Gormenghast

       Her head would be tilted away at these moments of formal intimacy, and there was only a segment of her sidelong glance as it grazed her cheekbones, to reward the imaginary gallant as he mouthed her knuckles.

       Knowing Irma's vision to be faulty and that they could not be seen, with the length of the salon between them, Canvas and Mollocks watched her from under their gathered brows, marking time, like soldiers the while, to simulate the sounds of activity.

       They had not long, however, in which to watch their mistress for the door opened and the doctor came in. He was in full evening dress and looked more elegant than ever. Across his immaculate breast was the pick of the few decorations with which Gormenghast had honoured him. The crimson Order of the Vanquished Plague, and the Thirty-fifth Order of the Floating Rib lay side by side upon his narrow, snow-white shirt, and were suspended from wide ribbons. In his buttonhole was an orchid.

       'O Alfred,' cried Irma. 'How do I seem to you? How do I seem to you?'

       The Doctor glanced over his shoulder and motioned the retainers out of the room with a flick of his hand.

       He had hidden himself away all afternoon and sleeping dreamlessly had to a great extent recovered from the nightmares he had suffered. As he stood before his sister he appeared as fresh as a daisy, if less pastoral.

       'Now I tell you 'what',' he cried, moving round her, his head cocked on one side, 'I tell you 'what', Irma. You've made something out of yourself, and if it ain't a work of art, it's as near as makes no matter. By all that emanates, you've brought it off. Great grief! I hardly know you. Turn round, my dear, on one heel! La! La! 'Significant' form, that's what she is! And to think the same blood batters in our veins! It's quite embarrassing.'

       'What do you mean, Alfred? I thought you were praising me.' (There was a catch in her voice.)

       'And so I was, and so I was! - but tell me sister, what is it, apart from your luminous, un-sheltered eyes - and your general dalliance - what is it that's altered you - that has, as it were... aha... aha... H'm... I've got it - O dear me... quite so, by all that's pneumatic, how silly of me - you've got a bosom, my love, or haven't you?'

       'Alfred! It is not for you to prove.'

       'God forbid, my love.'

       'But if you 'must' know...'

       'No, no, Irma, no no! I am content to leave everything to your judgement.'

       'So you won't listen to me...' (Irma was almost in tears).

       'O but I will. Tell me all.'

       'Alfred dear - you liked the look of me. You 'said' you did.'

       'And I still do. Enormously. It was only that, well, I've known you a long time and...'

       'I'm 'told',' said Irma, breaking in breathlessly, 'that busts are... well...'

       '... that busts are what you make them?' queried her brother standing on his toes.

       'Exactly! Exactly!' his sister shouted. 'And I've 'made' one, Alfred, and it gives me pride of bearing. It's a hot water bottle, Alfred; an expensive one.'

       There was a long and deathly silence. When at last Prunesquallor had reassembled the fragments of his shattered poise he opened his eyes.

       'When do you expect them, my love?'

       'You know as well as I do. At nine o'clock, Alfred. Shall we call in the Chef.'

       'What for?'

       'For final instructions, of course.'

       'What again?'

       'One can't be too final, dear.'

       'Irma,' said the Doctor, 'perhaps you have stumbled on a truth of the first water. And talking of water - is the fountain playing?'

       'Darling!' said Irma, fingering her brother's arm. 'It's playing its heart out,' and she gave him a pinch.

       The doctor felt the blushes spreading all over his body, in little rushes like red Indians leaping from ambush, to ambush, now here, now there.

       'And 'now', Alfred, since it's nearly nine o'clock, I am going to give you a surprise. You haven't seen 'anything' yet. This sumptuous dress. Those jewels at my ears, these flashing stones about my white throat -' (her brother winced) '... and the fancy knot-work of my silvery coiff - all this is but a setting, Alfred, a mere setting. Can you bear to wait, Alfred, or shall I tell you? Or still more better - O yes! Yes, still more better, dear, I'll show you NOW-'

       And away she went. The Doctor had no idea she could travel so fast. A swish of 'nightmare blue' and she was gone, leaving behind her the faint smell of almond icing.

       'I wonder if I'm getting old?' thought the doctor, and he put his hand to his forehead and shut his eyes. When he opened them she was there again - but O creeping hell! what had she done.

       What faced him was not merely the fantastically upholstered and bedizened image of his sister to whose temperament and posturing he had long been immune, but something else, which turned her from a vain, nervous, frustrated, outlandish, excitable and prickly spinster which was bearable enough, into an 'exhibit.' The crude inner workings of her mind were thrust nakedly before him by reason of the long flower-trimmed veil that she now wore over her face. Only her eyes were to be seen, above the thick black netting, very weak, and rather small. She turned them to left and right to show her brother the principle of the thing. Her nose was hidden, and in itself that was excellent, but in no way could it offset the blatancy, the terrible soul-revealing blatancy of the underlying idea.

       For the second time that evening Prunesquallor blushed. He had never seen anything so openly, ridiculously, predatory in his life. Heaven knew she would say the wrong thing at the wrong time, but above all she must not be allowed to expose her intention in that palpable way.

       But what he said was 'Aha! H'm. What a flair you have. Irma! What a consummate flair. Who else would have thought of it?'

       'O Alfred, I knew you'd love it...' she swivelled her eyes again, but her attempt at roguery was heart-breaking.

       'Now what 'is' it I keep thinking of as I stand and admire you,' her brother trilled, tapping his forehead with his finger - 'tut... tut... tut, what 'is' it... something I read in one of your journals, I do believe - ah yes, I've almost got it - there... it's slipped away again... how irritating... wait.. wait... here it comes like a fish to the bait of my poor old memory... ah, I almost had it I've 'got' it, O yes indeed... but, oh dear me, No... that wouldn't do at all I mustn't tell you 'that'...'

       'What 'is' it, Alfred?... what are you frowning about? How irritating you are just when you were studying me - I said how irritating you are.'

       'You would be most unhappy if I told you, my dear. It affects you deeply.'

       'Affects me! How do you mean?'

       'It was the merest snippet, Irma, which I happened to read. What has reminded me of it is that it was all about veils and the modem woman. Now I, as a man, have always responded to the mysterious and provocative wherever it may be found. And if these qualities are evoked by anything on earth they are evoked by a woman's veil. But O dear me, do you know what this creature in the Women's column wrote?'

       'What did she write?' said Irma.

       'She wrote that "although there may be those who will continue to wear their veils, just as there are those who still crawl through the jungle on all fours because no one has ever told them that it is the custom these days to walk upright, yet she (the writer) would know full well in what grade of society to place any woman who was continuing to wear a veil, after the twenty-second of the month. After all," the writer continued, "some things are 'done' and some things are not done, and as far as the sartorial aristocracy was concerned, veils might as well never have been invented"'