Here then is another bizarre thing: the fact that you were elated when Nicoletta, entirely absent from your thoughts for at least the previous half-hour, now opened her yellow umbrella and invited you under it, immediately slipping her arm into yours, as she had done earlier on in the day climbing the concrete stairs of the Chambersee Service Station. You were elated, over the moon no less, the mental volatility of the perfect lunatic.
Unable to masturbate over Plottie’s glassy disappointment, I find myself sitting up in bed again. I’m sitting up shivering in my bed. First you set off, I tell myself, on the trip to the bar because of her, then you turn back from the trip to the bar because of Plottie, and finally you set off on the trip to the bar once again because of Nicoletta. You are no more than a ball in a bagatelle, shot for one brief second over the moon. Nicoletta opened her umbrella and invited you under and slipped her arm in yours and immediately you were over the moon. Immediately a voice sang out: You’re on here, Jerry! And it sang, There must be something about you today! First Plaster-cast-tottie and now this. Sneaky Niki. Spoilt for choice I am! Thus your own mental rhetoric. In the space of one split second, I tell myself, you went from the most total misery (over her extraordinary miscalculation of your age) to the most gushing exhilaration and optimism. You thought, Love is a movable feast, Jerry, go for it. Thus your criminal naivety. You thought, why should I cry over split milk, and you thought, there is no reason at all why I shouldn’t fall in love all over again with this young and beautiful if somewhat flat-chested girl. Thus your asinine presumption. At which juncture, sitting here rigid and shivering on my narrow hotel bed, it has to be said that there can be no hope for a person as absurd as I am, no hope for someone capable of such extraordinary vanity. Though quite what one might mean by hope, I’m not sure; I suppose what she meant when she spoke of an analyst being able to save me; or perhaps what Plottie meant when she spoke of some improbable equilibrio interiore.
I was under Nicoletta’s umbrella. We were striking off on a walkway beside a dual carriageway. Vikram Griffiths was trying to teach his two girls The Green Green Grass, explaining in between whiles that before coming to Italy he had never been south of Eastbourne. Nor north of Clwyd if it came to that. Then came a long gaggle of students and lectors under umbrellas and rain-hoods beside a muddy verge with no sign anywhere of any sort of building that might house a bar, though a huge billboard above chasing cars announced La ville veste les femmes núes, and at the rear there was myself and Nicoletta, with me wondering, as she spoke of difficulties at home since her father’s cancer, whether this was one of those occasions where one would ask for a kiss or simply try to snatch one. Her mother, Nicoletta said, speaking to someone she had only met that morning, a man any woman should have seen had designs on her, had become terribly morose and withdrawn after her father’s death and hardly talked, but at the same time she, the mother, tended to get upset if she, Nicoletta, or her twin brother or older sister, went out of an evening, as if they were somehow deserting her. Yes, they’ll all come to greet me, came Vikram’s voice. Then a peal of laughter. The green green grass. And while I began to appreciate, not without a prick of resentment, that the kind of complicity Nicoletta had imagined, on inviting me under her yellow umbrella, was one oí friendship, and far from the variety that might require for completion the cordial placement of my cock-piece in its mosaic centre, I nevertheless, resentful prick though I am, became extremely helpful and began to talk persuasively to this tall-necked young girl with her over-sweet perfume and delightful red hair-tie on the blackest, raven, almost blue hair (which I would be so willing to bury my face in and adore) — began to talk about modern theories of grieving and about her mothers inevitable jealousy that her children had their lives entirely before them (a feeling I have all too often experienced with my own daughter) whereas her life (the mother’s), at least as she was probably seeing it at present, was behind her, had ended, and badly at that, or at least unluckily, with her husband’s death. Vikram Griffiths started into Men of Harlech. And the only thing to do, I suggested with the sort of wisdom that comes from knowing absolutely nothing about a situation, was to be patient: her mother would no doubt come out of this with time, life would force her to.
We were talking under the girl’s yellow umbrella while I resentfuly tried to come to terms with the idea that her invitation to walk along under its dripping rim had had nothing to do with any plans to seduce me, let alone shag me rotten before the evening was out. Perhaps your mother will even take another husband, I announced thoughtfully. I had as much chance of sleeping with Nicoletta, I thought, as of taking the Madonna from behind. It was as easy and as difficult as that. But Nicoletta said that that was impossible, her mother could never love anybody else. She could never love anybody after her father. With whom she had been very much in love. To the exclusion of all others, she added, unprompted. I asked her her mother’s age, and she said forty-five. Then, responding rather well I think to the-nth recurrence of this number, almost as if it were an old ailment I had finally learnt to put up with, I laughed out loud, even good-heartedly. I laughed and said, Perhaps I would marry Nicoletta’s mother myself, we were the same age, after all, and instinctively the two of us, man and girl, squeezed each other’s arms a little harder and exchanged entirely friendly smiles in the street-lit gloom of the umbreEa as Vikram Griffiths now stopped the group at a crossroads surveying blocks of flats to the right and, across a soaking urban highway, low industrial buildings to the left, and admitted he had no idea where he was. My mother would like you very much, Nicoletta laughed, I think, and I laughed — call me Niki, she said, everybody else does — and Vikram Griffiths said we would have to turn back. That miserable bastard at the hotel with his miserable directions! Dafydd! he shouted, then slowly sang for the girls who were learning, With the foe towards you leaping, You your valiant stance are keeping. Dafydd! And lying here now on this narrowest of divan beds, not even waiting for sleep, not even trying to masturbate, not even wondering about the Avvocato Malerba’s delayed return, I am struck by the amusing fact, this very early morning of the fourth of the fifth in my forty-fifth year, that not only did a young woman offer me her friendship this evening, rather than her body, her affection, rather than her sex, but what’s more that I amazingly walked along beside this young woman for almost an hour in the sifting rain, and condescended to her, discussing fashionable grief-theories and other psychoanalytical simplifications of everyday calamities, some of which I vaguely remember allusions to in the atrocious Black Spells Magic, not to mention the execrable Dead Poets Society, and even began to pretend to myself, like the infantile and incorrigible romantic I am, that perhaps this gesture of friendship, of affection (complete with jesting vis-a-vis a possible relationship with her mother!), was somehow better or more appropriate than the gesture of straightforward sexual complicity offered by the Plottie girl (young enough to be my daughter), as if, apart from the easy good conscience that comes from talking sympathetically to another human being about their insoluble troubles, there could possibly be any use to me in the mere affection of a no more than moderately intelligent twenty-one-year-old.