“Kale,” I said.
“What?”
“Write it down. Homer Kale Agency, 9255 Sunset. He represents this little creep,” I said, pointing at her cutie. I'd deputized her to take notes as a way to keep her fidgeting from distracting the scholars.
“Kale is a vegetable?”
“It's like okra. Or maybe not.”
“Yuk,” she said deep in her throat. “Okra is nauseating.”
“Well, Mr. Kale may be too. Just write it down. And try not to stick your tongue out when you write.”
“I don't stick my tongue out,” she said, sticking her tongue out. She wrote his name and address on her pad. It was only the third entry on the page after half an hour of scanning the “Juveniles” section for agents whose names sounded like vegetables. We already had a Leaf and a Green.
“I think Green is stretching it,” she said, referring to the second name on the pad.
“Jessica, there's no delicate way to say this, but I don't really care what you think.” I was flipping through the pages. I'd finally gotten to the section on girls.
“God, you wake up grumpy.”
“And so would you, if you'd slept on the floor.”
“The bed was no bargain. I think there was a pea under the mattress.”
“At least it didn't have legs,” I said. “I was the only one on the towels who didn't have an exoskeleton.”
“Oh,” she said, her impatience flowering, “speak English.”
“Shhh,” someone said near us. Jessica favored him with the glare that had wilted Tammy in the Oki-Burger. I turned to a new page.
“I don't believe this,” I said.
“Shhh,” the scholar said again.
“You must have no powers of concentration at all,” Jessica said loudly. The scholar quailed visibly and retreated to his book. “You don't believe what?” she said to me.
“This,” I said. ”Marjorie Brussels.”
“Brussels is a place,” Jessica said.
“Her agency,” I said. “It extends the threshold of the gag reflex. It's called Brussels' Sprouts.”
“Skunks and cabbages,” Jessica said, writing. “That's worse than okra.”
13
Mr. Leaf was wispy and tremulous and saturated with failure, Mrs. Green was large and black, and Mr. Kale was slimier than okra, and a lot greener. Mr. Leaf and Mrs. Green had been all too obviously on the up-and-up, mostly because they both insisted on seeing my bona fides. I didn't have any bona fides, which was part of the point. Mr. Leaf had thrown up his hands and Mrs. Green had ejected us in a rather forceful fashion. We'd moved on to Mr. Kale. The day, as they say, was still young, and three is popularly supposed to be the charm.
“My, my,” Mr. Kale kept saying, glancing furtively at Jessica. “My, my. What a lovely child.” Three notwithstanding, Mr. Kale was no charm. He was small and olive and balding and threadbare, and one of his nostrils was twice as large as the other. The small one was pretty big. He wore loafers without socks to capitalize on his resemblance, from the ankles down, to Don Johnson.
“What's your standard arrangement?” I said. He was awful enough to qualify for serious consideration.
“Your regular agent gets ten percent,” he said, making a visible effort to wrench his eyes from Jessica to me. If it had made a noise it would have sounded like Velcro ripping. “But I'm not your regular agent. What we have here is a total package. Agent, manager, all in one. Image, training, preparation, representation, what-have-you. ‘No representation without preparation,’ that's our motto. Complete career guidance for the little thespian.”
“I beg your pardon,” Jessica said, straightening up as though she'd slipped her toe into a socket.
“Thespian,” I said correctively, “thespian.”
“She'll need head shots,” Mr. Kale said, gazing longingly at her.
“Sounds like a fatal wound,” Jessica said, her nose still out of joint.
“Can you recommend a photographer?”
“Best in the business,” Mr. Kale said promptly. “Nothing but the best, that's our motto.” The motto apparently didn't extend to his office, which was smaller than Blister's sinuses.
“So what's your percentage?” Jessica asked meanly.
“Twenty-five,” he said with a negligent little hand gesture. “Plus expenses.”
“Who's the photographer?” I said, putting my foot on top of Jessica's.
“Ah-ah,” he said, chiding me in a leaden fashion. The relatively smaller of his nostrils flared unappealingly. “Papers first.” Whimsy was not his strong suit. It was hard to imagine what might be. The room swam in front of me.
“Mr. Okra,” I said, without thinking. Jessica made a snicking noise and spit her gum into her lap.
“Okra?” he said, looking bewildered. “Who's Okra? Kale's the name, Homer Kale.”
“Mr. Kale,” I amended. “We can't do business unless we know you're really top-notch. What's the photographer's name?”
He gave me a con man's look, full of honesty and candor. The man could have dealt three-card monte one-handed. “Fink,” he said. “Norman Fink.”
Jessica gave up searching her lap for her gum, threw up her hands, and just laughed. “This is the pits” she said.
“Jewel,” I said, “shut up. On Melrose?” I asked Mr. Kale.
It was over for Jessica. “Jewel?” she said, choking. “Excuse me.” She got up and left the office. I heard her laughter even after the door closed.
“Excitable little girl,” Mr. Kale said, licking his lips with a tongue a Komodo Dragon would have envied. “But lovely.” He wiped his brow. He was wearing more rings than I would have thought he could have lifted.
“On Melrose?” I said again.
“Naw,” he said, waving the rings at me. “Way down. South. On Olympic.”
I got up. “Mr. Kale,” I said. “You'll hear from us.”
“It could be on Melrose,” Mr. Kale said, sounding surprised. “You want Melrose, maybe I could find one on Melrose.” I let the door swing closed while he was still speaking. Outside, I grabbed Jessica by the elbow and marched her into the daylight.
Brussels' Sprouts was something else again. It occupied the entire lower floor of a two-story ersatz Greek building tucked just above Sunset on Sunset Plaza. Doric columns guarded the door like erect concrete watchdogs. The door whispered inward as we stepped on the mat in front of it. The mat had little blue and yellow puppies frisking on it.
“Shit,” Jessica said, looking down at the mat. Air conditioning rolled over us through the open door.
“Try Jeez-o-crips,” I suggested. “You're a little girl here.”
She gave me an arch look. “I'm a little girl everywhere. Ask my mom.”
“Yessss?” someone hissed. It sounded like Kaaa the Python in TheJungleBook.
“Where are you?” I said defensively. The sheer sibilance of it unnerved me.
“Over here,” the someone said as I blinked into the dark. “Behind the desk.”
“Jeez-o-crips,” Jessica said obediently as the door closed behind us.
The waiting room was bigger than the Nina and the Pinta combined. As my eyes adjusted to the gloom I saw that its walls were lined with enormous black-and-white photographs, pictures of the kind of little kids who go through life just begging for a pie in the face. They had freckles. They had missing teeth. They had straw in their hair. They featured suspenders, gingham neckerchiefs, and catcher's mitts. One or two had a burnt-cork black eye. All in all, they were about as cute as an advanced case of bubonic plague, but less contagious.
“Oh, good, you've got the door closed. May I help you?” the voice said.
The voice belonged to a tiny man in the kind of pleated linen shirt that's been popular for inexplicable decades in the Philippines. He was seated behind a big desk at the far corner of the office. No, I decided, he was standing. He had a pinched little face, topped off by a widow's peak that was pronounced enough to symbolize all the wives bereaved by World War One. He also had very hairy forearms. Short as he was, he could have traded forearms with Bluto, and Bluto wouldn't have noticed the difference. On top of it all was the kind of haircut that a friend of mine had dubbed turban renewaclass="underline" to cover the fact that he was balding on top, he'd grown the hair on the back of his head about a yard long and combed it forward. It sat on his forehead like a knickknack shelf from which someone had stolen the knickknacks.