Exiting slubbers slowed to gawk at us. Two women in white plastic pointed at us. A man in silver and the same bunny shirt as I had seen before, scowled.
“Thank you,” I said, leaning in so the others might not hear. “Actually, I’m Michael Rivers. I believe my mother works here.” I wasn’t sure if work was the right word. “I’d like to see her if I could.”
He leaned slowly back as his eyes circled my face. For an instant, I thought he was going to tell me to go away. “Forgive me! I should have recognized you! Please, forgive me.” He then fumbled with the things on the little desktop—a roll of tickets, pieces of blue and green paper, a grey metal box. After he had jammed everything in the container, he jumped down from his chair and disappeared. A second later, he emerged from a small door on the right side of the booth. He was just three feet tall.
“I’ll tell her! I should have recognized you. I’ll go tell her right now! Forgive me, please.” In his right hand, he held the metal box. “I’ll run and tell her right now!” He hadn’t yet moved.
“Yes,” I said. “Thank you.”
“No, thank you!” He laughed. “Thank you, Mr. Rivers!” Next, he threw his arms around my right leg, as if hugging me. Walter must have thought I was being attacked. He yelped, stumbled backward, and fell to the ground with a splat.
The golden man let go. “Forgive me! Is this… another of our brothers?”
“No, he’s a friend,” I said, as I stepped to Walter’s side to help him up. The golden man got on the other side and together we righted Walter. Several of the circled slubbers laughed. Walter frowned at them. His back was covered with mud and bits of trampled grass.
“I’ll go tell her now!” said the golden man. He ran ten feet away, then stopped, and came back. “Forgive me,” he said. “Please come in! You and your friend. Please, come with me! Come inside! I don’t know what’s the matter with me!”
At the entrance stood a woman in a frilly, dusty mauve dress, wearing a matching cone-shaped hat with a green feathery puffball at the top. Her exposed shoulders were bony and sad. The way she moved, she didn’t appear able to turn her neck, head, or eyes. She strained to smile, and said, “Welcome to Tanoshi No Wah,” in such a hush of a voice I barely heard.
Meanwhile, the golden man was running around shouting. “Michael Rivers is here! Everyone, he’s really here!”
From the open door in the tent and from the trucks and smaller tents strange creatures began toward us. I felt Walter’s hand on my sleeve again. “Freaks,” he said with what sounded like both curiosity and dread.
A man, who looked my age, had no arms but fingers like plumes of feathers on his shoulders, stepped forward and stared at me intently as if he wanted something. A young woman, dressed in a tight silver bodysuit, had a tongue so long it hung to her knees. A clear, steady stream of saliva dripped from it. A boy had huge eyeballs that bulged from his head like a koi. A shorter, stout young man had another smaller head growing upside down from the top of his. Two men were dressed in red costumes with pointed yellow hats. One was holding what looked to be the enormous, gold spandex-covered genitals of the other. A bare-chested boy of maybe sixteen had a metal and glass contraption attached to his chest. Inside were tubes filled with blood, a spinning motor, and odd, glowing blue lights.
They stood and stared. The man with the genitals reached out a hand, but I retreated a half step.
“Don’t hurt us!” whimpered Walter.
From the tent came a young woman in a flowing black skirt and a black bra with three cups. She had sharp green eyes, long flowing brown hair, but no mouth. Instead her face ended an inch below her nose. As she came closer, I could see that the black thing in the center of her chest was not another bra cup, but a speaker cone affixed to her flesh.
“You’ve come,” she said. I recognized her voice. She had been the one singing before. Her speaking voice was like a cross between a castrato and an electric shaver. “I hoped you would!”
I knew what was going on! Mother hadn’t just hoped I would come to live with her, she’d told all of her strange friends. “Where’s my mother?” I asked, wishing I hadn’t stopped after all.
“I’ll get her,” said the speaker-girl.
“I will!” said the man in red, who set down the genitals of the other. “I’ll get her.” He turned and dashed off. “Judy! Come quick! Judy, your son’s here!”
“Welcome!” said a man dressed in the same kind of ratskins that my mother had worn when I saw her last. “Welcome to our simple and true way of life!” He had long, greasy black hair, a gaunt face, but fierce, supernova eyes. “Welcome to the Tanoshi No Wah!” He spread his arms and his cane as if he were introducing a show.
“They’re all so very peculiar,” I heard Walter say.
“Michael! My darling!” It was my mother. Her hair was slicked back with what looked like mud. Her eyes were puffy and the ratskin robe she wore was open. On her belly was either a tattoo or paint. Below the word Wah was an arrow that pointed to her crotch. She closed her robe and put her arms around me and squeezed. I felt the cold mud on my face. “I knew it,” she said, sobbing gently. “I knew you’d save us!”
The others, who seemed to have been waiting for her to say just that, started to cheer.
“We just happened by,” I began. “We came to the slubs looking for ARU.” I was going to continue, but she touched my face with her cold hands.
“Michael! I’m so sorry, but we weren’t meant to live like this, with this guilt and remorse. I’ve got a few pills in my purse. Do you need one now?” She glanced toward the man in the skins and whispered, “Just don’t tell Mason!”
I guessed Mason was the master of ceremonies, and the way Mother spoke I figured he didn’t approve of her drugs. I also got the distinct and uncomfortable feeling they were having an affair.
“Not for me,” I said, “I need it for Joelene. And I want to explain something.”
“Maricell, sweetie,” said Mother, addressing the speaker-girl, “this is Michael,” she said, introducing us. “Michael… Maricell.”
She reached her right hand toward me slowly, as if afraid. I did the same and just as our palms touched, a titter of sound came from her and she jumped back.
“So shy,” said Mother, touching her shoulder gently. “Could you do me a favor and get my bag? It’s on the door of my trailer. Hurry! I have something for my son.”
Maricell’s eyes lit as though happy to do something for me. She turned and ran off.
“We’ll drink a toast,” said Mason, raising his cane. “We’ll drink a grand toast. We’ll drink to rebirth! To reincarnation. To resurrection. We’re all saved by our brother, the golden dancer.” The way he said it, so large and dramatically, I imagined he wanted to put it on their sign.
“Who’s your friend?” asked Mother.
I introduced Walter.
“Hello, Michael Rivers’ mother,” he said bowing and then glancing toward my Loop car as if afraid it had left.
“I’m so glad you came,” she said, touching him on the cheek and making him flinch. “I’m glad my son has friends.”
Walter giggled uncomfortably.
“Mother,” I whispered, “I have something to tell you.”
Maricell, the speaker-girl, returned. She was out of breath and her nostrils flared as she breathed in and out. The skin beneath her nose was scarred, and I wondered what sort of an accident it had been. Handing a ratskin purse to Mother, Maricell gazed at me and began singing again. The song was haunting and eerily familiar. And as she sang, she gazed at me with so much hope, I had to look away, pretend to scrape mud from my shoes, because I knew I was going soon and figured that would disappoint her terribly.