Car 2 was a white Lincoln Town Car, the twin of one belonging to a family with a child here. That family comprised two physicians, though none of the terrorists knew that. Immediately behind it was a red Chrysler whose twin belonged to the again-pregnant wife of an accountant. As Movie Star watched, both pulled into parking spaces opposite each other, as close to the highway as the parking lot allowed.
PRICE WOULD BE here soon. Russell took note of the cars' arrival, thinking over his arguments for the Detail chief. The afternoon sun reflected off the windshields, preventing him from seeing anything more inside than the outline of the drivers. Both cars were early, but it was a Friday…
… the tag numbers…?
… his eyes narrowed slightly as he shook his head, asking himself why he hadn't—
SOMEONE ELSE HAD. Jeffers lifted his binoculars, scanning the arriving cars as part of his surveillance duties. He didn't even know he had a photographic memory. Remembering things was as natural to him as breathing. He thought everyone could do it.
"Wait, wait, something's wrong here. They're not—" He lifted the radio mike. "Russell, those are not our cars!" It was almost in time.
IN ONE SMOOTH motion, two drivers opened their car doors and swung their legs out, lifting their weapons off the front seats as they did so. In the back of both cars, two pairs of men came up, also armed.
RUSSELL'S RIGHT HAND moved back and down, reaching for his automatic while his left lifted the collar-mounted radio microphone: "Gun!"
Inside the building, Inspector O'Day heard something but wasn't sure what, and he was facing the wrong way to see how Agent Marcella Hilton turned away from a child who was asking her a question and shoved her hand into her gun purse.
It was the simplest of code words. An instant later, he heard the same word repeated over his earpiece as Norm Jeffers shouted it from the command post. The black agent's hand pushed another button, activating a radio link to Washington. "SANDSTORM SANDSTORM SANDSTORM!"
LIKE MOST CAREER cops, Special Agent Don Russell had never fired his side arm in anger, but years of training made his every action as automatic as gravity. The first thing he'd seen was the elevated front sight of an AK-47-class automatic rifle. With that, as though a switch had been thrown, he changed from a watchful cop into a guidance system for a firearm. His SigSauer was out now. His left hand was racing to meet his right on the grip of the weapon, as the rest of his body dropped to one knee to lower his profile and give him better control. The man with the rifle would get the first shot off, but it would miss high, Russell's mind reported. Three such rounds did, passing over his head ir.to the door frame as the area exploded with staccato noise. While that was happening, his tritium-coated front sight matched up with the face behind the weapon. Russell depressed the trigger, and from fifteen yards, he fired a round straight into the shooter's left eye.
INSIDE, O'DAY'S OWN instincts were just lighting off when Megan emerged from the bathroom, struggling with the suspender clips on her Oshkosh coveralls. Just then, the agent the kids knew as Miss Anne bolted out of the back room, her pistol in both hands and pointed up.
"Jesus," the FBI inspector had time to say, when Miss Anne bounded right through him like an NFL fullback, knocking him down at his daughter's feet and banging his head against the wall in the process.
ACROSS THE STREET, two agents ran out the front door of the residence, both holding Uzi submachine guns while Jeffers worked the communications inside. He'd already gotten the emergency code word to headquarters. Next he activated the direct drop lines to Barracks J of the Maryland State Police on Rowe Boulevard in Annapolis. There was noise and confusion, but the agents were expertly drilled. Jeffers's function was to make sure that the word got out, then to back up the other two members of his team, already crossing the lawn of the house—
— they never had a chance. From fifty yards away, the shooters from Car 1 dropped both of them with aimed fire. Jeffers watched them go down while he got the word to the state police. He didn't have time for shock. As soon as his information was acknowledged, he lifted his M-16 rifle, flipped off the safety, and moved for the door.
RUSSELL SHIFTED FIRE. Another shooter made the mistake of standing to get a better shot. He never made it. Two quick rounds exploded his head like a melon, saw the agent, who was not thinking, not feeling, not doing anything but servicing targets as quickly as he could identify them. The enemy rounds were still going over his head. Then he heard a scream. His mind reported that it was Marcella Hilton, and he felt something heavy fall on his back and knock him to the ground. Dear God, it had to be Marcella. Her body—something—was on his legs, and as he rolled to get clear of the obstruction, four men came into view, advancing toward him, now with a clear line of sight to where he was. He fired one round that scored, drilling one of them right through the heart. The man's eyes went wide with the shock of the impact, until a second round took him in the face. It was like he'd always dreamed it would be. The gun was doing all the work. His peripheral vision showed movement to his left—the support group—but no, it was a car, driving across the playground right at them—not the Suburban, something else. He scarcely could tell as his pistol centered on another shooter, but that man went down, shot three times by Anne Pemberton in the doorway behind him. The remaining two—only two, he had a chance—then Annie got one in the chest, then fell forward, and Russell knew he was alone, all alone now, only him between SANDBOX and these motherfuckers.
Don Russell rolled to his right to avoid fire on the ground to his left, shooting as his body turned, getting off two rounds that went wild. Then his Sig locked open on an empty magazine. He had another ready, and instantly he ejected the empty and slapped in a full one, but that took time and he felt a round enter his lower back, the impact like a kick that shook his body, as his right thumb dropped the slide lever and another bullet struck him in the left shoulder, ripping all the way down his torso to exit out his right leg. One more round, but he couldn't get the gun high enough, something wasn't working right, and he hit somebody straight through the kneecap an instant before a series of shots lowered his face to the ground.
O'DAY WAS JUST trying to get up when two men came through the door, both armed with AKs. He looked around the room, now full of stunned, silent kids. The silence seemed to hang for a long moment, then turn to the shrill screams of toddlers. One of the men had blood all over his leg, and was gritting his teeth in pain and rage.
OUTSIDE, THE THREE men from Car 1 surveyed the carnage. Four men were dead, they saw, as they jumped out of the car, but they'd done for the covering group and—
— the first one out the right-rear door fell facedown. The other two turned around to see a black man in a white shirt with a gray rifle.
"Eat shit and die." His memory would fail him on this occasion. Norman Jeffers would never remember saying that as he shifted to the next target and squeezed off a three-round burst into his head. The third man of the team which had killed his two friends dropped behind the front of his car, but the car was stuck in the middle of the playground with open air to the left and right. "Come on, stick it up and say hi, Charlie," the agent breathed—
— and sure enough he did, swinging his weapon around to shoot back at the remaining bodyguard, but not fast enough. His eyes as open and unblinking as an owl's, Jeffers watched the blood cloud fly back as the target disappeared.
"Norm!" It was Paula Michaels, the afternoon surveillance agent from the 7-Eleven across the street, her pistol out and in both hands.
Jeffers dropped to one knee behind the car whose occupants he'd just killed. She joined him, and with the sudden negation of activity, both agents started breathing heavily, their hearts racing, their heads pounding.