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It hurt.

I shielded my eyes and studied myself in the mirror. My pupils had dilated out nice and big. The skin on my throat, my cheek, was red and glowing, as though from falling asleep outside on a summer afternoon—painful, but not dangerous. I couldn't find any marks on my throat, so the vampire hadn't bitten me. I was pretty sure that was a good thing. Something about a bite being a link to a victim. If she'd bitten me, she could have gotten into my head. Usual mind-control enchantment. Breaking one of the Laws of Magic.

I stumbled back to my bed and sank down onto it, trying to sort out my thoughts. My lovely, throbbing body made this fairly difficult. Mister came nosing around again, but I shoved him away with one hand and forced myself to ignore him.

"Focus, Harry," I mumbled to myself. "Got to have focus."

I'd learned to block out pain, when necessary. Studying under Justin, it had been a practical necessity. My teacher hadn't believed in sparing the rod and spoiling the potential wizard. You learn very quickly not to make mistakes given the correct incentive to avoid them.

Blocking out pleasure was a more difficult exercise, but I somehow managed. The first thing I had to do was separate my sense of enjoyment. It took me a while, but I slowly marked out the boundaries of the parts of me that liked all the wonderful, warm sensations, and walled them away. Then the actual pounding happiness itself. I found my heart rate and slowed it a bit, though it was already going too slowly, then started shutting down perception of my limbs, pushing them behind the walls with the rest of me that wasn't doing any good. Giddy delight went next, leaving only a dull fuzz across my thinking, chemically unavoidable.

I closed my eyes and breathed, and tried to sort through things.

Lydia had fled the shelter of the church, and Father Forthill's protection. Why? I thought back, over the details of everything I knew about her. Her sunken eyes. The tingle of touching her aura. Had her hands been shaking, just a little? I think they had, in retrospect. I thought of what I had seen of her in the van, of the bracelet on her wrist. Her beating pulse. Had it been slow? I'd thought so, at the time—but then my own had been racing. I focused on the moment I'd been touching her.

Sixty, I thought. She'd been around sixty beats per minute. My own heart rate was about a sixth of that at the moment. Had been half that, before I'd slowed it down to quiet the song of the drug in my blood.

(Song, pretty song, why the hell did I have it shut away, when I could just lower the walls, listen to the music, lay here all happy and quiet and just feel, just be …)

I took a moment to prop the walls up again. Lydia's heart rate had been at human normal, nominally. But she'd been laying limp and still, much as I was, now. Kyle and Kelly had poisoned her, as they had me, I was sure of it. Then why had her heart been beating so quickly, in comparison?

She left the church and had been taken, perhaps, by the Nightmare. Then gone to Malone's house under its guidance, and gotten an invitation in. But why go to Malone's house? What did he have to do with anything?

Malone and Lydia. They'd both been attacked by the Nightmare. What was the connection? What linked them together?

More questions. What did the vampires want with her? If Kyle and his sister had been after Lydia, that meant that Bianca wanted her. Why? Was Bianca in league with the Nightmare? If she was, why the hell would she need to use her most powerful goons to kidnap the girl, if she was possessed by Bianca's ally?

And how the hell had the Nightmare gone through the threshold? An even better question, how had it gotten through the protection offered to Lydia by my Dead Man's talisman? No ghost should have been able to offer her any direct harm or contact through that thing. It didn't make any sense.

(Why should it? Why should anything need to mean anything at all? Just sit back, Harry, lay back and feel good and relax and let your blood sing, let your heart beat, just ease down into the wonderful, warm, spinning dark and stop worrying, stop caring, drift and float and …)

The walls started to crumble.

I struggled, but sudden fear made my heartbeat quicken. I fought against the pull of the poison in my blood, but that struggle only made me more vulnerable, more susceptible. I couldn't fail, now. I couldn't. People were depending upon me. I had to fight—

The walls fell, and my blood surged up with a roar.

I drifted.

And it was nice.

Drifting turned into sleep. Gentle, dark sleep. And sleep, in time, turned into dreams.

In my dream, I found myself back at the warehouse down by Burnham Harbor. It was night, beneath a full moon. I was wearing my duster, my black shirt and jeans, my black sneakers, which were better for … well. Sneaking. Michael stood beside me, his breath steaming in the winter air, dressed in his cloak, his full mail, his bloodred surcoat. Amoracchius rode his hip, a source of quiet, constant power. Murphy and the other members of Special Investigations all wore dark, loose clothing and their flack vests, and everyone had a gun in one hand and something else—like vials of holy water or silver crucifixes—in the other.

Micky Malone glanced up at the moon and shifted the shotgun in both hands—he was the only person relying upon raw, shredding firepower. Hey, the guy had a point. "All right," he said. "We go in and then what?"

"Here's the plan," Murphy said. "Harry thinks that the killer's followers will be drugged out and dozing. We round them up, cuff them up, and move on." Murphy grimaced, her blue eyes sparkling in the silver light. "Tell them what's next, Harry."

I kept my voice quiet. "The guy we're after is a sorcerer. It's sort of like being a wizard, only he spends all his energy doing things that are mostly destructive. He isn't good at doing anything that doesn't fuck someone up."

"Which makes him a badass as far as we're concerned," Malone growled.

"Pretty much," I confirmed. "The guy's got power, but no class. I'm going to go in and lock down his magic. We think he might have a demon on a string—that's what the murders have been for. They're part of his payment to get the demon to work for him."

"Demon," breathed Rudolph. "Jesus, can you believe this shit?"

"Jesus did believe in demons," Michael said, his voice quiet. "If the creature is there, do not get close to it. Don't shoot at it. Leave it to me. If it gets past me, throw your holy water at the thing and run while it screams."

"That's pretty much the plan," I confirmed. "Keep any human flunkies with knives from giving them to me or Michael. I'll take Kravos's powers out, and you guys grab him as soon as we're sure the demon won't eat us. I deal with any other supernatural stuff. Questions?"

Murphy shook her head. "Let's go." She leaned out and pumped her arm in the air, signaling the rest of the S.I. team, and we headed into the warehouse.

Everything went according to plan. In the front of the warehouse, a dozen young people, all with that lost, lonely look to them, lay dozing amidst fumes that made me dizzy. The remnants of a serious party lay all over the place—beer cans, clothes, roaches, empty needles, you name it. The cops fell on the kids in a dark-clad swarm and had them cuffed and hauled out into a waiting wagon in under ninety seconds.

Michael and I moved forward, toward the back of the warehouse, through stacks of boxes and shipping crates. Murphy, Rudy, and Malone followed hard on our heels. I cracked the door at the back wall and peered through it.

I saw a circle of black, smoking candles, a red-lit figure dressed in feathers and blood kneeling beside it, and something dark and horrible crouching within.

"Bingo," I whispered. I turned to Michael. "He's got the demon in there with him."

The Knight simply nodded, and loosened his sword in its sheath.