I regarded Anna Bellarosa a moment. I hadn't spoken to her since that morning she tackled me at Alhambra. She was undoubtedly grateful to me for getting her husband sprung, but I was fairly certain that a traditional Italian woman did not telephone, write, or call on a man unless he was her father or brother. How suppressed these women were, I thought, how utterly dependent they were on their husbands for everything including their opinions and maybe even their feelings. I mean, the woman didn't even have a driver's licence. I wondered if Anna had an unmarried sister for me. Or maybe I'd ask the don for Filomena's hand. Anyway, though we seemed to be having a good time during dinner, we weren't. For one thing, Frank was going out of his way to be cool to Susan, and going out of his way to praise me as the greatest lawyer in New York. Obviously the man was trying to demonstrate that there was absolutely nothing going on between him and my wife, and at the same time trying to jolly us back together. Bellarosa was a smart guy in a lot of ways, but this wasn't one of them. Susan seemed uncomfortable with Bellarosa's obvious bad acting. She also seemed generally nervous, as you might expect.
There were times when the conversation was strained, as I suggested, and Frank just wasn't his scintillating self as he realized that the evening wasn't going as he'd planned. Anna, I think, noticed this, too, but I wondered if she was smart enough to know why. I had half a mind to announce to her, "Your husband is fucking my wife." But if she didn't believe that her husband was a Mafia boss, why would she believe that he was an adulterer? And if she did, what was she going to do about it?
Anyway, Frank paid the check with cash, and Vinnie and Lenny were already out the door. Frank said, "You all stay here and finish your coffee. I'm gonna go see about the car."
Anna stared down at the table and nodded. She knew the drill. Susan looked antsy to get moving, but like Anna she listened to Big Frank. I, on the other hand, didn't feel like sitting with the women while Mr Macho went out and secured the beachhead. So stupid John stood and said, "I'll go with you." And I did. Bellarosa and I went to the door, and I saw Vinnie standing on the sidewalk, checking out the block. Our car pulled up, a black stretch Cadillac that Frank had ordered from his limousine company for the occasion. Lenny was at the wheel. Vinnie signalled to us, and we went through the door onto the sidewalk.
It was a very pleasant evening with a touch of autumn in the air. There were people strolling on the street as there always are in Little Italy, but none of them looked suspicious. And as always, no one knew where Bellarosa would be that night except Frank himself and his wife. Not even Susan or I knew, though I had guessed, of course, that we were going to Giulio's. Vinnie and Lenny may have guessed also, though really, we could have been going to dinner at any one of about three thousand restaurants in New York, New Jersey, Connecticut, or Long Island. It was only after we had gotten to Giulio's that Lenny and Vinnie knew for sure, and Vinnie was never out of our sight. Only Lenny was when he parked the car in a garage down the street. As I said, anyone inside of Giulio's could have made the phone call, but I'm pretty sure it was Lenny the Cretin who did. There were two of them, both wearing black trench coats and gloves. Where they came from exactly, I'm not sure, but they were standing on the other side of the limousine, and I had the impression they had been crouched behind it on the driver's side and had stood as Vinnie pulled on the rear passenger-side door handle, which caused the interior lights of the limo to go on. This may have been the signal, inadvertently given by Vinnie, for the two men to stand, because I seem to recall a connection between the two. Vinnie was still tugging on the door handle, which was apparently locked, and he banged on the window with his palm. "Hey, Lenny! Unlock the fucking door. Whaddaya, stupid?" It was at that moment that Vinnie looked up and saw the two men across the roof of the car, and I heard him say, "Oh, Mother of God…" I should tell you that at one point in the evening, when the two women went off to powder their noses (as Anna referred to urinating), I had said to Bellarosa, "Frank, this is not a good place to be at night."
"You don't like the music?"
"Knock it off. You know what I mean."
His reply had been, "Fuck it."
Well, I tried. I really did, because I couldn't stand by and say nothing. But Bellarosa's ego wouldn't allow him to make many changes in his lifestyle, and there was also the matter of Mr Peacock wanting to impress Mrs Sutter. Get it? Well, back to the really bad stuff. I stared at these two guys and found myself looking down the muzzles of two double-barrelled shotguns not ten feet away. Both men steadied their aim on the roof of the limo, though with shotguns at ten feet you don't have to do a lot of aiming. This all happened very quickly, of course, though neither man seemed rushed or nervous, just sort of matter-of-fact.
I said, "Frank…" and poked him.
Vinnie, of course, had gone for his gun, but the first blast caught him full in the face from about two feet away and literally blew his head off, sending pieces of it at me and Bellarosa.
Frank had turned toward the two assassins just as the first blast decapitated Vinnie. Bellarosa stepped back and held his hands out in a protective gesture, and he yelled out, "Hey, hey!"
The second man fired both barrels at once, and Frank, who had been a foot or two away from my left shoulder, caught both barrels in his chest and was actually picked up off his feet and thrown backward, crashing through the front window of Giulio's.
The man who had fired the single barrel into Vinnie's face looked at me, and I looked at the shotgun pointing at me. But I'm a civilian, and I had nothing to worry about. Right? Right? Then why was the gun pointing at me? I sort of knew that I'd see the flash of the barrel but would probably never hear the explosion. People who have had similar experiences have described it as 'like waiting for an eternity." That's exactly correct. And I even saw my life flash before my eyes.
Well, maybe the reason I'm able to tell you about this is that the guy smirked at me, and I wanted the last word so I flashed him the Italian salute. He smiled, swung the barrel of the shotgun away from me, and fired. I actually heard the buckshot fly past to my left, like buzzing bees, and I heard Bellarosa groan a few feet behind me. I looked and saw him sprawled on his back, half his body inside the restaurant and his legs dangling outside. His trousers were shredded, and I realized the last shot had peppered his legs. In fact, I saw blood running now, over his ankles and socks – he had lost his shoes at some point – and the blood was puddling on the sidewalk.
I heard a noise like another shot from the street and turned back to see that the two gunmen had gotten into the limo and the sound I'd heard was the door slamming shut. The long black car pulled away at normal speed. I noticed now that the two shotguns were lying in the street. My eyes moved downward, and I looked at Vinnie's body on the sidewalk, blood running out of his headless neck a few feet from my shoes. I stepped back.
No one on the street or sidewalk around me was screaming or running; they were all just standing very still. Of course, this sort of thing doesn't happen every night on Mott Street, but this was a savvy bunch, and no one around me was going to say later that they thought a car backfired or kids were shooting fireworks. No, everyone knew exactly what had happened, though no one saw a thing, naturally.
Inside the restaurant, however, there was a lot of screaming going on, and I could picture the scene in there with glass all over the place and Bellarosa's body sprawled across the window table, blood running onto the white tile floor. Well, there was nothing to be done out on the street, so I turned and went inside the restaurant. I should point out that from the moment I saw the two gunmen to the time I walked back into the restaurant was probably less than two minutes. Susan and Anna were still at the corner table, though like everyone else, they were standing, and Anna looked at me with wide, terrified eyes. Susan looked at me, too, then her eyes sort of focused over my shoulder as if she were looking for Bellarosa. I realized that neither of them had understood that it was Frank Bellarosa who had reentered the restaurant through the window. I turned toward the window and saw why; there was a small crowd around, of course, but also, when he'd sailed through the window, he had taken the curtain rod and the red cafe curtain with him, and the curtain was lying partially over his face and body. His arms were outstretched and his head tilted back over the edge of the table on which he was half lying. Shards of plate glass lay everywhere, on the table, on the floor, and on Frank Bellarosa.