easy,” Roo said, and that too she'd said before.

* * * *

It wasn't easy, though sometimes it was delight, the unspeakable delight that's in hymns and songs, the valley of love and delight. Sometimes it was atrociously hard, hard as a rock face he climbed toward a retreating summit, he'd had no idea. Once, with two babes asleep in his arms, a working wife asleep in the couch's crook, he watched on TV in pity and fellow feeling a climber, defeater of K2 or some such peak, who told how he was once benighted in the midst of scaling a sheer wall, and he had a little sling hammock he could string up on his pitons and sleep there in a crevice, like a bug on a window blind. And all night he hung there? Yes. It was cold and lonely, he said. Often he cried. Then in the dawn light he went on.

Stressed out, they said to one another, to the other parents they inevitably came to know, who marveled at their fortitude, two at once. Stressed out, as though they were metal members of some machine at the limits of its endurance, heating up with torque and tension, about to fail. Only now and then in the midst of uproars and disasters to be granted a blessing by the cold moon as he stepped outside his door, a charisma of blessing, a pause anyway for an eternal moment.

With so many things to do each day that must be done without fail—a circumstance he had never been in before, except for his own transmuting dreamworld imperatives and curses—Pierce found that not only could he not foresee real futures, he couldn't remember the present; he was, very likely had always been, absentminded to an almost pathological degree. He had lived mostly alone, and his disremembering had not come much to the attention of others, and so he always supposed that he could pay attention and keep his business straight if he really needed to; the problem, however, was apparently a part of the great flaw he had discovered on the streets of Rome: it was beyond the reach of his will, and though it could be mitigated, still he would forget his children at day care, leave their dinners in the grocery cart when he went to cash the check that he then found he had forgotten to bring. He would leave the children themselves in stores or public places, wander off, and then, when in horror he remembered them, be unable to find his way back—but that was only in dreams, all fathers have those.

He was proud when he seemed to be mastering the basic arithmetic of a life lived with schedules, a mortgage, twin children, and a couple of aged cars, but Roo was meanwhile doing higher algebra with the same quantities; he felt himself to be in the doghouse, often for reasons he couldn't entirely discern. I'm not a saint, he thought angrily, at the sink after a round of impatient reproaches, and all in a moment—glass and towel in his hand—he thought that though he surely wasn't a saint he was, or maybe could be, or had been, a hero, and if that was so, then he knew where and with whom he stood.

He laughed out loud. She turned, babe in arms, to shoot a baleful or warning look at him from the door, thinking maybe she was mocked, but he shook his head, no nothing, go go, doctor's waiting.

The third person of the trinity, last in the sequence or story. She who came after the Mother, who bore the hero, and the Beloved, whom he sought with pure heart and willing sword. (He'd just been reading about her in an old book of Barr's, Time's Body, where Barr in fact dismissed the triune figure as synthetic.) She was the Crone, the one who buries and bears away. Also appearing as the Ill-Favored Lady, who humiliates and challenges the hero and charges him with interpreting her commands and unriddling her harsh riddles, to labor under her sanctions until liberated. He makes no complaint, nothing he can't bear, but it's not just about bearing, suffering, patience: it's about the creation of a new self, one without grievance, longing, regret over the self's old hurts.