We finally became such good friends that after six months of free-lance work he offered me a magazine editor slot. But I didn’t want to give up the two to three grand a month in graft that I was still making on my Army Reserve job. The bribe-taking scam had been going on for nearly two years without any kind of hitch. I now had the same attitude as Frank. I didn’t think anything would ever happen. Also, the truth was that I liked the excitement and the intrigue of being a thief.
My life settled down into a happy groove. My writing was going well, and every Sunday I took Vallie and the kids for rides out in Long Island, where family houses were springing up like weeds, and inspected models. We had already picked out our house. Four bedrooms, two baths and only a ten percent down payment on the twenty-six-thousand-dollar price with a twelve-month wait. In fact, now was the time to ask Eddie Lancer for a small favor.
“I’ve always loved Las Vegas,” I told Eddie. “I'd like to do a piece on it.”
“Sure, anytime,” he said. “Just make sure you get something in it on hookers.” And he arranged for the expenses. Then we talked about the color illustration for the story. We always did this together because it was a lot of fun, and we got a lot of laughs. As usual Eddie finally came up with the effective idea. A gorgeous girl in scanty costume in a wild pelvic dance. And out of her navel rolled red dice showing the lucky eleven. The cover line would read “Get Lucky with Las Vegas Girls.”
One assignment had to come first. It was a plum. I was going to interview the most famous writer in America, Osano.
Eddie Lancer gave me the assignment for his flagship magazine, Everyday Life, the class magazine of the chain. After that one I could do the Las Vegas piece and trip.
Eddie Lancer thought Osano was the greatest writer in America but was too awed to do the interview himself. I was the only one on the staff not impressed. I didn’t think Osano was all that good. Also, I distrusted any writer who was an extrovert. And Osano had appeared on TV a hundred times, been the judge at the Cannes Film Festival, got arrested for leading protest marchers no matter what they were protesting against. And gave blurbs for every new novel written by one of his friends.
Also, he had come up the easy way. His first novel, published when he was twenty-five, made him world-famous. He had wealthy parents, a law degree from Yale. He had never known what it was to struggle for his art. Most of all, I had sent him my first published novel, hoping for a blurb, and he never acknowledged receiving it.
When I went to interview Osano, his stock as a writer was just slipping with editors. He could still command a hefty advance for a book, he still had critics buffaloed. But most of his books were nonfiction. He had not been able to finish a fiction book in the last ten years.
He was working on his masterpiece, a long novel that would be the greatest thing since War and Peace. All the critics agreed about that. So did Osano. One publishing house advanced him over a hundred grand and was still whistling for its money and the book ten years later. Meanwhile, he wrote nonfiction books on hot subjects that some critics claimed were better than most novels. He turned them out in a couple of months and picked up a fat check. But each one sold less. He had worn his public out. So finally he accepted an offer to be editor in chief of the most influential Sunday book review section in the country.
The editor before Osano had been in the job twenty years. A guy with great credentials. All kinds of degrees, the best colleges, an intellectual, wealthy family. Class. And a left-handed swinger all his life. Which was OK except that as he aged, he got more outrageous. One sunny, horny afternoon he was caught going down on the office boy behind a ceiling-high stack of books that he had built as a screen in his office. If the office boy had been a famous English author, maybe nothing would have happened. And if the books he used to build that wall had been reviewed, it wouldn’t have been so bad. But the books used to build that wall never got out to his staff of readers or to the free-lance reviewers. So he was retired as editor emeritus.
With Osano, the management knew it was home free. Osano was right-handed all the way. He loved women, all sizes and shapes, any age. The smell of cunt turned him on like a junkie. He fucked broads as devotedly as a heroin addict taking a fix. If Osano didn’t get his piece of ass that day or at least a blow job, he’d get frantic. But he wasn’t an exhibitionist. He’d always lock his office door. Sometimes a bookish teenybopper. Other times a society broad who thought he was the greatest living American writer. Or a starving female novelist who needed some books to review to keep body and soul and ego together. He was shameless in using his leverage as editor, his fame as a world-renowned novelist and what proved to be the busiest bee in his bonnet, a contender for the Nobel Prize in literature. He said it was the Nobel Prize that got the really intellectual ladies. And for the last three years he had mounted a furious campaign for the Nobel with the help of all his literary friends, he could show these ladies articles in classy quarterlies touting him for the prize.
Oddly enough Osano had no ego about his own physical charms-his personal magnetism. He dressed well, spent good money on clothes, yet it was trim he was not physically attractive. His face was all lopsided bone, and his eyes were a pale, sneaky green. But he discounted his vibrant aliveness that was magnetic to all people. Indeed, a great deal of his fame rested not on his literary achievement but on his personality, which included a quick, brilliant intelligence that was attractive to men as well as women.
But the women went crazy for him; bright college girls, well-read society matrons, Women’s Lib fighters who cursed him out and then tried to get him in the sack so they could have it on him, so they said, the, way men used to have it on women in Victorian days. One of his tricks was to address himself to women in his books.
I never liked his work, and I didn’t expect to like him. The work is the man. Except that it proved not to be true. After all, there are some compassionate doctors, curious teachers, honest lawyers, idealistic politicians, virtuous women, sane actors, wise writers. And so Osano, despite his fishwife style, the spite in his work, was in reality a great guy to hang out with and not too much of a pain in the ass to listen to, even when he talked about his writing.
Anyway, he had quite an empire as editor of the book review. Two secretaries. Twenty staff readers. And a great outdoors of free-lance critics from top-name authors to starving poets, unsuccessful novelists, college professors and jet-set intellectuals. He used them all and hated them all. And he ran the review like a lunatic.
Page one of the Sunday review is something an author kills for. Osano knew that. He got the first page automatically when he published a book, in all the book reviews in the country. But he hated most fiction writers, he was jealous of them. Or he would have a grudge against the publisher of the book. So he would get a biography of Napoleon or Catherine the Great written by a heavyweight college professor and put it on page one. Book and review usually were both equally unreadable, but Osano was happy. He had infuriated everybody.
The first time I ever saw Osano he lived up to all the literary party stories, all the gossip, all the public images he had ever created. He played the role of the great writer for me with a natural gusto. And he had the props to suit the legend.
I went out to the Hamptons, where Osano took a summer house, and found him ensconced (his word) like an old sultan. At fifty years of age, he had six kids from four different marriages and at that time had not gotten his fifth, sixth and terminal seventh notch. He had on long blue tennis pants and blue tennis jacket specially tailored to hide his bulging beer gut. His face was already craggily impressive, as befitted the next winner of the Nobel Prize for literature. Despite his wicked green eyes, he could be naturally sweet. Today he was sweet. Since he was head of the most powerful Sunday literary review, everybody kissed his ass with the utmost devotion every time he published. He didn’t know I was out to kill him, because I was an unsuccessful writer with one flop novel published and the second coming hard. Sure, he’d written one big almost great novel. But the rest of his work was bullshit, and if Everyday Life let me, I’d show the world what this guy was really made of.