Once near Vancouver, the plane circles the city then flies over the Coast Mountains and makes lazy-eights over the pristine frozen alps and lakes behind, a flying tour of Year Zero. Another delay is announced, and then finally, after two hours of dawdling, the plane lands on the runway, but just before doing so, the runway lights that guide the way go black.
22 NATION OR ANT COLONY?
At Vancouver's airport, Richard's flight is the only moving plane on the tarmac. The captain announces another delay, and the passengers spend one more hour on the tarmaca problem with ground staff, but not to panic, even though, as passengers can plainly see, half the building is without light and there's not a single ground person in view.
The passengers become increasingly crazed with the discovery of a seat-buckled dead salesman in 670 and then a dead teenager in 18E Fear amplifies. Passengers can plainly see that there's no action at the airportno trucks or luggage carts or other activity. Another whole Section of the terminal's lights blink then fail, and finally the flight attendants pop open the door and the passengers slide down an inflatable yellow escape chute. To enter the airport, they pass through a utility door with quiet, orderly docility. Upon finding a dead stewardess propped against an access door, this soon devolves into anarchy. Outside it's raining and inside the building it's cold. There are almost no people presentat the immigration lineup there are no staff, save for one woman in the corner wearing a white paper breathing mask waving them onward. Bodies are strewn about the airport. Passengers scuttle toward the mild hum of the luggage carousel, which chugs and dies, never again to cough forth the passengers' luggage.
Something has gone dreadfully wrong. Richard is dazed. Karen's future has come true. An adrenaline fang bites the rear of his neck.
There are no staff at customs. The phones are blank and no taxis wait outsideonly one or two cars speeding like mad through the main traffic corridor. Richard hears a voice calling his nameit's Mr. Dunphy, no, Captain Dunphy, a neighbor from West Van,
"Richard? Is that you, Richard Doorland?"
"Oh. Hey, Captain Dunphy. Hi. What the hell's going on here?"
"Christ. You wouldn't believe it. You on the Los Angeles flight?"
"Yes, but"
"There was a real debate about whether they should let you land or let your fuel run out flying over the mountains." Richard is dumbstruck. "The tower operators thought that planes would bring in more infected people, but it turned out everybody was dropping off. The moment you touched the runway they turned off the lights and went home. C'mon, let's scram."
They bustle through a labyrinth of metal corridors, ramps, and NO ACCESS hallways for which Captain Dunphy has a magnetic card. At the end of their jaunt, they stand on the runway's apron, where the rain has temporarily stopped and clouds blot the sky like sullied dinner plates. From a piece of yellow luggage that has fallen from the hold of a 73 7 and then split open, Richard takes a large winter coat. Captain Dunphy grabs an electric luggage wagon.
"Where are we going?" Richard asks.
"To the jetty at the runway's end. My brother Jerry's coming over from West Van in his sixteen-footer to pick me up. Called him on mycell phoneI just got in from Taipei. Fucking nightmare. We had three deaths onboard and the passengers were going ape-shit between Honolulu and Vancouver. Screaming, wailingChrist. We had to bolt shut the cockpit door."
The two scan the horizon for a boat or a light. "I wouldn't have believed it possible in all my years flying. I'm just glad I was able to get home. Once we docked, all the passengers simply ran. They didn't even wait for their luggage. I don't even know where these people could have gone. Waiting relatives? No taxis then, too."
"The plaguewhat is it?" Richard asks, his mind spooling out plotlines from 1970s sci-fi movies. "Who's dying? Old people? Babies? Any one group?"
"No pattern. Everybody. It brought down planes everywhere. All the big cities are fucked up. Vancouver, too. Noon today people started dropping like flies. It's pointless trying to drive anywhere downtown. It's a parking lot clogged with desperate, freaked-out people. People who catch this thingwhatever it ishave this powerful urge to sleep, so they lie down wherever they arein their cars, on the mall floors, in the offices. A minute later, they're dead."
The runway drive is far longer than Richard might have thought. North, toward the city, Richard can see the plumes of smoke of several fires and patches of the city with failed electrical grids. They park near the muddy water at the runway's end. They hop off the luggage cart and stand in the rain as Captain Dunphy blinks a flashlight. They can see a boat coming toward them in the distance, and soon they hear a boat's engine in the December wind. Captain Dunphy blinks the flashlight to signal his brother; the boat berths sideways against the shore onto which sloppy water laps feebly. Captain Dunphy sees Jerry's suspicious face and says, "He's with me, Jerry. This is Richard, my neighbor."
"Hop in. It's going to be dark soon. Christ, the city's a mess. Everywhere's a mess. This plagueit's speeding up."
They hop into the boat, which jolts away from the shore like a knife tugged from a magnet. As the boat slaps against the small whitecaps, its passengers goggle the fevered city. Richard tries tophone home to Karen on Jerry's cell, but something's not working.
As they near West Vancouver, binoculars reveal that Lions Gate Bridge is full of cars. On the mountain, fires are burningtheir gray plumes more reminiscent of autumn leaf burn-offs than of burning houses.
The boat travels up the shore and docks at a private dock a mile west of the Park Royal Mall, currently in flames. Onshore, Mrs. Dunphy is in a Volvo. They weave throughout West Vancouver's curves and hairpins. They see cars parked on the roadsides with dead drivers behind the wheels. A minivan stops at a stop sign and they briefly see four children looking out the rear window, chalky silent faces frightened out of their wits. At the corner of Cross Creek and Highland, two men try to stop them, but Mrs. Dunphy stomps the gas pedal as they race down the hill toward home. A shot is fired, which cracks the rear window.
On Rabbit Lane, the electricity still works, but Lois's and George's cars are gone. Karen is on the floor by the blank, snowstorming TV. Her knees are up to her chin, but her eyes are far, far away. She's shivering madly. Her forearms resemble a freshly plucked chicken.
"Karen? Karenhoney?" Richard says, but there is no response. He picks her up in his arms and is about to stand up when Karen speaks.
"It's happening," she says. "It's here. What I saw back then "
"I know, honey."
"I tried to run away from it so long ago."
"KarenI know, but you've gotta tell me. Something big's going onall over the world. And you know what it is. Tell me, please." Karen squeezes her eyes shut and says nothing. Richard is exasperated: "Jesus H. Christ, Karen, can you tell me what's going on! Speak tome!"
She says, "The world's falling asleep. But not me. I don't know about you."
"Who told you?"
"The voicesthey came in clearly this afternoon. I could finally hear them. Him. Jared. It. I don't know."Richard carries her onto the couch, smothers her body in blankets, and ignites the gas fireplace, which throws off considerable heat. He then cradles Karen in his lap and she calms down. Richard collects his thoughts. "Now tell me, Karen, what are we in for? Why us? Why here? Why you and me and ?"
"Richard, I have a brain the size of a seventeen-year-old's. It's not always easy."
"Does anybody else live?"
"I don't know. I only know about us here close to home."