Les Lignées des roys de France (“The Lines of French Kings”), c. 1450; the parchment roll contains an abbreviated version of Les Grandes Chroniques de France, the official history of the French realm that was maintained by the Benedictine monks of the royal abbey at Saint- Denis.The Newberry Library, Purchased with the assistance of T. Kimball Brooker, 1993 (A Britannica Publishing Partner)
The Gould Hours, book of hours, illuminated by Marc Coussin, c. 1460.The Newberry Library, Joint gift of fourteen donors, 2003 (A Britannica Publishing Partner)Cultural circles remained strongly oriented to aristocratic values and the past. With the accession of the house of Valois came a high nobility, distinguished by lavish and exclusive conceits. When John II formed the Order of the Star (1351), an institution imitated by the great lords for their clientages, chivalry stood incorporated as the most distinguished of religious confraternities. The dream of the Crusade remained strong, notably among princes of the fleur-de-lis, who dominated the public life of Valois France to the point of eclipsing the monarch; beneath them many noble families disappeared, while new ones emerged among the captains, lawyers, and patricians. Jean Froissart spun out chronicles of the war at once detailed and grand, full of the frivolous courtly protocol that marked the aristocratic life of his day. Tapestries created for courtly patrons idealized a life of enticing gardens, tournaments, and the hunt. Paintings as well as tapestries decorated the walls of chambers that were smaller and more elegant than the cavernous halls of earlier centuries. The delicate Gothic Rayonnant style of the Île-de-France remained in favour through the 14th century, inspiring the chapel built by Charles V at Vincennes, while the decorative arts of furnishings and manuscripts exploited the Gothic tendencies to articulation and grace. The evocation of the Classical past became less fantastic and more heroic in the humanist circles of Pierre Bersuire and Petrarch; their interests helped to attract copyists and artists to the papal court of Avignon. Books of hours (the most popular private devotional works of the later Middle Ages) could become “very rich,” as in the case of a sumptuous manuscript undertaken for Jean, duc de Berry (c. 1410); more typically they were pocket books for general use by the literate, whose numbers continued to increase.
Stimulated by the commissions of Charles V, the chasm between learned and vernacular cultures narrowed: Raoul de Presles translated St. Augustine; Nicolas Oresme translated Aristotle. Christine de Pisan (1364–c. 1430) challenged traditional assertions of women’s inferiority, incorporated in texts such as the Roman de la Rose (The Romance of the Rose), the most popular literary work of the 13th century. Music resounded in old forms (ballad, virelay) even while becoming more articulate or flamboyant; Guillaume de Machaut (died 1377), the great musician-poet of the mid-14th century, composed the first polyphonic mass as well as many motets and secular lyrics. Time and space came to be better represented and measured, as evidenced by the first attempts to render perspective in art and by the erection of public clocks at Paris and Caen.
By 1400 Paris regained cultural leadership as a result of a new synthetic (or international) style in painting and of the initiatives of the university masters in ecclesiastical politics and theology. The efflorescence, however, was soon destroyed in the civil wars. Provincial universities (like parlements) proliferated at the expense of Paris, which became the preserve of an antiquated and pedantic theology. Painters, architects, and writers regrouped under princely patrons or even under bourgeois ones, flourishing in postwar trade (Jacques Coeur’s palace at Bourges exemplifies the flamboyantly decorated solidity of late medieval taste in France). A new style in painting, as in architecture, characterized by vigour and an enlarged scale, contrasted with the more traditional style in Burgundy, where the dukes were building on a grand and continuous past. Italianate humanism, together with the new philology, stirred in France only in the latter third of the 15th century. T.N. Bisson Jeremy David Popkin France, 1490–1715 France in the 16th century
When Charles VIII (reigned 1483–98) led the French invasion of Italy in 1494, he initiated a series of wars that were to last until the Peace of Cateau-Cambrésis in 1559. These wars were not especially successful for the French, but they corresponded to the contemporary view of the obligations of kingship. They also had their effects upon the development of the French state; in particular, they threatened to alter not only the military and administrative structure of the monarchy but even its traditional role. Military and financial organization
The French kings of the early 16th century could look back with satisfaction at the virtual expulsion of the English from French soil in the course of the preceding century. This success offered a shining precedent for further military sallies, this time against the growing power of the Habsburgs. In 1445 the first steps had been taken to fashion a royal French army out of the ill-disciplined mercenary bands upon which French kings had traditionally relied. It was a small force—no more than 8,000 men—but it was a beginning. The role of the nobility in the army was strong, for the art of war was still considered a noble pursuit par excellence. The core of Charles’s army that marched into Italy, the compagnies d’ordonnance, known collectively as the gendarmerie, consisted of noble volunteers. The infantry, however, was made up of non-nobles, and by the middle of the 16th century there were more than 30,000 infantrymen to a mere 5,000 noble horsemen. As this infantry force grew in number, its organization changed. After a brief experiment in the 1530s with a system of legions organized on a provincial basis (the Breton Legion, the Norman Legion, etc.), a regimental system, based on large units under a single command, was adopted. This latter organization appeared during the Wars of Religion of the 16th century and survived until the time of Louis XIV. Of great significance, too, was the involvement of the provincial governors as commanders of the gendarmerie at the heart of the royal army. Yet such reorganization did not immediately reduce the army to a pliant tool of the crown. Not until late in the 17th century could the royal army be considered fairly under the king’s control. Until then, notably during the Wars of Religion and the outbreaks of the Fronde (1648–53), the loyalty of the commanders and the devotion of the troops were conspicuously inadequate. In the later part of the 17th century, the reforms of the army by Michel Le Tellier and his son the marquis de Louvois provided Louis XIV with a formidable weapon.