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These days, Italians, Slavs, Hispanics, and even blacks are accepted, though on an individual basis. The new people, the Iranians, Arabs, Koreans, and Japanese, are still hanging out there in limbo, and no one seems to know if they're going to be okay or not.

But what I do know is this: Frank the Bishop Bellarosa of Alhambra is not okay.

I said to Susan, "It's not personal, it's business. His business." "I understand." She added, "I'm discovering that he's quite famous. Everyone knows who he is. We have a celebrity next door."

"Lucky us." I finished my coffee. "By the way, if you should ever have occasion to speak to him on the phone, remember that his telephone conversations are probably being recorded by various law enforcement agencies." She looked at me with surprise. "Is that true?"

"I'm not certain, but it's a strong possibility. However, since neither of you will be discussing drug buys or contract murders, I only mention that so you don't say anything that could embarrass you if it were played back someday." "Such as what?"

"How do I know? Such as explaining what a calling card is, or discussing a new name for Alhambra. Something like that."

"I see. All right." She thought a moment. "I never even thought of his phone being tapped. I'm so naive."

Susan uses that expression once in a while, and I suppose in the ways of the world, this sheltered little rich girl is naive. But when it comes to people, she is sharp, discerning, and confident. That's her upper-class breeding. She asked me, "Did you get his telephone number?"

"No."

"Should I get it?"

"He'll give it to us when he wants us to have it."

"When will that be?"

"When he wants us to have it."

Susan stayed silent a moment, then asked me, "What does he want, John?"

"I'm not sure. Respectability, maybe."

"Maybe."

"Maybe he still wants me for a lawyer."

"Perhaps," Susan responded loyally. "You're a good attorney."

"But there must be more to it," I admitted.

There certainly must be," Susan replied. She smiled. "Maybe he wants your soul."

That turned out to be true, and he wasn't even satisfied with that.

CHAPTER 14

The next few weeks passed uneventfully, unless you consider the moving of a big brick stable an event. Susan had shot a roll of film that Monday morning, before the disassembly began, making sure to include Dominic and a dozen of his compatriots in many of the pictures. I still have those photos, and it is obvious that Susan, who is in some of the shots with those big labourers, was having as good a time as they were. There must be something about stables that sparks her libido.

Anyway, it was May, and everything was in bloom. Susan's vegetable garden had survived the early planting, the cold rains, and the wildflowers that still considered the terraced garden their turf, if you'll pardon the pun. I fully expected Mr Bellarosa to stop by one day to check on his labourers, but Susan said he never came around as far as she or the Allards knew, and if he had, she added, he'd forgotten to leave his calling card. Also, Bellarosa never telephoned, day or evening, and I was beginning to think I had overestimated his interest in us.

Susan, of course, had to drive to Alhambra to get to her horses each day, but she said she never saw the don or his wife. Susan had become quite friendly, however, with Anthony, who was apparently the full-time gatekeeper, to use a nice word for a Mafia foot soldier. Susan also reported that the Alhambra stables were in bad repair but recently cleaned, and one of Bellarosa's grounds keepers helped her with watering, feeding, and such. I, myself, felt no need to ride or feed horses, and avoided Alhambra.

Another work crew from the don's estate had already dug and poured footings to accommodate the stable, which was now a growing pile of brick and slate near the pond. Bellarosa's men and vehicles used the service entrance and service roads, of course, and we saw little of them unless we took ourselves to the job sites. And the more I saw of this work – ten to twenty men, eight to ten hours a day, six days a week – the more I realized I had gotten too good a deal on the price. But in some husbandly way, I was happy to make my wife happy. Don't misunderstand me, I'm not shifting the blame for this whole episode to her. We are partners in life, and we are each aware of our responsibilities to each other, to ourselves, and for our actions. In fact, people like us are locked into cages of responsibilities and correct actions, which, while offering protection, also make us easy prey to people who understand that we can't get out of the cage.

George Allard, I should mention, was not happy about the stable business, nor did I think he would be. But he never said anything critical, of course, he just asked questions like, "Do you think we can plant a shrubbery to fill in the empty space between the two stable wings, sir?"

Not a bad idea. With the main section of the structure gone – the most architecturally interesting part – the two long wings looked forlorn, almost institutional. I might send a picture to William Stanhope of the result of his half-assed gift to his daughter, and pass on George's suggestion of shrubs so that this place will still show well to prospective buyers. Not that I care, but George does, and it's my job.

George, incidentally, bugged the workers and hung around the job, picking up their paper trash and beer cans, and generally being a nuisance. Susan told me that she once saw one of the men playfully measuring George with a ruler as two other men were digging a 'grave'. These were, indeed, the don's men. Anyway, I rarely went to the job site, though when I did, everyone was polite and respectful. The Italians, I find, are heavily into respect, and I guess any friend of the Padrone's is due respect. Susan visited the job at least once a day, and I had the feeling her visits were welcome. She has an easygoing manner with working men, the opposite of the Lady Stanhope routine she pulls on near peers. I watched from a distance once as she moved around the job site, and the men looked at her as if she were hot antipasto. Italian men are not terribly subtle. Many women would feel intimidated by a dozen bare-chested labourers. Susan, you know, enjoys it.

Anyway, one morning during the week, I walked to the stables to see what progress was being made. There were a half dozen men there already, though it wasn't yet eight A.M.

I watched as the men removed the last of the bricks, painstakingly chipped off the old mortar, and loaded them carefully onto a flatbed truck. What remained now of the middle section of the stables was the old wooden stalls, which would be broken up and carted away, and the cobblestone floor which would be laid in the reconstructed stable. Also, to the left was the exposed tack room, and to the right was the blacksmith shop, looking very odd with no walls or roof, and with its anvil, furnace, and bellows sitting now outdoors. I hadn't seen the blacksmith shop in fifteen years or more, and no one had used it for at least seventy years.

Overhanging the roofless shop was the old chestnut tree. I don't know if a chestnut tree near a blacksmith shop is simply tradition, or if its spreading branches had the practical purpose of providing shade for the smithy in the summer. In either case, blacksmiths built their shops under the spreading chestnut tree. But in this land of make-believe, I know that Stanhope's architects first placed the stable where they wanted it, then transplanted the giant chestnut tree in front of the blacksmith's door. Tradition, Gold Coast style.

But, anyway, I saw now that the tree was not leafed out as it should have been by this time of year. It was, in fact, dying, as if, I thought, it understood now that the last seventy years had not been simply a pause, but the end. Well, perhaps I was in a mystical mood that May morning, but the tree had looked fine last summer, and I'm good at spotting tree problems. I wish I were as good at spotting my own problems.