“Oxford, Mississippi,” he says. “Proud home of the Rebels.” As if he gives a damn about football, or basketball, or bowling, or whoever the Rebels are. He makes me drink water and take aspirin before I go to bed, and in the morning makes me come out of my room and go to breakfast with him and Max. We walk arm in arm to the Castro, with me in the middle. I can picture the three of us clearly from behind: Max aglow with neon highlights, Christopher a lovely pastel, and in between a chalk-drawn outline with a perfect round hole about chest level where the bullet or the spear or the missile has gone clear through but left me otherwise intact. How utterly miraculous that is.
When we get home, Max styles my hair, cajoling it into submission with a round brush, patiently rolling it up in sections and holding the blow-dryer to it as he pulls the brush out. He works in some heavenly smelling waxy substance and then arranges it all piece by piece, just so, around my face and over my shoulders. When he is satisfied with my hair, he applies liner and shadow to my eyes, and lip gloss to my mouth. I am afraid to look, afraid of seeing a kid — someone definitely not me — who’s gotten into Mom’s makeup bag and gone to town.
Max holds up two mirrors — one in front and one in back — and circles me like a merry-go-round pony. He makes me look, and despite the time he’s spent, the effect is subtle but still startling. Each time my face reflects back at me, it seems as though I am looking at someone in an old family photograph, or someone I have not seen in a very long time and never knew very well to begin with, or a person from a movie — maybe Thelma or Louise.
“You are a magician,” I say.
“And you, darling, are stunning.”
“Or you could be hallucinating. Maybe I’ll go up to the bar and see if anyone recognizes me.”
Christopher says, “Or asks for your autograph.”
“Quit,” I tell them, “before I put a hat on and wash my face.”
Max pinches my cheeks, sort of hard. “You love it.”
“No. I love you.”
The next weekend, from the bus, I spot Max and Christopher walking back from the grocery store. Their groceries are in a two-wheeled wire cart, and Max is pulling it behind him with one hand; the other is tucked into the back pocket of Christopher’s jeans. Christopher wears a gray cardigan against the afternoon wind, and a long electric-blue scarf, set off against his black leather jacket, drapes elegantly around Max’s neck. They look like an old married couple who have already raised the kids, let them go out into the world, and then settled in to ride out the rest of their years tranquilly, as a set. I press my face to the bus window and watch them until they are out of sight.
I fall, fitfully but progressively, into a rhythm: work, pool, outings with the boys and dates with the Boy — the Irish one, who does not seem to mind being referred to as “the Boy”; does not seem to mind much at all, for that matter. He does have a name, which is Dillon, and he tells me it means “flash of lightning.” We are not in love, and not likely ever to be, but the feeling I came home with, the need to be suffocated, is all but gone, and closeness and kisses are starting to feel like enough. I feel like I am in the world, and not just trying to bring it into focus from another galaxy.
Some days, walking down Valencia Street, holding hands and looking in shop windows, turns me absolutely inside out. It’s good. And it’s spring, meaning it is warm, and the summer fog banks have not yet begun to slink in every afternoon to remind us what it costs, to live in such a beautiful place.
• • •
One night in early June, after a day shift and a few games of pool, I come home to find Christopher and Max, as usual, in the living room in front of the TV. It isn’t on, though, and they are sitting too far apart. Feet apart, rather than inches; too many to reach across. I have an almost overwhelming urge to move them closer together, place a flat palm on each of their backs and bring my hands together, like a person might do with a found accordion, simultaneously pressing buttons and keys in the hope of a not-too-discordant noise. Annabelle sits on the back of a chair by the window, looking out or at her reflection, and her tail hangs straight down, motionless.
Christopher looks up at me where I have stopped in the doorway, and pats the couch between him and Max. Max looks away, but not before I see the traces of mascara on his cheeks. All I can think is, I never knew he wore mascara. I thought he just had the most incredible eyes. And: That is not my place. If I sit in that spot, it will mean something is terribly wrong.
I do sit down, though, and for a long minute, no one moves or speaks. When Max begins to say something, Christopher says, “No. I did this. I should tell.”
I have never seen either of them let the other one do anything hard, alone, and this is clearly something hard. Max sits completely silent and stares straight ahead, his mouth tight and his hands pressed between his knees.
“I infected Max,” Christopher says, his voice in pieces.
“I thought you were—”
Max makes a small sound, like a small animal, and puts his head in his hands. I can’t remember ever seeing anyone actually do that before. “False negative,” he says. Then he says it again. As if he were testing the sounds. As if he could make the words mean something different if he says them enough.
Christopher says, “We — I didn’t wait long enough. There was this guy. Just this one guy. This one night. Right before I met Max.” The words go wobbly. “There’s a window. Six months.”
Max laughs, in a way that sounds almost like a real laugh, and it gives me hope for a minute that I have misunderstood something, or that “infected” means the flu.
“Nice round number,” Max says, when he is finished with the laugh that only sounded like one. “Where do they come up with this shit?”
I have never heard him swear like that before. Not like he means it to do harm. I want to go to my room, close the door, stuff the last few months in the closet, and wait for the whistling to begin again. I know it isn’t going to. And I know I have to say something. They are waiting for me to say something.
I say, “I still want to stay. Here. With you.” I know it isn’t right. This isn’t about what I want or how long I am staying or anything about me at all. But it is all I can think of, and I have to say it. Even if it is the wrong thing entirely. Even if is the dumbest, most oblivious thing I can say. Even even even.
Max looks at me and tries to smile, but it doesn’t take. He looks across me at Christopher, shakes his head, and gets up. “Do you think there’s any other place that would have us?”
He goes to their room and closes the door, so quietly the click of the lock barely registers. I reach for Christopher’s hand, crawling mine hesitantly across the couch; a spider’s crawl. He holds onto it for a few seconds, squeezes, and lets go. He stands up and squares his slim shoulders, like a child who has been called to the principal’s office for passing notes, and walks resolutely down the hall to the door Max has just closed. Door number three. Christopher taps on it, ever so softly, but loud enough for Max to hear. There is no answer.
I watch as Christopher presses his ear to the wood, but I cannot hear what he is hearing, or begin to know what sign of prayer, or absolution, or abdication he is listening for.
Or maybe I can. Maybe I do know.
13. Scablands
I know I’ve heard it somewhere: if in a dream you are falling, and you land, you will never wake up. I’ve had plenty of falling dreams but so far have never hit the ground, and I wonder now if similar rules apply to dreams about trains crashing into each other or derailing all on their own.