“Good.” She rolled onto her stomach. “I’ll close that Goddamned movie down faster than anything you ever saw.”
“Midsummer Night’s Madness?”
“Fini to Midsummer Night’s Madness. To Edith Howell, Sy Koller, Geoff McKensie, Gerry Littleford, Talcott Cross, the whole damned bunch of ’em. Goodbye to that stupid script. Goodbye to Route 41.”
“I take it you did not know you are sole proprietor of Jumping Cow Productions?”
“I did not. I certainly did not.”
“Moxie, when you went into Peterman’s office—a couple of weeks ago—what did you actually learn? What did you actually find out that upset you so, you know, enough to cause you to ask me to meet you here?”
“I couldn’t find any real tax reports. I kept asking the staff for the tax files. They kept bringing me folder after folder with all this crazy stuff in them, loan agreements with banks in Honduras and Switzerland and Mexico. I didn’t know what it all meant, but I got madder and madder.” Her voice dropped. “Or more and more scared.”
Fletch lay back on the sand, folding his hands behind his head. “Marty couldn’t do a very thorough job of looking at your financial records. Four o’clock this morning the police came in and took them all.”
“Oh, God! The police have my financial records?”
“You knew they—”
“I didn’t know anything, Fletch!” Moxie snapped. She pounded her fist on the sand. “Damn!”
She got up and walked at an angle down the beach to the water’s edge and then kept walking along the water.
After a long while, when she didn’t come back he took their garbage back to the boat and turned it around in the light surf and otherwise prepared for departure.
Then he sat on one of the hulls and waited while Moxie walked back down the beach.
They launched the boat together.
“Moxie?” Again they were sailing, the low sun at their stern. She sat, the picture of dejection, chin on hand, elbow on knee. “You know the guy who owns The Blue House?”
“No. How could I?”
“His name is Ted Sills. You said yesterday you don’t know him.”
“I don’t.”
“Apparently you are a co-owner with Ted Sills of a Florida horse farm.”
She wrinkled her face at him. There was salt on her skin and a small dab of sand on one cheekbone. “We’re partners in something?”
“Five Aces Farm. Ocala, Florida.”
She shrugged. “News to me.”
“I guess he was a friend of Steve Peterman’s.”
“Listen, Fletch.” She sounded tired and angry and tired of being angry. “Why don’t you just give it to me in simple?”
“Wish I could. As I told you, Marty didn’t get very far into your records when the cops arrived. He seems to agree with your two main fears: that you are in tax trouble; that you do owe huge and unlikely sums of money to banks all over the world.”
Moxie Mooney looked all over the horizon. “Which way did you say Cuba is?”
He pointed. “That way.”
“You want to come with me, or should I start swimming?”
“An awful lot of inexplicable financial activity has been going on under your name.”
“Inexplicable… and you expect me to explain?”
“Marty couldn’t explain it. He couldn’t understand it.”
“Is it your friend Marty’s opinion that something crooked has been going on?”
“He was trying not to have an opinion.”
“But he had to try hard, right?”
“Right.” Fletch hitched in the main sheet. “He seemed to feel all that much activity couldn’t have been going on without your knowing about it.”
The red light from the setting sun full in her face, Moxie just stared at Fletch.
Fletch said, quietly: “In other words, Moxie, chances are pretty good your average judge is going to believe you’re lying.”
“Lying,” she said.
“About everything.”
She looked at the paper sandwich wrappers and empty soda cans on the deck of the cockpit. “The way you were lying this morning? About all your money?”
Fletch chuckled. “Yeah.”
“Come on, Fletch. Games are games. This isn’t fun.”
She studied the junk in the bottom of the boat a long time.
Then she put her hand on his knee. “Hey, Fletch. Thanks for the nice day.”
“Nice to make your acquaintance,” he said.
He was sailing for the right beach. Leaving that morning he had lined the beach up with the martello towers.
“In other words,” Moxie said, “going through my financial records, the cops are going to find I had tons of reasons for killing Steve Peterman.”
“It looks that way.”
The centerboard was up. Near the beach, Fletch was looking for the heads of late swimmers on the water.
“Fletch.” Moxie shivered. “Please find someone else to pin this murder on.”
“I’m tryin’, babe,” Fletch said. “I’m tryin’.”
* * *
It was dark and walking through the side streets in her loose beach wrap, her head down, Moxie attracted no attention.
Fletch said, “There’s one other small matter…”
“Boy, you’re really giving it to me today. I thought we were just going to talk about happy things.”
“I got you out of the house just so we could talk.”
“You took me sailing so you could beat up on me.”
“Your father told me about your going to school in England…”
Quietly, Moxie said, “You knew I went to school in England. Almost two years.”
“I never knew why.”
“Freddy was being paternal that year. Wanted me near him.”
“But he wasn’t in England that year.”
“He was supposed to be. His schedule got changed.”
“Moxie…” Fletch took her hand. “Hey,” he said. “Your father said something about your drama coach at school getting murdered.”
Her hand went limp in his. “I was only fourteen.”
“God! What does that mean?”
She pulled her hand from his. “It means Freddy didn’t think I needed all that pressure on me at the age of fourteen!”
“‘Pressure’! ‘Pressure’?”
She veered on the rough sidewalk. They were then on a dark, empty sidestreet. She was walking a meter away from him. “Do you think I murdered Mister Hodes?”
“‘Think’, I don’t think anything. I didn’t even know the guy’s name.”
“He was a little shit,” Moxie muttered.
“I think you were gotten out of town damned fast. Way out. Out of the country. And you went.”
“I was fourteen, for God’s sake.” They had stopped walking. “I didn’t mind going to school in England. It sounded cool.”
“I ask you if you murdered somebody and all you say is you were fourteen!”
“Is that what you think? You think I murdered the birdy drama coach?”
“I don’t know what to think. I hate what I think. Why don’t you answer me?”
Across the sidewalk her eyes glowered.
“Think what you want, Fletcher.”
She began to walk. She walked with her fists clenched at her sides.
She walked ahead of him all the way to the house.
They approached The Blue House from the rear.
Moxie, well ahead of him, head down, zipped through the back gate into the garden.
When Fletch got to the back gate Lopez was coming through with a rubbish barrel.
“Ah,” Fletch said. “Tomorrow’s the day the rubbish gets picked up.”
Lopez grinned at him. “A lot of broken glass, Mister Fletcher. They threw a lot of stones.”