“I have already told your mother, Cedric, that I have reason to believe that Panty was not responsible for that incident.”
“Oh, Gracious!” said Cedric. “So touching. Such faith.”
“Or for the writing on your grandfather’s looking-glass.”
Cedric made one of his ingratiating wriggles at Troy. “Panty has another champion,” he said.
Pauline turned quickly to Troy, who, with a sense of stepping from the stalls up to the stage, murmured: “I didn’t think Panty wrote on the glass. I thought her protests rang true.”
“There!” cried Pauline emotionally, and stretched out her hand to Troy. “There, all of you! Thank you, Mrs. Alleyn. Someone has faith in my poor old Panty.”
But Troy’s faith in Panty Kentish, already slightly undermined, was to suffer a further jolt.
She went from the dining-room to the little theatre. Her canvas was leaning, face to the wall, where she had left it. She dragged it out, tipped it up on one corner, set it on the lowered tray of her easel and stepped back to look at it.
Across the nose and eyes of the completed head somebody had drawn in black paint an enormous pair of spectacles.
iii
For perhaps five seconds alternate lumps of ice and red-hot coal chased each other down her spine and round her stomach. She then touched the face. It was hard dry. The black spectacles were still wet. With a sense of relief that was so violent that it came upon her like an attack of nausea, Troy dipped a rag in oil and gingerly wiped off the addition. She then sat down and pressed her shaking hands together. Not a stain, not a blur on the bluish shadows that she had twisted under the eyes, not a trace of dirt across the strange pink veil that was the flesh under his frontal bone. “Oh, Golly!” Troy whispered. “Oh, Golly! Thank God! Oh, Golly!”
“Good morning,” said Panty, coming in by the side door. “I’m allowed to do another picture. I want some more board and lots more paint. Look, I’ve finished the cows and the aeroplane. Aren’t they good?”
She dumped her board on the floor against the foot of the easel, and, with a stocky imitation of Troy, fell back a pace and looked at it, her hands clasped behind her back. Her picture was of three vermilion cows in an emerald meadow. Above them, against a sky for which Panty had used neat New Blue, flew an emerald aeroplane in the act of secreting a black bomb.
“Damn good,” said Panty, “isn’t it?” She tore her gaze away from her picture and allowed it to rest on Troy’s.
“That’s good too,” she said. “It’s nice. It gives me a nice feeling inside. I think you paint good pictures.”
“Somebody,” said Troy, watching her, “thought it would be better if I put in a pair of spectacles.”
“Well, they must have been pretty silly,” said Panty. “Kings don’t wear spectacles. That’s a king.”
“Whoever it was, painted them on the face.”
“If anybody puts spectacles on my cows,” Panty said, “I’ll kill them.”
“Who do you think could have done it?”
“I dunno,” said Panty without interest. “Did Noddy?”
“I hardly think so.”
“I suppose it was whoever put whatever it was on Noddy’s glass. Not me, anyway. Now can I have another board and more paint? Miss Able likes me to paint.”
“You may go up to my room and get yourself one of the small boards in the cupboard.”
“I don’t know where your room is.”
Troy explained as best she could. “Oh, well,” said Panty, “if I can’t find it I’ll just yell till somebody comes.”
She stumped away to the side door. “By the way,” Troy called after her, “would you know a Raspberry if you saw one?”
“You bet,” said Panty with interest.
“I mean a rubber thing that makes a noise if you sit on it.”
“What sort of noise?”
“Never mind,” said Troy wearily. “Forget about it.”
“You’re mad,” said Panty flatly and went out.
“If I’m not,” Troy muttered, “there’s somebody in this house who is.”
iv
All that morning she painted solidly through the background. In the afternoon Sir Henry posed for an hour and a half with two rests. He said nothing, but sighed a great deal. Troy worked at the hands, but he was restless, and kept making small nervous movements so that she did little more than lay down the general tone and shape of them. Millamant came in just before the end of the sitting, and, with a word of apology, went to him and murmured something indistinguishable. “No, no,” he said angrily. “It must be to-morrow. Ring up again and tell them so.”
“He says it’s very inconvenient.”
“That be damned. Ring up again.”
“Very well, Papa,” said the obedient Millamant.
She went away, and Troy, seeing that he was growing still more restless, called an end to the sitting, telling him that Cedric had offered to pose for the cloak. He left with evident relief. Troy grunted disconsolately, scraped down the hands, and turned again to the background. It was a formalised picture of a picture. The rooky wood, a wet mass, rimmed with boldly stated strokes of her brush, struck sharply across a coldly luminous night sky. The monolithic forms in the middle distance were broadly set down as interlocking masses. Troy had dragged a giant brush down the canvas, each stroke the summing-up of painful thinking that suddenly resolved itself in form. The background was right, and the Ancreds, she reflected, would think it very queer and unfinished. All of them, except, perhaps, Cedric and Panty. She had arrived at this conclusion when on to the stage pranced Cedric himself, heavily and most unnecessarily made-up, moving with a sort of bouncing stride, and making much of his grandfather’s red cloak.
“Here I am,” he cried, “feeling so keyed up with the mantle of high tragedy across my puny shoulders. Now, what precisely is the pose?”
There was no need to show him, however. He swept up his drape, placed himself, and, with an expert wriggle, flung it into precisely the right sweep. Troy eyed it, and, with a sense of rising excitement, spread unctuous bands of brilliant colour across her palette.
Cedric was an admirable model. The drape was frozen in its sculptured folds. Troy worked in silence for an hour, holding her breath so often that she became quite stuffy in the nose.
“Dearest Mrs. Alleyn,” said a faint voice, “I have a tiny cramp in my leg.”
“Lord, I’m sorry!” said Troy. “You’ve been wonderful. Do have a rest.”
He came down into the auditorium, limping a little but still with an air, and stood before her canvas.
“It’s so piercingly right,” he said. “Too exciting! I mean, it really is theatre, and the Old Person and that devastating Bard all synthesised and made eloquent and everything. It terrifies me.”
He sank into a near-by stall, first spreading his cloak over the back, and fanned himself. “I can’t tell you how I’ve died to prattle,” he went on, “all the time I was up there. This house is simply seething with intrigue.”
Troy, who was herself rather exhausted, lit a cigarette, sat down, and eyed her work. She also listened with considerable interest to Cedric.
“First I must tell you,” he began, “the Old Person has positively sent for his solicitor. Imagine! Such lobbyings and whisperings! One is reminded of Papal elections in the seventeenth century. First the marriage settlement, of course. What do you suppose darling Sonia will have laid down as the minimum? I’ve tried piteously hard to wheedle it out of her, but she’s turned rather secretive and grande dame. But, of course, however much it is it’s got to come from somewhere. Panty was known to be first favourite. He’s left her some fabulous sum to make her a parti when she grows up. But we all feel her little pranks will have swept her right out of the running. So perhaps darling Sonia will have that lot. Then there’s Paul and Fenella, who have undoubtedly polished themselves off. I rather hope,” said Cedric with a modest titter and a very sharp look in his eye, “that I may reap something there. I think I’m all right, but you never know. He simply detests me, really, and the entail is quite ridiculous. Somebody broke it up or something ages ago, and I may only get this awful house and nothing whatever to keep it up with. Still, I really have got Sonia on my side.”