Chapter 60
THE NEXT MORNING, Detective McBride left a message for us to meet him in Sharp's office at the Hall of Fame. Something had come back on the film. In a sparsely decorated conference room, the museum's security chief, McBride, and several members of the CPD Homicide staff sat facing a wide-screen video monitor on a walnut cabinet. "At first," Sharp began self-importantly, "we were just randomly going through the tape with members of the families, stopping on anyone who didn't look familiar. Your sketch," he turned to me, "helped narrow it down." He flicked a handheld controller toward the screen. "The first clips you're gonna see are the main entrance." The screen lit up, standard black-and-white surveillance footage. It was so weird and strange. Several gaudily dressed guests seemed to be arriving at once, many of them outfitted as famous rockers. One was Elton John. His date had teased hair dyed in various light and dark shades, Cyndi Lauper style. I recognized a Chuck Berry, a Michael Jackson, a couple of Madonnas, Elvis, Elvis Costellos. Sharp fast-forwarded, the film advancing like individual, edited stills. An older couple arrived dressed in traditional evening wear. Behind them, almost tucked into their backs, came a man who was clearly shying from the camera, averting his face. "There!" Sharp said. I saw him! My heart pumped madly in my chest. Goddamn Red Beard! It was a horrible, grainy likeness. The man, sensing the direction of the camera, quickly hurried by. Maybe he had come there earlier, scouting for security cameras. Maybe he was just smart enough to avoid a direct shot. Whatever it was, he sneaked into the crowd and disappeared. A ball of anger knotted in my chest. "Can you back up, home in?" I said to Sharp. "I need to see his face." He leveled his remote, and the image channeled in to a higher magnification. I stood up. I was staring at a partially obscured shot of the killer's face. No eyes, no clear feature. Only a shadowy profile. A jutting chin. And the outline of a goatee. There was no doubt in my mind that this was the killer. I didn't know his name. I could barely see his face. But the fuzzy image I had first sketched together in my mind with Claire was now in front of me. "Is that the best you can do?" Raleigh pressed. A member of the museum tech staff replied, "Might be able to get it technologically enhanced. On this rough footage, this is what we have." "We pick him up again later on," Sharp said. He quickly fast-forwarded and stopped at a wide-angle view of the Main Hall, the wedding reception. They were able to zoom in on the same tuxedoed man standing at the edge of the crowd, observing. When the image was magnified, though, it became grainy and lost its resolution. "He's purposely avoiding looking at the camera," I whispered to Raleigh. "He knows where they are." "We ran these shots by both families," Sharp said. "No one places him. No one can identify who he is. I mean, there's a chance it's not him. But considering your sketch…" "It's him," I said firmly. My eyes burned on the grainy screen. I was also sure we were looking at Kathy Voskuhl's mysterious lover.
Chapter61
HILLARY KNEW. I was almost sure of it. But why she would conceal such a thing related to her sister's death, I couldn't imagine. Old habits are hard to crack, she had said. I wanted another shot at her, and I reached her by phone at the family house in Shaker Heights. "I had a chance to speak to Merrill Shortley," I told her. "I just need a few details cleared up." "You realize this is a very stressful time for my family, Inspector," Hillary replied. "We told you what we knew." I didn't want to come on too strong. She had lost her sister in a horrible way. Her parents' home was filled with mourners and grief. And she was under no obligation to talk to me at all. "Merrill told me a few things about Kathy. Her lifestyle…" "We told you all that," she replied defensively. "But we also told you that after meeting James she had begun to settle down." "That's what I want to talk to you about. Merrill recalled there was someone she was seeing in San Francisco." "I thought we told you Kathy dated lots of men." "This one went on for a long time. He was older. Married. Some kind of big shot. Possibly famous." "I wasn't my sister's keeper," Hillary complained. "I need a name, Ms. Bloom. This man could be her killer." "I'm afraid I don't understand. I already told you what I know. My sister didn't exactly confide in me. We lived very different lives. I'm sure you've put two and two together already -there was a lot I didn't approve of." "You said something to me the first time we talked. Old habits are hard to crack. What sort of habits were you referring to?" "I'm afraid I don't know what you mean. The Cleveland police are handling this, Inspector. Can't we just let them do their job?" "I'm trying to help you, Ms. Bloom. Why did Kathy move away from San Francisco? I think you know. Was someone abusing her? Was Kathy in trouble?" Hillary sounded frightened. "I appreciate what you're trying to do, but I'm going to hang up now, Inspector." "It's going to come out, Hillary. It always does. An address book. Her phone bill. It's not just Kathy. There are four others, back in California. They were just as hopeful about the rest of their lives as your sister. Just as deserving." There was a tiny sob in her voice. "I have no idea what you're talking about." I felt I had one last chance. "Here's the really ugly truth about murder. If I've learned one thing as a homicide detective, it's that the lines don't stay fixed. Yesterday you were an innocent victim, but now you're in this, too. This killer will strike again, and you will regret whatever you didn't tell me for the rest of your life." There was a heavy silence on the line. I knew what it meant. It was the struggle inside Hillary Bloom's conscience. I heard a click. She had hung up the phone.
Chapter62
OUR FLIGHT BACK to San Francisco left at 4:00 p.m. I hated, hated to leave without a name. Especially when I felt we were so close. Somebody famous. Kinky. Why were they protecting him? Anyway, we had accomplished a lot in just two days. It was clear to me that all three murders were committed by the same person. We had a strong lead tying him to San Francisco, a possible identity, a confirmed description. The trail was warm here, and would grow ever hotter when we got home. Both investigations would proceed locally. Cleveland would contact the Seattle police force to do a search of the bride's home. Maybe something in her personal effects, an address book, an e-mail in her computer, would divulge who her San Francisco lover was. Waiting to board our plane out of Cleveland, I called my voice mail for messages. One each from Cindy and Claire inquiring about my trip, our case. Reporters pushing for my comments on the Cleveland crime. Then I heard the throaty voice of Merrill Shortley. She had left her California number. I punched the number as fast as I could. A housekeeper answered, and I could hear the wail of a baby crying. When Merrill got on, I could tell that some of her cool veneer had cracked. "I was thinking," she began, "there was something I didn't mention yesterday." "Yes? That's good to hear." "This guy I told you about? The one Kathy was hooked up with in San Francisco? I was telling you the truth. I never knew his name." "Okay, I hear you." "But there were some things… I said he didn't treat her well. He was into intense sex games. Props, scenarios. Maybe even a little filming. Problem was, Kathy liked the games." There was a long pause before Merrill went on. "Well… I think he pushed her, forced her, to do more than she was comfortable with. I remember marks on her face, bruises on her legs. Mostly it was her spirit that was broken. None of us were exactly bringing home Tom Cruise then, but there was a time when Kathy was real scared. She was in his control." I began to see where this was heading. "It's why she moved away, isn't it?" I said. I could hear Merrill Shortley sigh on the other end. "Yes, it was." "Then why did she continue to see him from Seattle? You said she was involved with him right up to the end." "I never said," Merrill Shortley replied, "that Kathy knew what was good for her." Now I saw Kathy Kogut's life take on the shape of tragic inevitability. I was sure she had fled San Francisco, tried to break away from the grip of this man. But she couldn't break free. Was that true of the other murdered brides? "I need a name, Ms. Shortley. Whoever this was, he might've killed your friend. There are four others. The longer he's out there, the greater the chance he'll do it again." "I told you, I don't know his name, Inspector." I raised my voice above the din in the terminal. "Merrill, someone must know. You knew her for years, partied together." Merrill hesitated. "In her own way, Kathy was loyal. She said his name was well known. Some kind of celebrity. Someone I would know. She was protecting him. Or maybe protecting herself." My mind raced to the film and music businesses. She was into a bad scene. She was in over her head, and like many people who feel trapped, she ran. She just couldn't get far enough away. "She must've told you something," I pressed. "What he did? Where he lived? Where they would meet? You guys were like sisters." Wicked sisters? "I swear, Inspector. I've been racking my brain." "Then someone must know. Who? Tell me." I heard Merrill Shortley let out a mirthless laugh. "Ask her sister." Before we boarded, I beeped McBride and left a detailed message on his voice mail. Kathy's lover was probably someone famous. It was why she had moved away from San Francisco. The profile fit the pattern of our killer. Her sister, Hillary, might know the killer's name. On board, all I could think about was that we were getting close. Raleigh was there beside me. As the plane rose, I leaned into his arm, surrendering to total exhaustion. All my physical troubles seemed a million miles away. I remembered something I'd said to Claire. I had told her that finding this bastard gave me the resolve to go on. The red bearded man in my dream who had gotten away. "We're going to get him," I said to Raleigh. "We can't let him kill another bride and groom."