To begin, nobody had ever seen a flat in such an extraordinary condition, the kitchen a perfect stable, the drawing-room in a state of utter abandonment with its Louis XIV. furniture gray with dust, and the dining-room all topsy-turvy, the old oak tables and chairs being piled up against the window as if to shut out every ray of light, though nobody could tell why. The only properly kept room was that in which Reine had formerly slept, which was as clean as a sanctuary, with its pitch-pine furniture as bright as if it had been polished every day. But the apartment in which Morange's madness became unmistakably manifest was his own bedchamber, which he had turned into a museum of souvenirs, covering its walls with photographs of his wife and daughter. Above a table there, the wall facing the window quite disappeared from view, for a sort of little chapel had been set up, decked with a multitude of portraits. In the centre were photographs of Valerie and Reine, both of them at twenty years of age, so that they looked like twin sisters; while symmetrically disposed all around was an extraordinary number of other portraits, again showing Valerie and Reine, now as children, now as girls, and now as women, in every sort of position, too, and every kind of toilet. And below them on the table, like an offering on an altar, was found more than one hundred thousand francs, in gold, and silver, and even copper; indeed, the whole fortune which Morange had been saving up for several years by eating only dry bread, like a pauper.
At last, then, one knew what he had done with his savings; he had given them to his dead wife and daughter, who had remained his will, passion, and ambition. Haunted by remorse at having killed them while dreaming of making them rich, he reserved for them that money which they had so keenly desired, and which they would have spent with so much ardor. It was still and ever for them that he earned it, and he took it to them, lavished it upon them, never devoting even a tithe of it to any egotistical pleasure, absorbed as he was in his vision-fraught worship and eager to pacify and cheer their spirits. And the whole neighborhood gossiped endlessly about the old mad gentleman who had let himself die of wretchedness by the side of a perfect treasure, piled coin by coin upon a table, and for twenty years past tendered to the portraits of his wife and daughter, even as flowers might have been offered to their memory.
About six o'clock, when Mathieu reached the works, he found the place terrified by the catastrophe. Ever since the morning he had been rendered anxious by Morange's letter, which had greatly surprised and worried him with that extraordinary story of Alexandre turning up once more, being welcomed by Constance, and introduced by her into the establishment. Plain as was the greater part of the letter, it contained some singularly incoherent passages, and darted from one point to another with incomprehensible suddenness. Mathieu had read it three times, indulging on each occasion in fresh hypotheses of a gloomier and gloomier nature; for the more he reflected, the more did the affair seem to him to be fraught with menace. Then, on reaching the rendezvous appointed by Morange, he found himself in presence of those bleeding bodies which Victor Moineaud had just picked up and laid out side by side! Silent, chilled to his bones, Mathieu listened to his son, Denis, who had hastened up to tell him of the unexplainable misfortune, the two men falling one atop of the other, first the old mad accountant, and then the young fellow whom nobody knew and who seemed to have dropped from heaven.
Mathieu, for his part, had immediately recognized Alexandre, and if, pale and terrified, he kept silent on the subject, it was because he desired to take nobody, not even his son, into his confidence, given the fresh suppositions, the frightful suppositions, which now arose in his mind from out of all the darkness. He listened with growing anxiety to the enumeration of the few points which were certain: the extinguishing of the electric lights in the gallery and the opening of the balustrade door, which was always kept closed and could only have been opened by some habitue, since, to turn the handle, one had to press a secret spring which kept it from moving. And, all at once, as Victor Moineaud pointed out that the old man had certainly been the first to fall, since one of the young man's legs had been stretched across his stomach, Mathieu was carried fourteen years backward. He remembered old Moineaud picking up Blaise on the very spot where Victor, the son, had just picked up Morange and Alexandre. Blaise! At the thought of his dead boy fresh light came to Mathieu, a frightful suspicion blazed up amid the terrible obscurity in which he had been groping and doubting. And, thereupon, leaving Denis to settle everything down below, he decided to see Constance.
Up above, however, when Mathieu was on the point of turning into the communicating passage, he paused once more, this time near the lift. It was there, fourteen years previously, that Morange, finding the trap open, had gone down to warn and chide the workmen, while Constance, according to her own account, had quietly returned into the house, at the very moment when Blaise, coming from the other end of the dim gallery, plunged into the gulf. Everybody had eventually accepted that narrative as being accurate, but Mathieu now felt that it was mendacious. He could recall various glances, various words, various spells of silence; and sudden certainty came upon him, a certainty based on all the petty things which he had not then understood, but which now assumed the most frightful significance. Yes, it was certain, even though round it there hovered the monstrous vagueness of silent crimes, cowardly crimes, over which a shadow of horrible mystery always lurks. Moreover, it explained the sequel, those two bodies lying below, as far, that is, as logical reasoning can explain a madman's action with all its gaps and mysteriousness. Nevertheless, Mathieu still strove to doubt; before anything else he wished to see Constance.
Showing a waxy pallor, she had remained erect, motionless, in the middle of her little drawing-room. The waiting of fourteen years previously had begun once more, lasting on and on, and filling her with such anxiety that she held her breath the better to listen. Nothing, no stir, no sound of footsteps, had yet ascended from the works. What could be happening then? Was the hateful thing, the dreaded thing, merely a nightmare after all? Yet Morange had really sneered in her face, she had fully understood him. Had not a howl, the thud of a fall, just reached her ears? And now, had not the rumbling of the machinery ceased? It was death, the factory silent, chilled and lost for her. All at once her heart ceased beating as she detected a sound of footsteps drawing nearer and nearer with increased rapidity. The door opened, and it was Mathieu who came in.
She recoiled, livid, as at the sight of a ghost. He, O God! Why he? How was it he was there? Of all the messengers of misfortune he was the one whom she had least expected. Had the dead son risen before her she would not have shuddered more dreadfully than she did at this apparition of the father.
She did not speak. He simply said: "They made the plunge, they are both dead-like Blaise."
Then, though she still said nothing, she looked at him. For a moment their eyes met. And in her glance he read everything: the murder was begun afresh, effected, consummated. Over yonder lay the bodies, dead, one atop of the other.
"Wretched woman, to what monstrous perversity have you fallen! And how much blood there is upon you!"
By an effort of supreme pride Constance was able to draw herself up and even increase her stature, still wishing to conquer, and cry aloud that she was indeed the murderess, that she had always thwarted him, and would ever do so. But Mathieu was already overwhelming her with a final revelation.