“What Velazquez?” said Nightingale. “I have no idea what you mean.”
“John,” said the Colonel. “You and I go way back. Mid-seventies. You know I am capable of killing this woman. Perhaps that would please you, now that you’re finding out what sort of person she is. She came around to your place this morning to confess, didn’t she?”
Nightingale nodded.
“Do you want me to shoot her dead now?”
“No!”
“Weak. You always were weak. You’re not a father. You’re not a husband or a lover or an artist. You’re not a man. Treacy was strong, honest. No, I exaggerate, no point in sentimentalizing his memory. He was not in the slightest bit honest, but if he was here now, he would be lying there dead, or I would be lying there dead. One of us, because he would not have allowed me to talk to him or his woman in this way. I forgot that there is no reason you would know of the Velazquez, but Henry found one. He didn’t tell you that either. Work out where it is. I give you three minutes.”
“A Velazquez, Harry? Look, Harry and I, we used to come across a lot of really stupid stuff. There is so much bad art, you know? Old and black and cracked with a whitish face of some unknown, bourgeois non-entity painted by a talentless hack, and people think it’s an heirloom worth millions. Just because it’s old, doesn’t mean-Trees are older. Rocks are older. No, sorry, I must organize my thoughts.”
“I’ll point the pistol at the dazed Commissioner, if that calms you a little,” said the Colonel.
“Colonel, you remember how we did the double-bluff stings? Harry would do a fine forgery using original paper, careful signatures. Then, when it was quite done, he would paint over it. To make sure we were caught, he had to allow the new paint to be too soft, or he’d use an anachronistic color. But the forgery underneath would be of a relatively important painter only. Or a scuola. We never stretched credibility. It is unthinkable he would hide a Velazquez in this way.”
“John, John, you’re not following. This time he would be hiding it to hide it, not to have it discovered.”
“No, I’m not following. Harry would never have painted over a work by Velazquez.”
“So where would one be, if he had it?”
“Here?” said Nightingale. “Or in a bank vault. I really have no idea.”
With a soft sigh, the Colonel stood up, glancing down affectionately at Blume as he passed by. “Come here, John,” he said, making a coaxing motion with his left hand, keeping the pistol trained loosely on Blume.
Nightingale came over, an uncertain smile on his lips as he continued to explain. “So the dealer thinks he’s discovered an authentic painting, you see, and accepts my suspiciously low asking price for the alleged Bronzino or-?”
“Yes, yes. I know all this stuff. It has nothing to do with this. Now I want you to think about three things I know. Put your hands down by your side, and close your eyes while I tell them to you.”
Nightingale closed his eyes, but they flickered open immediately.
“No, relax and listen. Henry Treacy continued to fuck Angela and neither of them told you until Angela decided to confess this morning, when she had no choice. No, no. Keep your eyes closed. The daughter you thought was yours is his, and he knew who she was from the moment she arrived in the gallery. Now please, don’t open your eyes in surprise when I say she is in some way responsible for his death. Good. And the last thing is that Treacy discovered an original painting by Velazquez, and had you buy it, then hid it from you for years. Can you remember the time he asked you to bid for a painting?”
Nightingale nodded.
“Can you remember how big it was?”
Nightingale stretched out his arms, drew a rectangle in the air. “Not so big. About 170 by 90 centimeters.” He widened his arms, “Maybe a bit more. 200 by 100.”
“Excellent.” The Colonel took a step closer. “Now are you still thinking about what I have just told you?”
“Yes.”
“Including the cuckolding and the deception?”
Nightingale nodded.
“Good. Keep thinking of that.”
The Colonel, standing about half a meter away now, raised his pistol, and shot Nightingale through the ear.
Chapter 45
The crack was loud but the room absorbed it quickly. Nightingale fell to the floor with a soft thump, and the thunder outside rolled and rain began to patter loudly on the panes. Blume expected Angela to scream. But the only one who had shouted out was himself, and his voice was drowned by the shot, the thunder, and the rain. Angela already held Nightingale’s head in her arms, but was dry-eyed.
“I never liked him,” said the Colonel, almost as a casual aside to Blume.
“And he’s the only other person who knew you sold forgeries to the Mafia,” said Blume.
“Except you,” said the Colonel, “and maybe Angela.”
Angela was standing upright, her foot planted in the half-moon pool that had leaked from under Nightingale’s head. In her hands, she held three paintings of similar size.
“Those are about the right size,” said the Colonel. “Smart girl. We’ll start with the top one. Put the other two on the table, on the drawings.”
Beneath a treacle veneer and thick ridges of poorly applied paint, the face of a bearded man stared out in anguish. Two doves, or angels, or clouds, or billows of mold and mildew appeared in the background.
“It’s not going to be there, Colonel,” said Blume. “He’s hidden it somewhere else. You need to read the text of his memoirs more carefully.”
“I reckon there is an eighty percent chance of your being right,” said the Colonel. “But it is a hundred percent chance that you would say anything to regain some control, prolong your life. So let’s just see, shall we?”
Blume turned his head in the direction of Angela to communicate some sort of apology for his failure, but her gaze was fixed on the Colonel. Not on the pistol, but on the Colonel’s face. In her hand she held a retro-chic silver Dunhill lighter, its top flipped back, her thumb on the roller switch, the corner of the painting a centimeter distant.
“Don’t even think… ” began the Colonel.
Still watching the Colonel, she flicked her thumb, and the lighter spat out a wispy orange flame. It licked at the corner of the canvas, then seemed to die. But just as it gave up, a ghostly blue wave of flame rolled diagonally across the face, then left the canvas, and continued up Angela’s arm. She let out a cry and threw the painting away from her. She successfully slapped away the blue flame which seemed to carry no heat. The discarded painting, looking none the worse, wafted down to the table, and landed on top of the other paintings. The Colonel seemed to relax. Lazily, the blue flame followed its descent, and then swam back and forth over the glistening painted surface of the canvas, puttering and almost on the point of going out.
Blume now noticed that a sputtering offshoot of the original flame was hovering around the bottles of solvent and turps at Angela’s feet, and yet another flame, this one yellow, had wound itself around the leg of the easel. The Colonel, moving faster than Blume had ever seen, was advancing toward the table with the sketches. He pushed them aside to get to Angela. They tumbled and glided, creating an up-current of air. Finally the shining solvent and kerosene on the face of the man with the unhappy eyes exploded, and the flame immediately caught hold of the edges of the others in the pile. Angela leaped out of the way, and kicked over the bottle of turps and the can of kerosene. Blume jerked himself out of his armchair, the surge of power in his legs and the left side of his upper body easily overriding the dizziness and pain in his head.
Angela reached him as he got to a standing position. The last blue flames rose upwards and with a sudden outward pulse of air, the entire area where Angela had been standing burst into yellow and orange fire. The Colonel stood in the middle of it roaring. He fired two shots at them, one of which whined like a mosquito as it passed. Nothing followed. Now he seemed to be hurling fireballs, as he tried to throw the burning sketches out of the circle of flame. He seemed to be dancing, too, in a rage or in fear as the flames caught the lower half of his legs.