Köves nevertheless went back to the locker room, partly in order to change, but mainly so as to get a shower: he was able to wash down every day in the steelworks shower room, and there were times when he was in low spirits and felt that the only reason it had been worth getting a job there was for the sake of its shower room, though now of course he had to twist his head about so as not to get the wound wet. While he was dressing, several people patted him chummily on the back, after which he was soon joining the human flood pouring out of the factory.
At the gate, or maybe even before (he was unsure), Köves found that the girl had appeared beside him. Everything that happened to them after that Köves accepted, without any particular surprise, assent or dissent, as a well-organized and self-explanatory process, as a fact that had long been decided and only needed them to recognize it so they might submit to it, even though to some extent that still depended on them, and to that extent Köves might have been mistaken all the same. It began with some teasing (what lodged most in Köves’s memory was the girl’s opening remark: “What an elegant plaster!”), after which somehow neither of them boarded the tram but instead they wandered around in what, for Köves, was the unfamiliar realm of the outer suburbs, where they came to some sort of park, then all of a sudden Köves found he was strolling with a good-looking, dark-haired girl under the leafy boughs of an avenue of trees, and from far away, with a somewhat astonished yet indulgent smile he was beholding a strange and unfamiliar thing happening to him — precisely the fact that he, Köves, was strolling under the leafy boughs of an avenue of trees with a good-looking, dark-haired girl. He was nagged by a vague anxiety, perhaps a presentiment of imminent danger, but defiant urge kept welling up in boiling waves to give way to her and perish.
“Don’t you have a home to go to?” the girl asked, and Köves, coming round from his dreams as it were, could only echo the question:
“Home?” as if he were surprised by the savour of the word, as well as the thought that he ought to be going home to somewhere. “No,” he then said, and the girl, averting her eyes as though she were not even addressing the question to Köves but to the trees lining the street:
“Don’t you have a wife?” she asked; that, it seems, is what interests girls everywhere and at all ages equally.
“No,” he replied, and the girl now fell silent, as if she wished to be left on her own for a while with Köves’s answer.
A little later she said:
“It’s still early.”
“For what?” Köves asked.
“To go up to my place,” the girl responded, and the promise implicit in those words was distant enough for Köves to win time, but on the other hand sufficiently enticing to make him restive and spur him to some sort of action: Köves felt his arm moving and encircling the girl’s shoulder.
Later on, Köves recalled a restaurant, a kind of beergarden where a third-rate Gypsy band squeaked and squealed stridently as a clutch of shirtsleeved men at some table or other defiantly bellowed some song, their faces red as lobsters, while at other tables solemn, overweight families sat stiffly, wordlessly, stricken in their incommutable presence as it were; it was here that Köves — his head now starting to throb, which may well have made him somewhat preoccupied — learned that the girl had come to the city from somewhere farther afield, against the will of her parents, who had intended their straitened peasant fate for their daughter, but she had run away from her parents and the future that had been lined up for her by starting work at the factory:
“You have to start somewhere, don’t you?” she said, and Köves keenly approved, even though every nod he gave sent a pain shooting through his head. They later got on a tram which jolted along, taking them farther out of the city, where they alighted somewhere and the girl led Köves among squat, newlybuilt housing, which, in the uncertain glimmer of the sparsely sited street lamps already — perhaps on account of all the planking, sand heaps, and unfilled holes that had been left there — looked like ruins, until they turned in at a gate, climbed a dark set of stairs, and the girl groped with her key to open a door and in the hallway signaled Köves to remain quiet, which he, although not knowing the precise reason, accepted as self-explanatory, as if there was no way of reaching the place he and the girl were approaching other than stealthily. In the end, they slipped into a tiny side room, where the girl switched on a table lamp with a pink shade and Köves cast a fleeting glance across the objects which, so to speak, consummated the room’s perfection: a cracked mirror, a rickety wardrobe, crocheted doilies, a grinning rubber dog sticking out its tongue under the lampshade, a line, discreetly strung up in a dark corner, from which hung a few pairs of stockings and items of underwear, an artificial flower poking up from a chipped vase, a chair, a table, and, above all, a fairly broad but springy bed which would presumably be squeaking later on, while his nostrils were assailed by the smell of poverty, cleanliness, some cheap perfume, and adventure, though he had a hunch that the latter was the sole volatile scent among all the other durable odours.
After which, the next thing Köves caught himself doing was making love — despite everything and over and beyond everything that he had shared in there, how was it possible that he had been made to forget that he was a man? All at once, he now awakened to his insatiable primeval thirst: it was as if he were seeking to douse his throbbing, burning member, yet finding it had plunged into bubbling lava, which burned it even more, with the girl, to start with whispering but then aloud, as it were, egging him on, Köves, like someone in whom a protective concern had suddenly awakened with the passing of the initial half-hours of recurrently erupting self-oblivion, so to speak, asked the girclass="underline"
“Aren’t you worried about having a child?”
The look the girl gave might have been, if anything, more worrying for him:
“Why should I be worried?…,” she asked, but she was unable to follow on as she had heard a noise (Köves did not notice it), and she now bid Köves to be quiet, quickly slipped out of the bed, her body white before Köves’s eyes as she bobbed down here and there to search for an item of clothing, which she then draped round her shoulders before dashing out of the room, though her nimble feet soon brought her back, as if she did not wish to leave Köves on his own for too long in the bed, lest he be overcome with loneliness or a fit of absurdity and fear, and she uninhibitedly discarded her negligee, leaned over Köves, and switched off the lamp before nestling up to him with a total confidence which t slightly astonished Köves, like a discreet assault, yet at the same time also disarmed him.
“It was the old lady,” he heard the girl say in the dark.
“Which old lady?” he asked.
“The old lady,” the girl repeated.
“I see,” Köves murmured.
“She was thirsty,” the girl said, then after a brief pause added: “She has cancer; she’s dying,” the girl’s voice rang firmly, almost optimistically, and on hearing her Köves himself did not know why he winced a little. The girl, though, as if she now wanted quickly to interpose herself between Köves and the questions that were assailing him:
“Don’t worry, she’s already gone to sleep. She won’t disturb us any more,” she whispered, and after some wavering hesitation Köves meekly sensed that he was again gradually being suffused by a wave of ardour.