Da eased off the wagon and so did Bran and the boy. The men embraced his father and whispered to him. None of them wept. Four of the women lifted Rebecca Carson from the wagon and carried her to the flat boulder, which Robert now realized was an altar. They laid her out on the altar, applying oils from small jars to her eyelids. Then more men came from the woods with immense torches and jammed them into the ground, one flame at each point of the altar, north and south, east and west. A breeze whipped the flames of the torches, making them look like wild orange hair.
Da took his son’s hand and led him to the head of the altar, where they stood together behind the woman they had lost. At the foot of the altar, an old woman (whose name the boy would learn was Mary Morrigan) began to chant. All the others, women and men, followed her lead. Da knew all the words in the strange language. His son didn’t know the words, so he stared at the old woman, with her creased, ravined leathery face, her blank milky eyes, high cheekbones, steel gray hair. Her hands were brown, worn, still, as if carved from wood. She finished the chanting and then she began to sing in the voice of a child: pure, sweet, high-pitched, and charged with feeling. A pause. Then more chanting, with her words followed by the deeper responses of the others. At some lines, Da squeezed his son’s hand, as if trying to comfort him, responding to the words that the boy didn’t understand. And then it was over. For almost five minutes, they stood together with heads bowed, hands gripping arms.
The old woman came to John Carson and took each of his hands and brought him to a clear spot between two of the stone columns. One of the gowned old men handed Da an oak-handled shovel. He turned the first wet clod of black earth, and then three of his friends joined him. They dug until the lip of the long rectangular trench was almost even with John Carson’s shoulders. Then they paused, their faces blistered with sweat, hands and furs black with earth. A robed man offered each a hand to climb out of the grave. Robert followed his father as he walked back to the altar where the body of Rebecca Carson lay, and a burly man produced a goatskin bag, translucent and plump with liquid. He handed it to Da, who drank of it, then passed it to the man on his right, who passed it to Robert. The taste was harsh and bitter in the boy’s mouth, but he swallowed the liquid and knew to hand the bag to the next man. Robert felt his stomach burning. The old woman was the last to drink.
Then his father lifted his wife’s body for the final time and carried her to the grave. There were rush mats now on the bottom of the trench. Da sat on the muddy lip of the grave, holding the body while his son watched, then slid down with her into the grave. He hugged her tight, his face a pained mask, then laid her on her side on the rush matting, with her arms and legs drawn up. The old woman passed an earthenware bowl full of apples to Da, who placed it beside his wife. To Robert it was clear that this moment was about his father’s wife, not the boy’s mother, but he felt that it could be no other way.
Then one of the old robed men handed John Carson an iron wheel, about eight inches across, with arrows at the cardinal points, and his father rested it against her drawn-up thighs. A sign of the world, Robert supposed, as he inched forward to look down. He realized then that his mother was not wearing her spiraled earrings and he felt better. At least his father would have them as a sign of his loving her. And being loved back.
Finally John Carson grabbed his son’s offered hands and climbed out of the grave. There were no signs of obvious grief: no tears, no sniffles, no choking sounds. He took two more rush mats from the old woman and floated them down over Rebecca Carson’s body. With the spade, he began to cover her. He threw down seven loads of black earth and then handed the shovel to the boy. “Seven,” he said. “Only seven.” The soaked dirt was very heavy, and Robert didn’t want to do this, but his mother was already covered, and so he added earth to earth. Seven loads. And then John Carson handed the shovel to one of his friends, and he to another, until as many as were needed had taken their turns.
Then she was covered, a black mound rising above her grave. John Carson placed one hand on his son’s shoulder and the other on the shoulder of the man next to him, and they all joined together, the men and the women, making a full circle, almost sixty of them, their backs to the stone columns. For Robert, the word they had become we, and them had become us. The old woman stood in the center, gazing intensely at the ground beneath her feet, and began again to chant. The rest of them responded, but because the boy didn’t know the words, he whispered: Ma. Ma. Ma. Ma. And Rebecca. Rebecca. Rebecca. Then the old woman began to sing, a reprise of the opening minutes, and everyone was quiet. Her pure, ethereal voice seemed to rise from the bowels of the earth and reach to the roof of the sky. When she was finished, Bran howled once more from his place on the edge of the woods. And then they were finished. Robert knew that a piece of his life was over.
There were some final embraces and whispered good-byes. Then Da and Robert walked to the wagon. Bran refused to sit in the back where Rebecca Carson had lain, cold and alone, on roads where trees talked to men. The dog squirmed between father and son, and they started for home, the talking trees uttering baritone farewells as they descended from the hidden places of the mountain.
After a long silence, Robert found strength to talk to his father.
“So we’re not Christians, then, are we?”
“No.”
“Are we Jews, then?”
“No.”
“Is it Catholics we are?”
“No.”
“What are we then, Da?”
“We’re Irish, son,” he said quietly. “We’re Irish.”
TWO
The Arctic Heart
12.
That night, facing each other before the hearth, the father told his son their true names. They were O’Connors, not Carsons. Da’s true name was Fergus O’Connor. His son was Cormac Samuel O’Connor. The O’Connor name went all the way back through history, the father said, back before the settlers arrived from Scotland a century earlier, back before the Normans, back before Saint Patrick arrived with his lonely Christian God and before the Viking invasions, all the way back, in fact, to the arrival of the Celts.
“We’ve lived a long secret,” the father whispered, as they stared at the hearth and sampled the stew that they had made for the first time without the loving touch of Rebecca. Bran was out by the dark barn, in the company of the sleeping Thunder. To the boy, the stew had a strange, alien taste.
“Is it still a secret?” he said. “Our own true names?”
“Aye, among us it is. And will remain a secret, lad.”
“Why?”
“Because this is a country where religion can be dangerous. They will kill you for having one. Or for having the Old Religion, which to some is like having no religion at all.”
“You mean…”