“Well, perhaps you have made a mess of it,” she said, quoting Iris.
“What mess? I’m here. He —”
“Queen Anne?”
“Yes, well, actually Gerald is his name; he wears nothing but brown. Brown suit, brown tie, brown shoes. I said, ‘He can’t go to Mitten Todd. He won’t match.’ ”
“Harmonize,” she said.
“That’s it. Harmonize with the —”
“What about Gerald’s wife? I’m sure he has one.”
“Lucretia.”
“No, really?”
“On my honor. When I last saw them they were all together, talking.”
Netta was remembering what the middle sister had said about laughter on the balcony. She couldn’t look at him. The merest crossing of glances made her start laughing rather wildly into her hands. The hysterical quality of her own laughter caught her in midair. What were they talking about? He hitched his chair nearer and dared to take her wrist.
“Tell me, now,” he said, as if they were to be two old confidence men getting their stories straight. “What about you? Was there ever …” The glaze of laughter had not left his face and voice. She saw that he would make her his business, if she let him. Pulling back, she felt another clasp, through a wall of fog. She groped for this other, invisible hand, but it dissolved. It was a lost, indifferent hand; it no longer recognized her warmth. She understood: He is dead … Jack, closed to ghosts, deaf to their voices, was spared this. He would be spared everything, she saw. She envied him his imperviousness, his true unhysterical laughter.
Perhaps that’s why I kicked him, she said. I was always jealous. Not of women. Of his short memory, his comfortable imagination. And I am going to be thirty-seven and I have a dark, an accurate, a deadly memory.
He still held her wrist and turned it another way, saying, “Look, there’s paint on it.”
“Oh, God, where is the waiter?” she cried, as if that were the one important thing. Jack looked his age, exactly. She looked like a burned-out child who had been told a ghost story. Desperately seeking the waiter, she turned to the café behind them and saw the last light of the long afternoon strike the mirror above the bar — a flash in a tunnel; hands juggling with fire. That unexpected play, at a remove, borne indoors, displayed to anyone who could stare without blinking, was a complete story. It was the brightness on the looking glass, the only part of a life, or a love, or a promise, that could never be concealed, changed, or corrupted.
Not a hope, she was trying to tell him. He could read her face now. She reminded herself, If I say it, I am free. I can finish painting the radiators in peace. I can read every book in the world. If I had relied on my memory for guidance, I would never have crept out of the wine cellar. Memory is what ought to prevent you from buying a dog after the first dog dies, but it never does. It should at least keep you from saying yes twice to the same person.
“I’ve always loved you,” he chose to announce — it really was an announcement, in a new voice that stated nothing except facts.
The dark, the ghosts, the candlelight, her tears on the scarred bar — they were real. And still, whether she wanted to see it or not, the light of imagination danced all over the square. She did not dare to turn again to the mirror, lest she confuse the two and forget which light was real. A pure white awning on a cross street seemed to her to be of indestructible beauty. The window it sheltered was hollowed with sadness and shadow. She said with the same deep sadness, “I believe you.” The wave of revulsion receded, sucked back under another wave — a powerful adolescent craving for something simple, such as true love.
Her face did not show this. It was set in adolescent stubbornness, and this was one of their old, secret meetings when, sullen and hurt, she had to be coaxed into life as Jack wanted it lived. It was the same voyage, at the same rate of speed. The Place seemed to her to be full of invisible traffic — first a whisper of tires, then a faint, high screeching, then a steady roar. If Jack heard anything, it could be only the blood in the veins and his loud, happy thought. To a practical romantic like Jack, dying to get Netta to bed right away, what she was hearing was only the uh-hebb and flo-ho of hormones, as Dr. Blackley said. She caught a look of amazement on his face: Now he knew what he had been deprived of. Now he remembered. It had been Netta, all along.
Their evening shadows accompanied them over the long square. “I still have a car,” she remarked. “But no petrol. There’s a train.” She did keep on hearing a noise, as of heavy traffic rushing near and tearing away. Her own quiet voice carried across it, saying, “Not a hope.” He must have heard that. Why, it was as loud as a shout. He held her arm lightly. He was as buoyant as morning. This was his morning — the first light on the mirror, the first cigarette. He pulled her into an archway where no one could see. What could I do, she asked her ghosts, but let my arm be held, my steps be guided?
Later, Jack said that the walk with Netta back across the Place Masséna was the happiest event of his life. Having no reliable counter-event to put in its place, she let the memory stand.
The Remission
When it became clear that Alec Webb was far more ill than anyone had cared to tell him, he tore up his English life and came down to die on the Riviera. The time was early in the reign of the new Elizabeth, and people were still doing this — migrating with no other purpose than the hope of a merciful sky. The alternative (Alec said to his only sister) meant queueing for death on the National Health Service, lying on a regulation mattress and rubber sheet, hearing the breath of other men dying.
Alec — as obituaries would have it later — was husband to Barbara, father to Will, Molly, and James. It did not occur to him or to anyone else that the removal from England was an act of unusual force that could rend and lacerate his children’s lives as well as his own. The difference was that their lives were barely above ground and not yet in flower.
The five Webbs arrived at a property called Lou Mas in the course of a particularly hot September. Mysterious Lou Mas, until now a name on a deed of sale, materialized as a pink house wedged in the side of a hill between a motor road and the sea. Alec identified its style as Edwardian-Riviera. Barbara supposed he must mean the profusion of balconies and parapets, and the slender pillars in the garden holding up nothing. In the new southern light everything looked to her brilliant and moist, like color straight from a paintbox. One of Alec’s first gestures was to raise his arm and shield his eyes against this brightness. The journey had exhausted him, she thought. She had received notice in dreams that their change of climates was irreversible; not just Alec but none of them could go back. She did not tell him so, though in better times it might have interested that part of his mind he kept fallow: being entirely rational, he had a prudent respect for second sight.
The children had never been in a house this size. They chased each other and slid along the floors until Alec asked, politely, if they wouldn’t mind playing outside, though one of the reasons he had wanted to come here was to be with them for the time remaining. Dispatched to a flagged patio in front of the house, the children looked down on terraces bearing olive trees, then a railway line, then the sea. Among the trees was a cottage standing empty which Barbara had forbidden them to explore. The children were ten, eleven, and twelve, with the girl in the middle. Since they had no school to attend, and did not know any of the people living around them, and as their mother was too busy to invent something interesting for them to do, they hung over a stone balustrade waving and calling to trains, hoping to see an answering wave and perhaps a decapitation. They had often been warned about foolish passengers and the worst that could happen. Their mother came out and put her arms around Will, the eldest. She kissed the top of his head. “Do look at that sea,” she said. “Aren’t we lucky?” They looked, but the vast, flat sea was a line any of them could have drawn on a sheet of paper. It was there, but no more than there; trains were better — so was the ruined cottage. Within a week James had cut his hand on glass breaking into it, but by then Barbara had forgotten her injunction.