He knows he could mentally run the hundred in 9.9, memorize the A-through-C section of Webster's unabridged (AARDVARK: of its genus, Orycteropus, it is sole representative of an order, Tubulidentata), climb tirelessly and never fall, fully understand the implications of the theory of noctivating flora, remember a joke about a man named Wolfshlegelsteinhausenber-gerdorf, knows he could now play "Willow Weep for Me" on a B-flat alto, and awash in the diluvial sea of information flooding into his brain, he showers, shits, shaves, brushes, flosses, medicates, deodorizes, and begins to pack.
As he packs for the trip south he is amazed to have Finley Wren, which his eyes read when he was seventeen, repeated back to him by his brain. He has broken through some neural barrier. His memory is trying to tell him something and he senses it now, fully upright after his long, inverted, and perverse couvade, and the enormity of the possibilities sheathes him in yet another layer of invulnerability and resolve.
In his mind he has already completed the journey for which he is packing, and now prepares for the main event, picking up the phone and calling a realtor. He puts his home on the market, having concocted an appropriate scenario, and, using another identity, telephones another real-estate agent to look for something more suitable to his needs. He smiles at the prospects. Finishes packing. Slides behind the wheel, glancing in the rearview mirror and smiling into the slate-gray eyes of a madman.
For over fifteen years he has worked as the top enforcer for the National Narcotics Council, called the Commission within the families. It was the governing body that presided over the eight primary drug families comprising the largest unit within what is wryly called "Organized Crime." It's a difficult concept for the layman. We know of the Mafia and little else. That element, the old-timers within certain sectors of the primarily Italian and Sicilian communities, represents only a minor aspect of the huge drug monolith.
The purpose of the National Council or Commission was to attempt to control an uncontrollable thing that fed on human greed: a billion-dollar business whose continuation required the lowest possible profile. Years of loyalty and success, and the hand of fate reaching out to destroy or incapacitate his superiors, had contrived to elevate Gaetano Ciprioni to the throne of that secret organization. As their enforcement chief it was Spain's function to finalize those solutions that could not be achieved by discussion or threat. He was empowered to act in the Commission's behalf, which meant he was a hiring agent as much as he was a worker.
Working totally outside the families, accessible only by toll-free long lines linked to a special radio-telephone system, he had been for over a decade the busiest professional working outside the military-intel-law-enforcement umbrella. He was the best that drug money could buy, and that means he was the best there was.
Frank Spain's twisted plan of revenge would lead him back, ultimately, to St. Louis and the dark heart of Salvatore Dagatina, titular don of the St. Louis crime family, and to the man who had made this nightmare happen: his traitorous mentor Gaetano Ciprioni. An insane father hungry for vengeance against the mob, that would be one thing. But this is SPAIN, the killer. And in the crushing of his ego he no longer views the hideous death of his daughter as the act of individuals, but rather as the collective responsibility of many. He has devoted himself to a bloodbath of retaliation against all of those he sees as directly culpable.
It would be bad enough to attack him personally. His response to a noci-ceptive stimulus would be predictably awesome, lightning fast, and devastating. But this goes far beyond protective reflexes. They have created an all-kill bomb, set it in their midst, and started it ticking. Let's see how they like a wet red path of torture and death when it's run back down their throats. Over the edge and on a rampage of revenge, Spain begins.
As Spain drove he chewed over a piece of annoying news. The punk Roger Nunnaly had been killed in an automobile accident. Too bad, he thought. What a shame — eh? But no use crying over spilt blood.
For mental exercise he tries to alphabetize the dozens of names as he drives toward the Freunds:
Alba.
Annelo.
Belmonte. No. That should be under the L's, for La Bellamonde.
Casagrande. Ciprioni. Oh, yes. Then young Mr. Dawkins. Shit. Dagatina twice, then Dawkins, then DeVintro.
Dudzik.
Eggleston.
Freunds. Um-hmm. The Freunds twice.
He finds the punk Dawkins without any effort, thanks to the detailed Troxell report. The punk is in a kid's arcade and pool hall, and Spain waits. He follows him. When the kid parks, Spain is on top of him and he is very deft with a blackjack. He carries a leaded sap that can kill but he uses it now with surgical skill. A quick tap. The Dawkins punk crumples in the street and in a few seconds his trunk is popped and Spain is loading the boy, handling him like a sack of potatoes with the adrenaline charge of action and the hypo of mad, vengeful hatred giving him all the strength he needs to do the job effortlessly.
"Ohhhhhhh," the Dawkins kid says, blinking, Spain pulling him from the trunk of the suffocating vehicle. He has lost all sense of time. A moment ago he was getting out of his ride and wham — the lights went out and there was an exploding pain. And when he woke up he couldn't breathe and it was hot and he couldn't move.
"Hello, Greg."
"Mr. Spain." His hands are fastened behind him and he can't feel anything in his arms. No pain. Nothing.
"Bumpy ride?" He can't make out where they are,
"Listen. It wasn't my fault Tiff ran away. Don't blame ME for —"
Spain backhands him rather gently. "Shut up, Greg. Don't try to use that slick con shit on me. It's too late now. Dig?" Tiff's father is speaking calmly, but Greg can see the look of icy hatred in his face.
"Please, Mr. Spain. Please don't hurt me. I didn't — AAAAAAHHH! AAAAAAAAAAAAHHHHHHHHHHHHH OOOOOHHHHHHHHH CHRIST DON'T DONNNNNNNN'T!"
Jesus, Greg thinks, this crazy fucker is stabbing me. It doesn't really hurt that much. But it scares him to death to see her dad suddenly pull out what looks like a small kitchen knife and slice a line across his chest.
"AAAAAAAAAAAAAAAAAAAAAHHHHHHHHHH!" he screams again as Spain quickly cuts another line downward across Greg's chest, cutting right through the shirt, cloth, and skin, slicing with great precision. Then making a third long cut. Then, as lines of red begin to bleed through, Spain rips the boy's shirt off. It is only then that Greg Dawkins realizes his feet are already hobbled as he vainly tries to run and pitches forward in another scream of agony.
"These cuts aren't that deep, Greg. Please. Relax," the man tells him soothingly as he rolls him over on his back. "You see what I've done here is carve a nice upside-down U shape on your chest. What was the old joke about the guy who dated a cheerleader from Michigan and he had a W on his chest. Or was it a girl dates a guy and her roommate sees a W on her from his letter sweater and some shit about. Was he from Wisconsin? and she says. No — Michigan. Something like that — I forget how it went. Well, your girl can be from Utah, I guess, eh?" And the knife went into the top of the inverted U and started making a little series of carving motions and then the Dawkins boy started screaming as loud as he could.
He woke up in awful, intense pain, and the fear of Spain's presence was as bad as the physical burning. And as he came around again he looked into the eyes of Tiff's father who said, "Greg. Please. Don't pass out like that, son. You've got to learn to be a MAN now. Otherwise, you little piece of shit, how am I ever going to get you PEELED?" And the hot, biting steel began to carve again.
He took a long time with the Dawkins kid. And when the boy was dead Spain buried him there in the remote gravesite he'd prepared, and got into the car and drove away. He drove for as long as he could keep his eyes open. It occurred to him that he'd felt nothing as he inflicted the pain on the punk.