She clicked forward. She tried to connect this man to the moment when she’d stood beneath the elevated tracks, nearly three years ago, watching someone prepare to fall from a maintenance platform as the train went past. There were no photographs of that fall. She was the photograph, the photosensitive surface. That nameless body coming down, this was hers to record and absorb.
Early in 2003 he began to reduce the number of performances and tended to appear only in remote parts of the city. Then the performances stopped.
He injured his back so badly in one of the falls that he had to be hospitalized. Police arrested him at the hospital for obstructing vehicular traffic and creating a hazardous or physically offensive condition.
Plans for his final jump at some unforeseen future time did not include a harness, according to his brother Roman Janiak, 44, who spoke to a reporter shortly after he identified the body.
Students at the Institute create their own movement vocabulary and maintenance program to follow throughout their careers. Study includes psychophysical exercises, Meyerhold’s biomechanics, Grotowski training, Vakhtangov’s plasticity training, individual and partner acrobatics, classical and historical dance, style and genre explorations, Dalcroze eurythmics, impulse work, slow motion, fencing, armed and unarmed stage combat.
It is not immediately known what brought David Janiak to a motel outside the small town more than five hundred miles from the site of the World Trade Center.
She looked into the keyboard. The man eluded her. All she knew was what she’d seen and felt that day near the schoolyard, a boy bouncing a basketball and a teacher with a whistle on a string. She could believe she knew these people, and all the others she’d seen and heard that afternoon, but not the man who’d stood above her, detailed and looming.
She went to sleep finally on her husband’s side of the bed.
14
There were rare moments between hands when he sat and listened to the sounds around him. It surprised him every time to find what an effort it takes to hear what is always there. The chips were there. Behind the ambient noise and stray voices, there was the sound of tossed chips, raked chips, forty or fifty tables of people stacking chips, fingers reading and counting, balancing the stacks, clay chips with smooth edges, rubbing, sliding, clicking, days and nights of distant hiss, like insect friction.
He was fitting into something that was made to his shape. He was never more himself than in these rooms, with a dealer crying out a vacancy at table seventeen. He was looking at pocket tens, waiting for the turn. These were the times when there was nothing outside, no flash of history or memory that he might unknowingly summon in the routine run of cards.
He walked down the wide aisle hearing the mutter of stickmen at the dice tables, a shout now and then from the sports book. Sometimes a hotel guest wheeling a suitcase wandered through, looking lost in Swaziland. In the off-hours he talked to dealers at empty blackjack tables, always the women, waiting in some zone of purged sensation. He might play a while, sitting and talking, making a point of not getting interested in the woman herself, just her conversation, fragments of life outside, her car trouble, her daughter Nadia’s riding lessons. He was one of them in a way, casino staff, passing some forgettable social moments before the action starts again.
It would all go flat at the end of the night, win or lose, but that was part of the process, the turn card, the river card, the blinking woman. Days fade, nights drag on, check-and-raise, wake-and-sleep. The blinking woman was gone one day and that was the end of her. She was stale air. He could not place her elsewhere, at a bus stop, in a mall, and saw no point in trying.
He wondered if he was becoming a self-operating mechanism, like a humanoid robot that understands two hundred voice commands, far-seeing, touch-sensitive but totally, rigidly controllable.
He’s estimating medium-ace across the table, the man in mirrored sunglasses.
Or a robot dog with infrared sensors and a pause button, subject to seventy-five voice commands.
Raise before the flop. Hit early and hard.
There was no fitness center in his hotel. He found a gym not far away and worked out when there was time. No one used the rowing machine. He half hated the thing, it made him angry, but he felt the intensity of the workout, the need to pull and strain, set his body against a sleek dumb punishing piece of steel and cable.
He rented a car and took a drive in the desert, starting back after dark and then climbing a rise and leveling out. It took him a moment to understand what he was looking at, many miles ahead, the city floating on the night, a feverish sprawl of light so quick and inexplicable it seemed a kind of delirium. He wondered why he’d never thought of himself in the middle of such a thing, living there more or less. He lived in rooms, that’s why. He lived and worked in this room and that. He moved only marginally, room to room. He took a taxi to and from the downtown street where his hotel was located, a place without floor mosaics and heated towel racks, and he hadn’t known until now, looking at that vast band of trembling desert neon, how strange a life he was living. But only from here, out away from it. In the thing itself, down close, in the tight eyes around the table, there was nothing that was not normal.
He was avoiding Terry Cheng. He didn’t want to talk to him, or listen, or watch his cigarette burn down.
The lucky jack did not fall.
He didn’t listen to what was said around him, the incidental bounce of dialogue, player to player. A fresh deck rose to the tabletop. He was gutted by fatigue at times, in a near feral state, eyes sweeping the table before the cards were dealt.
He used to think about Florence Givens every day. He still did, most days, today, in a taxi, staring at a billboard. He’d never called. He’d never thought of crossing the park again to see her, talk a while, find out how she was doing. He’d thought of it in a remote way, like landscape, like thinking of going back to the house where you grew up and walking along the back lanes and across the high meadow, the kind of thing you know you’ll never do.
It was finally who he was that counted, not luck or naked skill. It was strength of mind, mental edge, but not just that. There was something harder to name, a narrowness of need or wish, or how a man’s character determines his line of sight. These things would make him win but not too much, not winnings of such proportions that he’d slip into someone else’s skin.
The dwarf is back, Carlo, and he is happy to see this, watching the man take a seat two tables away. But he doesn’t look around the room for a sign of Terry Cheng so they might trade wry smiles.
Men in stylized yawns with arms raised, men staring into dead space.
Terry might be in Santa Fe or Sydney or Dallas. Terry might be in his room dead. It took Terry two weeks to understand that the fixture on the wall at one end of the long room, marked SHEER and BULK, was designed to operate the curtains at the other end of the room, to open and close the sheer inner curtain or the bulky outer. Terry had tried to open the curtains once by hand and then realized it didn’t matter, open or closed. There was nothing out there he needed to know.
He’d never told Lianne about the walks across the park. His experience with Florence was brief, maybe four or five encounters over a period of fifteen days. Is that possible, only that? He tried counting the times, sitting in a taxi at a stoplight, staring at a billboard. It all ran together now, with only the faint grain of something felt and held. He saw her in the tower as she’d described it, in forced march down the stairwell, and thought he saw himself at times, in split instants, unshaped, a false memory or too warped and fleeting to be false.