Clive didn't know how to react to these raw outpourings. He opened his mouth to speak, then decided silence was best. The car slowed outside the Denton Echo office building and Frost shot out, asking Clive to wait.
He found Sandy answering two phones at once and making copious notes in beautifully executed shorthand, so he waited for the reporter to bang the phones down. "Sorry, Jack, but it's going mad at the moment. Did you want me?"
"Yes," replied Frost. "First of all I've decided to forgive you for that rotten dinner. I've only been sick three times and the hot flushes are easing off."
"Oh, yes?" said Sandy warily, sensing a favor was about to be asked.
"I'm in trouble with this dead cat story, Sandy. I want you to kill it."
Sandy patted some papers on his desk into a neat pile. "You're too late, Jack, we're already printing. Sorry-I would if I could, you know that."
Frost leaned forward and dropped his voice. "Supposing I could give you a better story?"
Sandy's nose twitched, but he pretended only a casual interest. "Like what?"
"Fleet Street stuff, Sandy boy. Strictly speaking our press office should send it direct to the agencies, but when you've got obliging friends who think nothing of spending 12p on your dinner…"
The reporter studied Frost's face carefully, then, reaching for his house phone, made up his mind. He spoke into the mouthpiece. "George-kill that page-one story about the police exhuming the cat, and stand by for something better." He hung up. "It had better be good, Jack."
Frost told him that the gun that killed Fawcus back in 1951 also fired the bullet that put an end to Garwood's life the previous night, Sandy's lower jaw dropped, then a smile traveled from one large ear to the other. "You're an ugly old sod, Jack, but I love you," and snatching up the phone he dictated a new story direct to a typist. The headline was to be 1951 KILLER STRIKES AGAIN- AMAZING STORY. The various facts and figures he was able to pluck from his fingertips paid tribute to an elephantine memory. Finished at last he spun his chair round to face the inspector. "What chance of an early arrest. Jack?"
"We're following up several leads," trotted out Frost, trying to think of just one.
"Tomorrow, Jack, we'll have a proper lunch The sky's the limit-up to a tenner a head. Now, off the record, what leads have you got?"
"Damn all," said Frost, "and that's exaggerating. You keep your lunch and give me some information instead. Do you remember a bloke called Powell, Manager of Bennington'sback back in 1951?"
"Stuck-up sod." recalled Sandy. ''His son killed himself."
Frost stripped the cellophane from a fresh packet and offered a cigarette to the reporter. "Tell me about the son."
Sandy tugged an ear in thought. "A bloody hero during the war but a near crook after it. He started up this dubious investment company, then blew most of his clients' money on horses and women. Criminal charges, would have been preferred if the old man hadn't stepped in and made his losses good. Had to sell his house and they now live in a wooden hut in Denton Road."
Ash dropped from Frost's cigarette to his coat. He spread it about with his hand. "And, in spite of the old man's sacrifices, he kills himself?"
"Yes-in front of a tube train. They had to scrape him off the rails. He still owed a couple of thousand then, but the old man dug a little deeper and got it together somehow and all the creditors were satisfied." He looked up. "Hello-that bloke with the wonky hooter-isn't he your assistant?"
And it was Clive, wending his way through the maze of desks, a scowl of urgent agitation on his face. Frost excused himself to Sandy and hurried over to the detective constable.
"What's up, son?" Then he noticed the smoldering anger.
"Not here, sir-outside," and Clive spun on his heels leaving Frost to trot dutifully after him. In the street the young man stopped and, with eyes blazing, almost snarled at his superior officer.
"You and your bloody hunches!"
When the hospital phoned him about his wife, he knew. Before he picked up the phone, he knew… and he knew now. He held his breath to still the churning turmoil within.
"What is it, son?"
"Tracey Uphill. They've found her. She's dead!"
The wind groaned and wailed.
He knew where they'd found her, but he had to ask.
"Where, son?"
"Where do you bloody-well think? Stuffed in that trunk at the vicarage, along with the filthy books and the pornographic photographs."
WEDNESDAY-5
The car screamed round the corner and juddered to a halt outside the front door of the vicarage where other cars were parked, including the Divisional Commander's blue Jaguar with its damaged rear wing.
A uniformed man at the door saluted "Second floor, Inspector, first door."
They took the stairs two at a time and pushed into the vicar's photographic studio where a silent group of men clustered around the opened cabin trunk Frost barged through and looked down into the staring, frightened eyes of eight-year-old Tracey Uphill, who was no longer pretty. A swollen tongue protruded obscenely from her twisted mouth. She wore her warm blue coat but would never be warm again. Frost gently touched the marble flesh with probing fingertips. The flesh was soft. He spotted the doctor at the back of the group and looked to him in mute enquiry.
"Rigor mortis has gone, Jack, so I reckon she's been dead since Sunday. You'll need a P.M. to pin it down to the hour, but the pathologist should be here shortly. We've had to drag him from a Christmas dance.''
Frost dropped his eyes to the tortured white face. "How was she killed, Doc?"
"Manual strangulation." The doctor moved the head slightly to show the marks on the throat. "No attempt at sexual assault as far as I can see, but I don't want to disturb her too much. You know what a fussy devil that bloody pathologist is."
A uniformed man coughed to attract Frost's attention. "We found these in that corner cupboard, sir," and he pointed to a stack of dirty books and nude photographs. "We imagine they were removed from the trunk to make room for the body."
Frost gave them a fleeting glance and grunted "The property of the vicar," said Mullett loudly, deciding it was time to make his presence felt "We can see the sort of person he is."
"Yes," snapped Frost, still looking at the girl, "exactly the same sort as the rest of us." He waved the books away. The constable was hurt, wanting the inspector to examine them and realize their enormity. "There's nude pictures of young girls, sir-local girls."
"I know," said Frost, impatiently, "I saw them when we searched here the other day." And not a very thorough search, he reflected bitterly, remembering how he'd hustled Clive Barnard along, and the body must have been here all the time. Then he realized Mullett was talking to him.
"Did I understand you to say you saw these books and photographs, Inspector?" The voice was shocked. "There was no mention of them in your report-such as it was."
Frost lit a cigarette and shrugged. "No, sir, I didn't think it relevant at the time." His eyes went back to the body.
Mullett's voice rose to shrill and accusing incredulity. "You saw these pieces of filth, and you didn't think them relevant?"
But Frost, deep in thought, flicked an impatient hand at his Divisional Commander. "Later sir, later Everyone in the room stiffened. Mullett was ready to explode but managed to control himself in time. He took several deep breaths, determined not to create a scene in front of the others, but as soon as he got Frost back to the station…