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‘I know what you’ll tell me,’ I say at last. ‘I can’t read his mind and I shouldn’t try. But how can I not think about it? He kissed me. I mean . . . sort of. On paper.’ I shrug, feeling a bit embarrassed. ‘You probably think it doesn’t count.’

‘Not at all,’ says Dr Sarah seriously. ‘The fact that it was on paper doesn’t lessen it. A kiss is a kiss.’

‘And now I haven’t heard from him and I have no idea what he’s thinking, and it stresses me out . . .’ Dr Sarah doesn’t reply immediately, and I sigh. ‘I know, I know. I have an illness and it’s fully treatable.’

There’s another long silence. Dr Sarah’s mouth is twitching.

‘You know, Audrey?’ she says at last. ‘I hate to break it to you, but getting stressed over what boys are thinking after they’ve kissed you may not be fully treatable. Not fully.’

And then, three days after Starbucks, I’m sitting watching TV peacefully on my own when Frank comes stomping into the den and says:

‘Linus is here.’

‘Oh, right.’ I sit up in a fluster. ‘Really? He’s here? But . . .’ I swallow. ‘You’re not allowed to play LOC, so . . . I mean, why is he . . .?’

‘He wants to see you.’ Frank sounds fairly unimpressed by this fact. ‘Is that OK? You won’t freak out?’

‘No. Yes. I mean . . . that’s fine.’

‘Good, because he’s here. Lin-us!’

Some brothers would give their sister a chance to brush their hair. Or at least change out of the scaggy old T-shirt they’ve been in all day. I’m sending murderous thought waves to Frank as Linus comes into the den and says cautiously, ‘Hi. Wow, it’s dark in here.’

Everyone in the family has got so used to my darkened den, I forget how it must look to other people. I keep the blackout curtains closed and the lights off, and the only illumination is the flickering telly. And then I feel safe. Safe enough to take my dark glasses off.

‘Yes. Sorry.’

‘No, it’s fine. You really are rhubarb.’

‘That’s my name.’ I see him smile through the darkness. There’s a glow on his teeth from the TV, and his eyes are two shining chinks.

I’m sitting in my customary place on the carpet, and after a moment he comes over and sits down next to me. I mean, not right next to me. He’s about thirty centimetres away. I think my skin must be able to send out signals like a bat, because I’m totally aware of his position in relation to mine. And all the time my head is buzzing with the thought: He kissed me. On paper. Kind of. He kissed me.

‘What are you watching?’ He stares at the telly, where a woman in a tailored dress is trying to find things to say about kelp shampoo. ‘Is that QVC?’

‘Yes. I find the conversations soothing.’

QVC is the most calming TV I know. You have three people in a studio and they all think the moisturizer is great. No one argues the point or raises their voice. No one discovers they’re pregnant or gets murdered. And there’s no studio laughter – which, believe me, can sound like a drill in my head.

‘Don’t worry, I know I’m nuts,’ I add.

‘You think this is nuts?’ says Linus. ‘You want to meet my granny. She’s really nuts. She thinks she’s twenty-five. When she looks in the mirror she thinks we’re playing tricks on her. She can’t see reality. She wears mini-skirts, she wants to go out to dances . . . She wears more make-up than any granny you’ve ever seen.’

‘She sounds awesome!’

‘She’s . . . you know.’ He shrugs. ‘Sometimes it’s funny, sometimes it’s sad. But the point is, she’s not twenty-five, is she? It’s just her sick brain telling her that, isn’t it?’

He seems to expect an answer, so I say, ‘Right.’

‘I meant to say this to you, before. After Starbucks. Do you get what I’m saying?’ He sounds emphatic. ‘Gran’s not twenty-five, and you’re not . . . whatever all that bad stuff in your head was telling you. You’re not that.’

And suddenly I see what he’s doing, what he’s trying to do.

‘Right,’ I say again. ‘Yes. I know.’

And I do know. Although it’s easier to know when the bad thoughts aren’t rushing through your head like a river.

‘Thanks,’ I add. ‘Thanks for . . . you know. Understanding. Getting it.’

‘I don’t really get it. But . . .’

‘You do, more than most people. Really.’

‘Well.’ He sounds awkward. ‘Anyway. So, are you feeling better now?’

‘Loads better.’ I smile in his direction. ‘Loads and loads better.’

The ladies on QVC have moved on to a vegetable chopper, and for a while we watch it demolishing carrots and cabbages. Then Linus says, ‘How’s the shoe contact coming along?’

At the word contact I stiffen inside. Contact. Not just on paper, for real.

Don’t think I haven’t thought about it.

‘Haven’t tried it again.’ I’m trying hard to sound casual.

‘Do you want to?’

‘OK.’

I shift my shoe over till it’s touching his. Shoe to shoe, like we did before. I’m poised for a meltdown, for a freakout, for some totally embarrassing reaction. But the strange thing is . . . it doesn’t happen. My body hasn’t squirmed away. My breathing is even. My lizard brain is, like, all Zen and relaxed. What’s going on?

‘It’s the darkness,’ I say out loud, before I can stop myself. ‘It’s the darkness.’ I feel almost heady with relief.

‘What is?’

‘I can relax when it’s dark. It’s like the world is a different place.’ I spread my arms out in the dark, feeling it against my skin like a soft, enveloping cushion. ‘I think I could do anything if the whole world was dark the whole time. You know. I’d be fine.’

‘Then you should be a potholer,’ suggests Linus. ‘Or a caver.’

‘Or a bat.’

‘A vampire.’

‘Oh my God, I should so be a vampire.’

‘Except the whole eating-people thing.’

‘Yerk.’ I nod, agreeing.

‘Doesn’t it get monotonous? People’s blood every night? Don’t they ever want a plate of chips?’

‘I don’t know.’ I feel a giggle rise. ‘Next time I see a vampire I’ll ask him.’

We watch the vegetable chopper make way for a steam cooker which has sold 145 units already, this hour.

‘So, bearing in mind it’s dark and all,’ says Linus, casually, ‘what about . . . thumb contact? Just to see if you can do it. Like an experiment.’

‘Right.’ I nod, feeling a little flip in my stomach. ‘Um. OK. Why not?’

I feel his hand make its way towards mine. Our thumbs find each other and his skin is dry and warm and kind of how I expected it to be. His thumbnail circles mine and I playfully dodge his, and he laughs.

‘So you’re OK with thumb contact.’

‘Thumb contact is good.’ I nod.

He doesn’t say anything more, but I can feel him extending his thumb down into the palm of my hand. We’re into finger-to-hand contact. And then palm-to-palm contact. His hand clasps mine and I squeeze back.

Now he’s shifting closer and with more intent. I can feel the warmth of him, through the air, against my arm, against my leg. And now I’m a little keyed up, but not like I was in Starbucks. There’s nothing crazy running through my head. In fact, I’m not sure anything’s running through my head at all except Is this happening for real? And Yes it is.

‘Jeans contact OK?’ he murmurs as his leg twines round mine.