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But even in an immobilized town, things happen. Dozens of cars went off the roads and stayed nose down for days, buried under fresh drifts. Walter Barnes sat in his television room nursing a succession of drinks and watched an endless round of giveaway shows with the sound turned off. Peter cooked their meals. "I could understand a lot of things," Barnes told his son, "but I sure as hell can't understand that." And went back to his quiet, nonstop drinking. One Friday night, Clark Mulligan put the first reel of Night of the Living Dead back in the projector for the Saturday-noon showing, turned off all the lights, flipped the broken lock on the fire door and decided once again not to bother with it and went back out into the blizzard to find Penny Draeger's body lying half-covered with snow beside an abandoned car. He slapped her face and rubbed her wrists, but nothing he could do would put breath back in her throat or change the expression on her face-G had finally allowed her to take off his dark glasses.

And Elmer Scales finally met the man from Mars.

10

It happened on the day before Christmas. The date meant nothing to Elmer. For weeks he had done his chores in a blind rage of impatience, cuffing his children if they came too close and leaving the Christmas arrangements to his wife-she had bought the presents and put up the tree, having given up on Elmer until he realized that what he was waiting up for every night didn't exist and never would wait around to get shot. On Christmas Eve Mrs. Scales and the children went to bed early, leaving Elmer sitting with the shotgun across his lap and his paper and pencil on the table to his right.

Elmer's chair faced his picture window, and with the lights off, he could see about as far as the barn- a big shape in the darkness. Except for where he had shoveled, the snow was waist-high: enough to slow down any sort of creature who was after more of his animals. Elmer did not need light to scribble down the random lines he thought of: by now he did not even have to look at the paper. He could write while staring out the window.

summers them old trees was high enough to glide from

and

Lord Lord farmings a ballbreaking business

and

somethings not a squirrel scratching under the eaves-

lines he knew would come to nothing, were not poetry, were nonsense, but which he had to write down anyhow because they came into his mind. At times they were joined by other lines, part of a conversation someone was having with his father, and these fragments too he wrote down: Warren, can we borrow your automobile? We promise to bring it back real soon. Real soon. Got urgent business.

Sometimes it seemed his father was there in the dark room with him, trying to explain something about the old plow horses he'd finally replaced with a John Deere, trying to say that those were good horses, you got to care for them boy, they done good by us, those five kids you got could get a lot of pleasure outta nice old horses like that-horses dead for twenty-five years! -trying to tell him something about the car. Watch them two lawyer boys, sonny, banged up my car and lost it, drove it into a swamp or something, gave me cash dollars but nobody can trust boys like that, no matter how rich they daddies are-creaky old voice getting at him just like when the old man was alive. Elmer wrote it all down, getting it mixed up with the poetry that wasn't poetry.

Then he saw a shape gliding toward the window, coming toward him through the snow and night with shining eyes. Elmer dropped the pencil and jerked up the shotgun, nearly firing both barrels through the picture window before he realized that the creature was not running away-that it knew he was there and was coming for him.

Elmer kicked away the chair and stood up. He patted his pockets to make sure he was carrying the extra shells, and then lifted the shotgun and sighted down the barrel, waiting for the thing to get close enough for him to see what it really was.

As it advanced, he began to doubt. If it knew he was there, waiting to blast it all the way back to the barn, why wasn't it running away? He cocked the hammers. The thing was coming up his walk, going between the two big drifts, and Elmer finally saw that it was much shorter than what he had seen before.

Then it left the walk and came over the snow to press its face against the window and he saw that it was a child.

Elmer lowered the gun, numb with confusion. He could not shoot a child. The face at the window peered in at him with a frantic, lost appeal-it was the face of misery, of every human wretchedness. With those yellow eyes, it begged him to come out, to give it rescue.

Elmer moved to the door, hearing his father's voice behind him. He paused with his hand on the doorknob, the shotgun dangling from his other hand, and then opened the door.

Freezing air, powdery snow blew in his face. The child was standing on the walk with its head averted. Someone said, "Thank you, Mr. Scales." Elmer jerked his head back and saw the tall man standing on the snowdrift to his left. Way up there, balancing on the snow like a feather, he was smiling gently down at the farmer. His face was ivory, and his eyes were vibrant accumulations of-it seemed to Elmer-a hundred shades of gold.

He was the most beautiful man Elmer had ever seen, and Elmer knew that he could not shoot him if he stood in front of him for a decade with a loaded and cocked shotgun.

"You-why-uh," Elmer managed to say.

"Precisely, Mr. Scales," the beautiful man said, and effortlessly stepped down from the snowbank onto the path. When he was facing Elmer, the golden eyes seemed to shimmer with wisdom.

"You're no Martian," Elmer said. He did not even feel the cold anymore.

"Why, of course not. I'm part of you, Elmer. You can see that, can't you?"

Elmer nodded dumbly.

The beautiful thing put a hand on Elmer's shoulder. "I'm here to talk to you about your family. You'd like to come with us, wouldn't you, Elmer?"

Elmer nodded again.

"Then there are a few details you have to take care of. At the moment you're slightly-encumbered? You cannot imagine the harm done to you by the people around you, Elmer. I am afraid there are things about them you have to know."

"Tell me," Elmer said.

"With pleasure. And then you will know what to do?"

Elmer blinked.

11

Some hours later on Christmas Eve, Walt Hardesty woke up in his office and noticed that the brim of his Stetson bore a new stain-he had knocked over a glass while sleeping at his desk, and the small amount of bourbon remaining in the glass had soaked into his hat. "Assholes," he pronounced, meaning the deputies, then remembered that the deputies had gone home hours before and would not return for two days. He uprighted the glass and blinked around him. The light in his untidy office hurt his eyes but seemed oddly pale-dim and somehow pinkish, as if on some early morning of a Kansas spring forty years before. Hardesty coughed and rubbed his eyes, feeling a little like that bozo in the old story who went to sleep one day and woke up with white hair and a long beard, about a hundred years older. "Rip van Shitstorm," he muttered, and worked for a while at clearing the phlegm from his throat. After that he tried to blot the hatbrim on his shirtsleeve, but the stain, though still damp, had set. He lifted the hat to his nose: County Fair. Well, what the hell, he thought, and sucked at the coffee-colored stain. Lint, dust a faint trace of bourbon came into his mouth along with the disagreeable flavor of wet felt.