‘Ee-caw!’
The screech could not mean anything, but it meant everything to Cory. Suddenly, he knew that the program running this simulation was about to stop. The program existed on the device in Saskia’s head, and as she died, the program died. This knowledge came to Cory as though he had always known it; yet he also realised that he had not known it before the bird had screeched.
‘Show me,’ he said, climbing onto the horse. The bird flung itself into the white sky, became another of the black dots, then returned to Cory. The curve of its fall became a tangent and it skimmed the path at great speed. Cory wheeled his horse after it, flicking his reins left and right, Western style.
The horse cantered for a time that Cory could not measure. A sun appeared ahead, above the bird, and wintered to a bloody eye. In that instant the path widened to a clearing and Cory found himself at the edge of an immense wall of thorns. Their twisted branches looked ancient. Cory’s horse trotted around the perimeter of this wall and it became clear that there would be no easy way through. He looked for the bird, but it had gone. Not that it could help. He knew he had to cut through the barbs before this program, and this reality, failed around him. He pulled the horse up and withdrew his sword.
As he dropped to the ground, his armour clanked. He took one breath. Two breaths. He ran at the wall and swung two-handed strokes with such ferocity that five strides were his before the tendrils began to close in and he swung again and again, huge figure-of-eights, and the tangles parted on the edge of his blade. His ankles snared but he ripped them free. Fingers of wood hooked his elbows and slipped around his neck but he continued his berserk onslaught until the darkness changed to evening and he was finally through, his arms burning, and he was crouching in the dust of a vast, thorny cavern that held a full castle in perfect gloom. Only as Cory struggled for air—an illusion—and leaned on his sword did he see that the blade was marked with a spiralling rose.
Cory did not linger. It was possible that he could die here if he had no time to prepare his escape before this illusion failed. He used the sword to help himself stand. Then he walked through the barbican. The drawbridge flexed and rattled. He looked up at the murder holes. He was ready to dodge, but there was nobody. He passed through the lower bailey, where a hunting dog slept in the shadow of a cart, and entered a cloister. Its pumiceous lawn was dying. Through the open roof of the quadrangle, he could see three towers. Thorns obscured the sky yet by some illumination the walls of the towers were bright as porcelain and their pinnacles gun-metal blue.
He crossed the quadrangle and kicked open the door to the great hall. Around the table, a king and his retinue drowsed on their plates. Cory scanned their faces. None was Saskia. Even disguised, he would know her. She had to be in one of the towers; they were the truest places of safety in this illusion.
He hurried past the King and Queen, their crowns tilted. No heat shone from the fireplace. Stopped clocks read noon. He caught himself looking at his wrist, but time was not trustworthy here, however much he worried about its passing. He pushed through a second door, then a third, and climbed to the flagstones of the keep, the castle-within-a-castle. The three towers rose from its roof.
Cory rushed for the leftmost tower, then stopped. The door had a lintel embossed with a stone swan. The letters ‘Pb’ were cut into the swan’s wing. He sheathed his sword and strode for the middle tower. Another stone swan on the lintel, this time with ‘Ag’. And the third tower held a swan with ‘Au’.
He spun in frustration. Should he charge each tower in turn? No, he thought. She might have countermeasures, like before.
A twig fell onto a flagstone. Cory looked up. The simulation was dying.
‘Bird!’ he shouted. ‘‘Pb’ is lead. ‘Ag’ is silver. ‘Au’ is gold. What’s the answer?’
Beyond the dome of barbs, he heard a distant, ‘Ee-caw!’
And he knew. Three caskets, one each of gold, silver and lead, were offered to suitors of Portia in Shakespeare’s The Merchant of Venice. Shakespeare had adapted the idea from a manuscript called the Gesta Romanorum. Lead: Who chooseth me must give and hazard all he hath. Silver: Who chooseth me shall get as much as he deserves. Gold: Who chooseth me shall gain what many men desire.
She wants me to think that it is gold. It must be lead.
Cory ran to the left tower, marked ‘Pb’, and pushed the door. It opened easily. He took the spiral stairs in skips of three. He stumbled as a wash of nothingness passed underfoot and again there was a sensation of no time passing. Glitches in the simulation.
Just as the forest had seemed infinite to him, stretching around the planet, so this spiral went on and on. He considered with unease the notion that his ichor and Saskia’s wetware device had taken one another in a deadly embrace, and that his mind was trapped in a loop.
Then—and had any time passed?—he saw the door to the attic. He laughed with relief and burst through. The attic was empty but for a simple bed, whose blanket he pulled away. His grin froze.
The cot was empty.
He did not flail at the sheet with his sword, though he wanted to. He moved to the open window and checked the sky. The dome of the thornwood was falling as dark rain, lightening the battlement with sunlight. Deep growls of collapse echoed about like cannon shot. He hurried down the staircase and ran onto the flagstones. The door of the middle tower, marked ‘Ag’, had split under the weight of moving stones, but the tower had not yet collapsed. Cory kicked in the door and climbed the identical stairs to the attic room.
Saskia Brandt lay on the cot beneath the small window. She was dressed in her shirt, jeans and cowgirl boots. Every item was intact and clean. Her hands were clasped below her breasts. There was nothing remarkable about her appearance apart from the length of her hair: in this world, it was shoulder-length.
Cory frowned in the doorway. His breath came in gasps and he wanted to cough. He let his sword fall against the floor. The sound was muffled, as though the air was losing its capacity to conduct sound. Saskia slept on. Cory approached the cot, took a handful of her hair and prepared to shake her.
Saskia awoke.
She had no eyes. The sockets were red and dry and infinite as the paths and stairwells of this world.
Bricks fell from the roof as Cory stared at her. He wanted to break her neck but he knew the gesture would be pointless. More bricks fell. They split in chalky puffs against the floor. Abruptly, the tower shifted. Cory braced himself against the wall and looked through the window.
The bird was coming.
‘To me!’ he shouted. ‘Quickly!’
This reality was folding away. With that, the information he needed would be lost. He heard the steady flap of bird wings. The idea of the bird no longer horrified him. Here. Carry me home to
(Camelot)
the mountain.
Then the sun extinguished and not even an afterimage remained in his eye. Reality stopped. The tower was gone, the castle with it, and Cory could not be sure who he was. There was nothing but the bird holding his shoulders and the rushes of air as it flew across emptiness.
Chapter Twenty-Three
Each of his bodily senses returned with petitions for attention. He staggered back against the chipboard partition. Touch competed with sight. In the instant before they synchronised, Cory imagined he was aboard a rolling ship as it crested a swell. He ignored the oncoming nausea and waited for the inconsistencies to cohere. One, two… yes, the hut. The mountain. He was standing over the body of Saskia Brandt in a hut, on a mountain, in Germany, in the year 2003, and he was eighty-eight damn years old and not finished.