He moved beneath the spindly naked canopies. Lifting off the dried paint took longer than spraying it on in the first place, but Ted worked diligently. He stopped now and then to lift rocks to see what creatures were living underneath. He caught one big tarantula, one small scorpion, and an alligator lizard, and put them into separate cottage-cheese containers with air holes punched in their lids. He had always loved unlovable things. They were humble and expected nothing, though some of them packed secret stings and poisons. He set the containers in the shade of the truck and got right back to work.
Later, close to lunchtime, through the music streaming into him, Ted suddenly and clearly heard the sharp report of his father’s voice. He lifted off one bud.
“Goddamn son of a BITCH!”
Ted dropped the nozzle, yanked off the earbuds, and pawed open the low-hanging branches in the direction of the yelling. Through his sweat-and-soot-smudged goggles he could see Archie far downhill of him, and Patrick a hundred yards to the east. His father stood looking at Ted with both arms out, palms raised in an unmistakable question: What in the hell is this? Could he have found a cool snake?
Ted burst through the black limbs and hustled down the slope, sidling down the steep granite escarpments, his feet swaddled in pain but soon he was standing before his father, panting. He stripped off the goggles to see what Archie was holding in his outstretched hand. It was one of the thick slabs of dried paint that Ted had lifted from the tree.
“Paint, Dad!”
“This isn’t paint, Ted. It’s bark! Formerly living bark! You’ve killed thirty trees today, son. Congratulations.”
Ted took the white fragment and turned it over. The inside was colored a very pale green that suggested life. The whole thing was no thicker than half an inch. He held it up closer to make sure it wasn’t just paint. But he could see that it was not.
Patrick arrived and took the bark from Ted and saw the problem. “Took off a bit much here, brother.”
“I thought it was paint, Pat. I swear.”
“Christ all mighty, Ted!
“Screaming doesn’t help,” said Patrick.
“Nothing helps!”
“Then stop being an asshole,” said Patrick.
Archie glared at his sons, Patrick and Ted, in turn.
“I didn’t mean it to happen, Dad,” said Ted. “It was an accident.”
“You’re both worthless.” Archie snatched the painted bark from Patrick and backhanded it against Ted’s ample belly, off which it bounced. Then Archie shook his head and turned and headed muttering toward the trucks.
Ted closed his eyes and clutched his arms tight to his chest and began turning counterclockwise.
Patrick grabbed him by the shoulders and slowed him and held him in place. “Goddamnit, Ted — that won’t do you any good. You can’t just go away.”
Ted closed his eyes tight and waited for liftoff.
Ted switched jobs with Patrick and worked furiously through lunch, breaking apart the heavy bales and spreading the straw under the trees with a pitchfork. Occasionally he stopped to watch Patrick removing the paint from the tree trunks, and from this distance Ted couldn’t see what his brother was doing differently than he had. It looked as if Patrick had switched nozzles, and that was about all. But the real difference, thought Ted, is Pat won’t create a disaster. Pat will do it perfectly. Ted snapped through another nylon tie with the heavy cutters, threw the pieces into the back of the pickup, then rammed the pitchfork into the bale, broke off a load, and heaved it under a tree.
It was easy to think of a bale as someone who wished him harm, like one of the rapacious takers in the Cruzela Storm songs cranking in his ears, like Edgar or his foul-mouthed girlfriend or Evelyn Anders or his father. It felt good to impale them over the next hours, spreading them evenly around the trees that he had tried so hard to save and only managed to put at even greater peril. It was good to focus anger on a person, to have a face to use for a target. And thanks to me, he thought, when the rain comes, this soil and these trees will be protected by this straw. Just as when the fire had come, the Norris residence had survived because he’d trimmed back the trees and bushes around the house and outbuildings. And what exactly had Dad said about that? Not one word, Ted thought. Only his mother had had the good manners to thank him for what he’d done. And Pat. Patrick had said something right off about him doing a good job. Or had he?
Near sundown Ted carried the pitchfork back to the truck. He checked the creatures in their containers and set them up front. His phone rang. He checked the caller, took a deep breath and spoke in a low voice. “’Lo, Cade.”
He ditched family cocktails, showered and shaved, and drove to Pride Auto Repair. There were three cars in the lot, Cade’s white-and-aqua Bel Air, a Dodge Magnum, and a red Dodge pickup truck, late fifties, beautifully restored. Ted heard music inside, hard and reckless. He stood under the neon Model T sign and looked through the open front door. The overhead lights were strong and lit the room like a stage. Cade was in there, shooting pool with a man while two women sat on stools and watched. Cade wore a holster low on his leg like a gunfighter and a six-gun glinted in the leather. The women wore halter tops and small skirts and their legs shined in the overhead light. They held bottles of beer. The man playing pool with Cade was young, all muscles and freckles. He wore a black leather vest over his naked torso, a black cowboy hat, and had a large handgun on his belt, holstered high and back, like a detective. They all looked at him standing at the open door. Cade smiled. “What do you want, Ted, an engraved invitation?”
Ted stepped in. Cade bent to the table, formed his bridge, and sunk the seven ball with a clack so sharp it pierced the music. The strong young man ignored him but one of the women, the brunette, smiled and held up her beer. “Want one?”
“Sure.”
“The fridge is in the back, cold ones up front.”
“Can I get one for you?”
“Bring it on, big guy.”
“Anyone else?”
No one answered so Ted got two cold ones. He pressed them to the opener on the wall while he looked around the repair bay. There were two cars up on the lifts and two more waiting, hoods up. Back in the lobby he gave the woman the beer and pulled up a bar stool a respectful distance from her. The muscular man eyed him then looked back to the table. Cade leaned against the wall by the cue rack, twisting a cube of chalk onto his stick. The jukebox played hard fast music from a band that Ted wasn’t familiar with, something about brass knuckles, red blood and a flag that still waves. He leaned over for a look at the selection and saw that the old retro jukebox was in fact a newer one, outfitted to play CDs.
“I’m Joan and that’s Amber and Trevor,” said the brunette. She had a compact face and a pleasant smile and she was older than he had thought at first. “Friends of Cade’s from Idaho. Spirit Lake.”
“Are there really spirits in it?”
“Indian ghosts is the legend. It’s beautiful there. Cold in winter. We came to talk Cade into moving back but we’re already in love with this place and we only been here two days. This is like America used to be.”
“Before government took over.”
“Absolutely. Are you a friend of Cade’s?”
“I’ve known him my whole life, pretty much, so, yeah.”
“Then you know all about what happened here.”
“Yep, right out back. Mrs. Magnus was locking up and he surprised her.”
“Yes, and she wasn’t armed to defend herself.”
Ted nodded and saw the glance between Amber and Cade. Amber slid off her stool, shut and locked the front door, and made sure the blinds were closed. Joan set her beer on the counter and dug into her purse and produced an empty.45 caliber cartridge casing and a small glass vial. Looking intent, she unscrewed the vial and tapped some shiny white powder into the shell and sniffed it up her nose. She shuddered and grinned at Ted and loaded one for him. Ted peered down into the casing. There wasn’t much white stuff down there. “Crank?”