'Yeah, well, there's one condition.'
'Name it.'
'That I come in some time today and perform a few office warming rituals. To ensure that all evil spirits leave the building and good qi is brought in.'
'Sure. What kind of rituals?'
'It's complicated. Among other things we'll have to take the fish outside. We'll also have to shut down the electrical power for a short while. And a red banner needs to be hung across the signboard outside. Oh yes, the windows will have to be darkened, but then you can do that automatically, can't you? And one more thing. I don't know how you'll manage this — I know you have a very sophisticated fire alarm system. I have to start a fire in a charcoal stove in the doorway and fan it until the charcoal is hot.'
Jesus,' said Mitch. 'What's the charcoal for?'
'It's to symbolize a warm result for Mr Yu's inspection on Monday.'
'I'll drink to that,' laughed Mitch. 'As far as I'm concerned, you can set fire to Old Glory if you think it's necessary. But does it have to be today?
We've got Richardson in all day. Could you come in at the weekend?'
'It's not me who says it has to be done this afternoon, Mitch. It's the Tong Shu, the Chinese almanac. This afternoon is a good day for the performance of ceremonies to banish evil spirits.'
'OK, I'll see you this afternoon.'
Mitch replaced the receiver and shook his head. In the circumstances he had thought it better not to mention what Kay Killen had seen. There was no telling what Jenny might have insisted on then. A full exorcism?
Dancing naked round the tree? how on earth was he going to tell Ray Richardson that Jenny Bao was planning to light a charcoal stove to smoke the devils out of his state-of-the-art building?
Frank Curtis awoke with a start and wondered why he was so depressed. Then he remembered: it was ten years to the day since his brother had died of cancer. Leaving his wife, Wendy, still asleep, he slipped out of bed and went into the study to find the cardboard box containing his photograph albums.
It was not that he needed to look at pictures to be reminded of what his brother had looked like. Frank Curtis had only to look in a mirror to do that, for he and Michael had been identical twins. Looking at the photographs was a way of reminding himself of what he had once been, half of a greater whole.
When Michael died it had been like losing an arm. Or some vital organ. After that Curtis felt he was only ever half a person.
Wendy appeared in the doorway.
'How can it be ten years?' he said, swallowing a lump in his throat the size of a baseball.
'I know, I know. All week I've been thinking the same thing.'
'And I'm still here.' He shook his head. 'There's not a day passes that I don't think of him. When I don't ask myself, why him and not me?'
'Are you going to Hillside?'
'Yeah.'
'You'll be late for work.'
Curtis shrugged carelessly. 'So what? I'm never going to make lieutenant anyway.'
'Frank…'
He grinned. 'Besides, I'm not on until one.'
She smiled back at him. 'I'll make us some coffee.'
'It's not like I need a stone to remember him, y'know? I always think of him like he was.' He shrugged. 'Maybe, after ten years, it's time to let him go a bit.'
But before he left the house, Curtis placed a small lawnmower in the trunk of his car.
Hillside Memorial Park Cemetery was only ten minutes' drive close to the San Diego Freeway and LAX. Every year Frank Curtis made the journey and, with 747s only a few hundred feet above his head, he worked to tidy up his brother's grave. A practical man, Curtis preferred to mark his remembrance with this small act of devotion. Like a penance, he thought. It wasn't much, but at least it made him feel a bit better.
By the time he got to New Parker Center, Curtis was in the mood to be distracted, to get things done and make other things happen. He typed reports, filed them with the relevant clerical officers, filled out his expense claims, reviewed his diary and said nothing.
Nathan Coleman watched his colleague and wondered what had moved him to this rare exhibition of bureaucratic efficiency.
Curtis unfolded a piece of paper and laid it on the desk. It was Cheng Peng Fei's handbill, protesting about the Yu Corporation's human rights record. He floated it towards Coleman.
'You know, I read that thing,' he said finally. 'He's right. Any company that's as involved with the Chinese government as the Yu Corp shouldn't be allowed to trade in this country.'
'Tell that to Congress,' said Coleman. 'We just renewed China's favoured-nation trading status.'
'It's like I always say, Nat. The whores on the hill.'
'Actually, I've been meaning to tell you Frank,' said Coleman.
'Something I heard this morning. Immigration is holding three of those other Chinese kids.'
'Why, for Chrissakes?'
'They said they were in violation of their visa requirements. They were working, or some shit like that. But I got a friend there who said that someone in the mayor's office pulled strings to get them kicked out of the country. Since when the demo outside the Gridiron has packed up and gone home.'
'That's interesting.'
'It seems this architect guy has a lot of friends up there.'
'Is that so?'
'In less than seventy-two hours they'll be on a plane back to Hong Kong,' shrugged Coleman. 'Or wherever it was they came from.'
'Cheng is still here, right?' said Curtis.
'Right. But even if he did meet Sam Gleig, forensic still says he couldn't have killed him.'
After a silence Curtis said, 'They never came back to us, did they?
Those Martians at the Gridiron were supposed to get an engineer from Otis to come and check the car's safety. It's been a week now. That's long enough in a homicide inquiry, wouldn't you say?'
'Maybe the computer forgot to make the call,' said Coleman.
'I've been thinking about that photograph, too. Supposing it was a fake, who better than someone in the Yu Corporation building to make it? That's a pretty fancy computer they've got there. How about this, Nat? Here's the motive: there is something wrong with those elevators, only someone wants to cover it up for a while. Maybe one of those architect guys. They've got a lot of money riding on this job. Millions. One of them said as much to me. He more or less asked me to keep the lid on any publicity. Said it would look bad if someone was killed in a smart building. Now would he think it was better that some pain-in-theass demonstrator should take the blame for an accidental death instead of their own damn building? What do you think?'
'I could buy that.'
'Good. Because so could I.'
'Want me to give them a call?' Coleman said. 'Those fuckin' Martians?'
Curtis stood up and lifted his coat off the back of his chair.
'I've got a better idea,' he said. 'It's Friday afternoon. They'll be winding down for the weekend. Let's go and make a nuisance of ourselves.'
Ray Richardson was the kind of architect who did not like surprises, and it was his standard practice to inspect exhaustively floors, walls, ceilings, doors, windows, electrical equipment, services equipment, sanitary-ware and joinery, accompanied only by the members of his own project team before repeating the same procedure formally with the client.
Even informally the inspection looked like it was going to take up one whole long day. Tony Levine would normally have preferred
Richardson's pre-PCI to have been carried out across several short periods rather than one protracted one when, through Richardson's own irritability, the result might be prejudiced. But as usual, his senior was working to a tight schedule.
After five hours of trooping round the building like a bus-load of tourists, the project team had progressed as far as the Gridiron's swimming pool. Measuring twenty-five metres long and eight metres wide, this was located under a curving rectangular louvred glass roof at the rear of the building and, with the exception of the sapphire colour of the 85deg water, everything — the walls, the floor tiles, HVAC louvres, even the corrosion protection barrier coating on the ceiling's steel trusses —