And then they were in the heat and crush of the basement, the music hugging them in, pools of brown water on the floor and the room filled with bodies, sweating, moving, someone climbing onto a table to dance, and the band almost invisible because there was no stage, only a strip of masking tape marking them off from the dance floor. They had a drummer and a bass player now, and the guitars were loud, high metal in his ears. He stood against the wall with Susie, sharing a bottle of beer and feeling the music shake through his body, wondering what it meant that they were there together, clearly together, and yet not really. The singer’s voice rising on a long line, sweeping him upwards.
The next song he recognized – it wasn’t a slow song exactly, but less fast – a song about UFOs and longing, about lights on the asphalt and aliens and escape, and Susie-Paul reached for his hand and led him onto the floor, and he wrapped his arms around her as she rested her head on his chest, swaying not quite in time with the music. And he knew this was something in her that was sad and nearly self-destructive; it wasn’t what he wanted.
Take me away
Take me away
The first set was over, and they walked outside again, to the sheltered yard of St. Peter’s Church where the sound of the traffic on Bloor Street was faint, like falling water.
‘I have to tell you something,’ said Susie.
‘I figured you did.’
‘I’ve decided to go away. I’m going to Vancouver for a while.’
He turned from her, leaning into a corner of the limestone wall. ‘How long?’
‘I don’t know.’
He ran his finger across the rough edges of the stone. It was almost glowing, in a diffused beam of light from somewhere. ‘Will you come back?’
‘I don’t know.’
He walked a few nervous steps in the frosted grass. ‘You don’t believe me,’ he said, ‘but I will always know who you are.’
She shook her head. ‘You think that, Alex. But you don’t understand.’
And when they went back inside, the bass player was leaning down, relentless, and the music crashing against the walls, fast and angry, the singer stretching out her arms and dancing, that ragged extraordinary voice.
Follow the light to where the little ones lie
Watch their faces disappear in the sky
The singer grabbed her mike from the stand and sang a long wordless cry and crossed the line of tape, dancing out into the audience and vanishing among their bodies.
Build ourselves a town
And then we’ll watch it all come down
Susie-Paul spun into his arms like a collision, and pulled his head down and kissed him hard in the middle of the dance floor. And it wasn’t what he wanted but it was the best he was going to get. He squeezed her against him and kept kissing her, the other people on the dance floor tripping over them, knocking them sideways, the night going on everywhere.
And suddenly nothing was urgent or desperate as he had thought it would be; as if the frantic pulse that had been beating at the back of his skull for the last year had abruptly calmed. He knew so completely that this was all he could ever hope for.
For a while they were kissing at the bus stop, muffled in their winter clothes, sucking warmth from each other, and when he drew away from her to breathe, the moisture on his lips began to freeze and sting.
He locked Queen Jane in the kitchen upstairs and unzipped Susie’s dress. The skin of her shoulders was smooth and slightly freckled and tasted like sweat and yeast. He went down on his knees and ran his tongue up her thigh. Their bodies slick and wet in the hot basement, the taste of her on his lips, her mouth sliding over him, and the borders of everything turned fluid, time and space and movement. Far away from himself and falling, broken open inside her.
And then sometime during the night he started up from the bed in quick panic, his heart pounding and sweat pouring down his back. Hypo. Grabbed at the can of Coke on his desk and drank it fast, spilling part of it on the floor, and waited for the shaking to stop, and nearly wept because his blood could never leave him alone, because he could never, not for one minute, be free of this.
Susie-Paul tossed and muttered, and he went back to her, his fingers reaching between her legs, and woke her slowly, and they slid into each other again, the heat of her skin.
She left in the morning while he was still sleeping.
He wasn’t sure what he had expected after that. But not complete silence. She had stayed in town for three more days, he learned later, but he never heard from her. When he called her house – he hadn’t ever done this before – there was no one there at first. In the end he reached Chris, and by then she was already gone.
He knew exactly when she had left because he found out from Chris, the two of them managing to establish a very brief and unsatisfactory friendship based entirely on having been dumped by the same woman. Chris believed that Alex and Susie had been lovers for several months at least, and Alex never bothered to tell him otherwise.
He did think that she would phone him sometime, or write to him or at least send a postcard. Not so much because they’d slept together. He could accept that this was an anomaly and meant very little; but they had been friends. And he wanted to know, he was worried about her, she had seemed so damaged, and talked strangely; maybe she really was sick somehow – and then he thought of AIDS, and was ashamed of the thought, but it was true that he had been wholly careless. And he was by no means sure who else she had slept with.
She wouldn’t do that, though. She was not the sort of person who would do that. He tried to keep this in the back of his mind where he kept all his other irrational fears about her – cancer, suicide. He didn’t know why she didn’t write. At the end of that strange awful year a man in Montreal picked up a rifle and went out hunting feminists, and fourteen women were dead, and he knew she had said she was going to Vancouver and anyway all the dead women were named, but he thought of that too, blood on her white lace dress. It couldn’t be true, of course. But he wished she would write and tell him so.
Dissonance came out less and less often through the winter, and finally stopped altogether. For a while he managed to increase his hours at SuperPhoto so that he could pay his rent, and borrowed money from his parents to cover his insulin, but he knew he would have to find a better job somehow.
Finally, in the spring, he heard at several removes – from Adrian, who had heard it from Evelyn’s cousin – that she was indeed in Vancouver, working as a canvasser for Greenpeace, and seemed to be more or less okay. He forced himself to go to the clinic and get tested, and he was clean, and he tried to believe that he had never expected anything else.
A few weeks later he was at the hospital to see his endocrinolo-gist, and there was a notice on a bulletin board inviting people with photographic expertise to apply for a job, and he tied back his hair and went for an interview.
There no was precise point at which he understood that he would not hear from her again.
III
In the indigo evening, a woman knelt on her front steps with a rag and a tin of cleanser, her hands red and raw, scrubbing the stairs again and again. Every time that she started to think she was finished she would see a spot she couldn’t remember cleaning, and again her mind would fill with the possibility of contagion, of the people collapsing on the subway, and what they carried with them when they left and walked into the city. She would think of vials of Asian flu inadvertently opened, of sarin and tabun deliberately released, of some tiny particle borne towards her, tracked into the house, onto the floor where her children walked, some flake of poison, of illness, of malign intent. She poured more cleanser onto the rag, dipped it in a bucket of water, and scraped it again across the stone, weeping, exhausted, shaking with cold.