The Xanadu Hotel loomed before me, its million-dollar marquee of bright lights drowned the lonely hills beyond. I walked past it, dreaming of those happy days and months and years I had spent seeing Janelle. Since Janelle’s death I had thought of her nearly every day. Some mornings I’d wake up thinking about her, imagining how she looked, how she could be so affectionate and so furious at the same time.
Those first few minutes awake I always believed she was alive. I’d imagine scenes between us when we met again. It took me five or ten minutes to remember she was dead. With Osano and Artie this had never happened. In fact, I rarely thought of them now. Did I care for her more? But then if I felt that way about Janelle, why my nervous laugh when Alice told me the news over the phone? Why, during the day I heard of her death, did I laugh to myself three or four times? And I realize now perhaps it was because I was enraged with her for dying. In time, if she had lived, I would have forgotten her. By her trickery she would haunt me all my life.
When I saw Alice a few weeks after Janelle’s death, I learned that the cerebral hemorrhage came from a congenital defect which Janelle may have known about.
I remembered how angry I was when she was late or the few times she forgot the day on which we were supposed to meet. I was so sure they were Freudian slips, her unconscious wish to reject me. But Alice told me that this had happened often with Janelle. And had gotten worse shortly before her death. It was certainly linked to the bulging aneurysm, the fatal leakage into her brain. And then I remembered that last night with her when she had asked me if I loved her and I had answered her so insolently. And I thought if she could only ask me now, how different I would be. That she could be and say and do whatever she wishes. That I would accept anything she wanted to be. That just the thought that I could see her, that she was someplace I could go to, that I could hear her voice or hear her laugh would be the things that could make me happy. “Ah, then,” I could hear her ask, pleased but angry too, “but is it the important thing to you?” She wanted to be the most important thing to me and to everyone she knew and, if possible, to everyone in the world. She had an enormous hunger for affection. I thought of bitter remarks for her to make to me as she lay in bed, her brain shattered as I looked down upon her with grief. She would say, “Isn’t this the way you wanted me? Isn’t that the way men want women? I would think this would be ideal for you.” But then I realized she never would have been so cruel or even so vulgar, and then I realized another odd thing. My memories of her were never about our lovemaking.
I know I dream of her many times at night, but I never remember those dreams. I just wake up thinking about her as if she were still alive.
– -
I was on the very top of the Strip, in the shadow of the Nevada mountains, looking down into the huge, glittering neon nest that was the heart of Vegas. I would gamble tonight and in the early morning I’d catch a plane for New York. Tomorrow night I would sleep with my family in my own house and work on my books in my solitary room. I would be safe.
I entered the doors of the Xanadu casino. I was chilled by the frozen air. Two spade hookers went gliding by arm in arm, their heavy curly wigs glistening, one dark chocolate, the other sweetly brown. Then white hookers in boots and short shorts offering pearly white thighs, but the skin of their faces ghostly, showing skeleton bones thinned by chandeliered light and years of cocaine. Down the gauntlet of green felt blackjack tables a long row of dealers raised their hands and washed them in the air.
I went through the casino toward the baccarat pit. And as I approached the gray-railed enclosure, the crowd in front of me broke to spread around the dice pit and I saw the bacarrat pit clear.
Four Saints in black tie waited for me. The croupier running the game held up his right hand to halt the Banker with the shoe. He gave me a quick glance and smiled his recognition. Then with his hand still up he intoned, “A card for the Player.” The laddermen, two pale Jehovah, leaned forward.
I turned away to watch the casino. I felt a rush of oxygenated air and I wondered if the senile, crippled Gronevelt in his solitary rooms above had pushed his magic buttons to keep all these people awake. And what if he had pushed the button for Cully and all the others to die?
Standing absolutely still in the center of the casino, I looked for a lucky table on which to begin.
Chapter 55
“I suffer, but still I don’t live. I am an X in an indeterminate equation. I am a sort of phantom in life who has lost all beginning and end.”
I read that in the asylum when I was fifteen or sixteen years old, and I think Dostoevsky wrote it to show the unending despair of mankind and perhaps to instill terror in everyone’s heart and persuade them to a belief in God. But long ago, as a child when I read it, it was a beam of light. It comforted me, being a phantom didn’t frighten me. I thought that X and its indeterminate equation were a magic shield. And now having remained so prudently alive, having passed through all the dangers and all the suffering, I could no longer use my old trick of projecting myself forward into time. My own life was no longer that painful and the future could not rescue me. I was surrounded by countless tables of chance and I was under no illusion. I knew now the single fact that no matter how carefully I planned, no matter how cunning I was, lies or good deeds done, I couldn’t really win.
Finally I accepted the fact that I was not a magician anymore. But what the hell. I was still alive and that’s more than I could say for my brother, Artie, or Janelle or Osano. And Cully and Malomar and poor Jordan. I understood Jordan now. It was very simple. Life was too much for him. But not for me. Only fools die.
Was I a monster then that I didn’t grieve, that I wished so much to stay alive? That I could sacrifice my only brother, my only beginning, and then Osano and Janelle and Cully and never even grieve for them and only weep for one? That I could be comforted with the world I had built for myself?
How we laugh at primitive man for his worry and terror of all the charlatan tricks of nature, and how we ourselves are so terrified of the terrors and guilts that roar in our own heads. What we think of as our sensitivity is only the higher evolution of terror in a poor dumb beast. We suffer for nothing. Our own death wish is our only real tragedy.
– -
Merlin, Merlin. Surely a thousand years have passed and you must finally be awake in your cave, putting on your star-covered conical hat to walk through a strange new world. And poor bastard, with your cunning magic, did it do you any good to sleep that thousand years, your enchantress in her grave, both our Arthurs turned to dust?
Or do you have one last magic spell that can work? A terrible long shot, but what’s that to a gambler? I still have a stack of black chips and an itch for terror.
I suffer, but I still live. It’s true that I may be a sort of phantom in life, but I know my beginning and I know my end. It is true that I am an X in an indeterminate equation, the X that will terrify mankind as it voyages through a million galaxies. But no matter. That X is the rock upon which I stand.
ABOUT THE AUTHUR
Mario Puzo was born on Manhattan ’s West Side in a neighborhood known for decades as Hell’s Kitchen. His first books, The Fortunate Pilgrim (“a minor classic” NY Times) and Dark Arena, brought him critical acclaim, but it was publication of The Godfather in March, 1969, that catapulted him into the front ranks of American authors. The Godfather is available in a Signet edition.