“What’s in them?”
“No idea,” he said as he sorted through a stack of ancient-looking envelopes. “They’re mine. Well, I think they are. They might have once belonged to someone named Klaus, but that’s another story, and one you don’t need to worry about just now. Go through them and see if there’s anything useful. If not, you can throw it all away.”
He didn’t seem to care one way or another, which was another odd mood swing from him. Claire almost preferred the old Myrnin, when the illness he (and the other vampires) suffered from had made him genuinely loony, and desperate to regain control of himself. This version of Myrnin was both more in control, and less predictable. Not violent or angry, just—never quite where she expected him to be. For instance, Myrnin had always struck her as a keeper, not a tosser. He was sentimental, mostly—more than a lot of the other vamps—and he seemed to really enjoy having his things around him.
So what was this sudden impulse for spring cleaning?
Claire dumped her battered canvas backpack in a chair and found a knife to slide through the ropes that held the first box closed. She immediately sneezed, because even the ropewas dusty. It was a good thing she took the time to grab a tissue and blow her nose, because as she was doing that, a fat, black spider crawled out from under the cardboard flap and began to scuttle down the side of the box.
Claire gave out a little scream and jumped back. In the next fast heartbeat, Myrnin was there, bending over the table, examining the spider with his face only inches from it. “It’s only a hunting spider,” he said. “It won’t hurt you.”
“ Sonot the point!”
“Oh, pish. It’s just another living creature,” Myrnin said, and put his hand out. The spider waved its front legs uncertainly, then carefully stepped up on his pale fingers. “Nothing to be frightened of, if handled properly.” He lightly stroked the furry back of the thing, and Claire nearly passed out. “I think I’ll call him Bob. Bob the spider.”
“You’re insane.”
Myrnin glanced up and smiled, dimples forming in his face. It should have looked cute, but his smiles were never that simple. This one carried hints of darkness and arrogance. “But I thought that was part of my charm,” he said, and lifted Bob the spider carefully to take him off to another part of the lab. Claire didn’t care what he did with the thing, as long as he didn’t wear it as an earring or a hat or something.
Not that she’d put that past him.
She was verycareful as she folded back the old cardboard. No relatives of Bob appeared, at least. The contents of the box were a tangle of confusion, and it took her time to sort out the pieces. There were balls of ancient twine, some coming undone in stiff spirals; a handful of what looked like very old lace, with gold edging; two carved, yellowing elephants, maybe ivory.
The next layer was paper—loose paper made stiff and brittle and dark with age. The writing on the pages was beautiful, precise, and very dense, but it wasn’t Myrnin’s hand; she knew how he wrote, and it was far messier than this. She began reading the first paper.
My dear friend, I have been in New York for some years now, and missing you greatly. I know that you were angry with me in Prague, and I do not blame you for it. I was hasty and unwise in my dealings with my father, but I honestly do believe that he left me little choice. So, dear Myrnin, I beg you, undertake a journey and come to visit. I know travel no longer agrees with you, but I think if I spend another year alone, I will give up entirely. I would call it a great favor if you would visit.
It was signed, with an ornate flourish, Amelie.
As in, Amelie, Founder of Morganville, and Claire’s ultimate—although she didn’t like to think of it this way—boss/owner.
Before Claire could open her mouth to ask, Myrnin’s cool white fingers reached over her shoulder and plucked the page neatly from her hand. “I said determine if we can use these things, not read my private mail,” he said.
“Hey—was that why you came to America? Because she wrote to you?”
Myrnin looked down at the paper for a moment, then crumpled it into a ball and threw it in a large plastic trash bin against the wall. “No,” he said. “I didn’t come when she asked me. I came when I had to.”
“When was that?” Claire didn’t bother to protest how unfair it was that he wanted her to not readthings to figure out if they needed them. Or that since he’d kept the letter all this time, he should think before throwing it away.
She just reached for the next loose page in the box.
“I arrived about five years after she wrote to me,” Myrnin said. “In other words, too late.”
“Too late for what?”
“Are you simply going to badger me with personal questions, or are you planning to do what I told you to do?”
“Doing it,” Claire pointed out. Myrnin was irritated, but that didn’t bother her, not anymore. She didn’t take anything he said personally. “And I do have the right to ask questions, don’t I?”
“Why? Because you put up with me?” He waved his hand before she could respond. “Yes, yes, all right. Amelie was in a bad way in those days—she had lost everything, you see, and it’s hard for us to start over and over and over. Eternal youth doesn’t mean you don’t get tired of the constant struggles. So . . . by the time she wrote to me again, she had done something quite insane.”
“What?”
He made a vague gesture around him. “Look around you.”
Claire did. “Um . . . the lab?”
“She bought the land and began construction on the town of Morganville. It was meant to be a refuge for our people, a place we could live openly.” He sighed. “Amelie is quite stubborn. By the time I arrived to tell her it was a fool’s errand, she was already committed to the experiment. All I could do was mitigate the worst of it, so that she wouldn’t get us all slaughtered.”
Claire had forgotten all about the box (and even Bob the spider), so focused was she on Myrnin’s voice, but when he paused, she remembered, and reached in again to pull out an ornate gold hand mirror. It was definitely girly, and besides, the glass was shattered in the middle, only a few silvery pieces still remaining. “Trash?” she asked, and held it up. Myrnin plucked it out of her hand and set it aside.
“Most definitely not,” he said. “It was my mother’s.”
Claire blinked. “You had a—” Myrnin’s wide stare challenged her to just tryto finish that sentence, and she surrendered. “Wow, okay. What was she like? Your mother?”
“Evil,” he said. “I keep this to keep her spirit away.”
That made . . . about as much sense as most things Myrnin said, so Claire let it go. As she rummaged through the stuff in the box—mostly more papers, but a few interesting trinkets—she said, “So, are you looking for something in particular, or just looking?”
“Just looking,” he said, but she knew that tone in his voice, and he was lying. The question was, was he lying for a reason, or just for fun? Because with Myrnin, it could go either way.
Claire’s fingers closed on something small—a delicate gold chain. She pulled, and slowly, a necklace came out of the mess of paper, and spun slowly in the light. It was a locket, and inside was a small, precise portrait of a Victorian-style young woman. There was a lock of hair woven into a tiny braid around the edges, under the glass.
Claire rubbed the old glass surface with her thumb, frowning, and then recognized the face staring back at her. “Hey! That’s Ada!”
Myrnin grabbed the necklace, stared for a moment at the portrait, and then closed his eyes. “I thought I’d lost this,” he said. “Or perhaps I never had it in the first place. But here she is, after all.”
And just like that, Ada flickered into being across the room. She wasn’t alive, not anymore. Ada was a two-dimensional image, a kind of projection, from the weird steampunk computer located beneath Myrnin’s lab; that computer was the actualAda, including parts of the original girl. Ada’s image still wore Victorian skirts and a high-necked blouse, and her hair was up in a complicated bun, leaving wisps around her face. She didn’t look quite right—more like a really good computer generation of a person than a person. “My picture,” she said. Her voice was weirdly electronic because it used whatever speakers were around; Claire’s phone became part of the surround sound experience, which was so creepy that she automatically reached down and switched it off.