The party was held at his East Side brownstone which his latest ex-wife used with their batch of three kids. Osano was living in a small studio apartment in the Village, the only thing he could afford, but too small for the party.
I went because he insisted that I go. Valerie didn’t come. She didn’t like Osano and she didn’t like parties outside her family circle. Over the years we had come to an unspoken agreement. We excused each other from each other’s social lives whenever possible. My reason was that I was too busy working on my novel, my job and free-lance writing assignments. Her excuse was that she had to take care of the kids and didn’t trust baby-sitters. We both enjoyed the arrangement. It was easier for her than it was for me since I had no social life except for my brother, Artie, and the review.
Anyway, Osano's party was one of the big events of the literary set in New York. The top people of the New YorkTimes Book Review came, the critics for most of the magazines and novelists that Osano was still friendly with. I was sitting in a corner talking with Osano's latest ex-wife when I saw Wendy come in and I thought immediately, Jesus, trouble, I knew she had not been invited.
Osano spotted her at the same time and started walking toward her with the peculiar lurching gait he’d acquired in the last few months. He was a little drunk, and I was afraid he might lose his temper and cause a scene or do something crazy, so I got up and joined them. I arrived just in time to hear Osano greet her.
“What the fuck do you want?” he said. He could be frightening when he was angry, but from what he had told me about Wendy I knew she was the one person who enjoyed making him mad. But I was still surprised at her reaction.
Wendy was dressed in jeans and sweater and a scarf over her head. It made her thin dark face Medea-like. Her wiry black hair escaped from the scarf like thin black snakes.
She looked at Osano with a deadly calm which held malevolent triumph. She was consumed with hatred. She took a long look around the room as if drinking in what she now no longer could claim any part of, the glittering literary world of Osano that he had effectively banished her from. It was a look of satisfaction. Then she said to Osano, “I have something very important to tell you.”
Osano downed his glass of scotch. He gave her an ugly grin. “So tell me and get the fuck out.”
Wendy said very seriously, “It’s bad news.”
Osano laughed uproariously and genuinely. That really tickled him. “You’re always bad news,” he said and laughed again.
Wendy watched him with quiet satisfaction. “I have to tell you in private.”
“Oh, shit,” Osano said. But he knew Wendy, she would delight in a scene. So he took her up the stairs to his study. I figured later that he didn’t take her to one of the bedrooms because deep down he was afraid he would try to fuck her, she still had that kind of hold on him. And he knew she would delight in refusing him. But it was a mistake to bring her into the study. It was his favorite room, still kept for him as a place to work. It had a huge window which he loved to stare out of while he was writing and watch the goings-on in the street below.
I hung around at the bottom of the stairs. I really don’t know why, but I felt that Osano was going to need help. So I was the first one to hear Wendy scream in terror and the first one to act on that scream. I ran up the stairs and kicked in the door of the study.
I was just in time to see Osano reach Wendy. She was flailing her thin arms at him, trying to keep him away. Her bony hands were curled, the fingers extended like claws to scratch his face. She was terrified, but she was enjoying it too. I could see that. Osano's face was bleeding from two long furrows on his right cheek. And before I could stop him, he had hit Wendy in the face so that she swayed toward him. In one terrible swift motion he picked her up as if she were a weightless doll and threw her through the picture window with tremendous force. The window shattered, and Wendy sailed through it to the street below.
I don’t know whether I was more horrified by the sight of Wendy’s tiny body breaking through the window or Osano's completely maniacal face. I ran out of the room and shouted, “Call an ambulance.” I snatched up a coat from the hallway and ran out in the street.
Wendy was lying on the cement like an insect whose legs had been broken. As I came out of the house, she was teetering up on her arms and legs but had only gotten to her knees. She looked like a spider trying to walk, and then she collapsed again.
I knelt beside her and covered her with the coat. I took off my jacket and folded it beneath her head. She was in pain, but there was no blood trickling out of her mouth or ears and there was not that deadly film over the eyes that long ago during the war I had recognized as a danger signal. Her face finally was calm and at peace with itself. I held her hand, it was warm, and she opened her eyes. “You’ll be OK,” I said. “An ambulance is coming. You’ll be OK.”
She opened her eyes and smiled at me. She looked very beautiful, and for the first time I understood Osano's being fascinated by her. She was in pain but actually grinning." I fixed that son of a bitch this time,” she said.
– -
When they got her to the hospital, they found that she had suffered a broken toe and a fracture of the shoulder clavicle. She was conscious enough to tell what had happened, and the cops went looking for Osano and took him away. I called Osano's lawyer. He told me to keep my mouth shut as much as I possibly could and that he would straighten everything out. He had known Osano and Wendy a long time and he understood the whole thing before I did. He told me to stay where I was until he called.
Needless to say, the party broke up after detectives questioned some of the people, including myself. I said I hadn’t seen anything except Wendy falling through the window. No, I hadn’t seen Osano near her, I told them. And they left it at that. Osano's ex-wife gave me a drink and sat next to me on the sofa. She had a funny little smile on her face. “I always knew this would happen,” she said.
It took almost three hours for the lawyer to call me. He said he had Osano out on bail but that it would be a good idea for someone to be with him a couple of days. Osano would be going to his studio apartment in the Village. Could I go down there to keep him company and keep him from talking to the press? I said I would. Then the lawyer briefed me. Osano had testified that Wendy had attacked him and that he had flung her away from him and she had lost her balance and went through the window. That was the story given to the newspapers. The lawyer was sure that he could get Wendy to go along with the story out of her own self-interest. If Osano went to jail, she would lose out on alimony and child support. It would all be smoothed over in a couple of days if Osano could be kept from saying something outrageous. Osano should be at his apartment in an hour, the lawyer would bring him there.
I left the brownstone and took a taxi down to the Village. I sat on the stoop of the apartment house until the lawyer’s chauffeured limo rolled up. Osano got out.
He looked dreadful. His eyes were bulging out of his head, and his skin was dead white with strain. He walked right past me, and I got into the elevator with him. He took his keys out, but his hands were shaking and I did it for him.
When we were in his tiny studio apartment, Osano flopped down on the couch that opened out into a bed. He still hadn’t said a word to me. He was lying there now, his face covering his hands out of weariness, not despair. I looked around the studio apartment and thought, here was Osano, one of the most famous writers in the world and he lived in this hole. But then I remembered that he rarely lived here. That he was usually living in his house in the Hamptons or up in Provincetown. Or with one of the rich divorced women he would have a love affair with for a few months.