"He did at one time."
"I wish he'd made enough to buy an air conditioner."
"Bubba has a way of dumping people after their function is over."
"Well, you might have a little trouble about jurisdiction and not calling us when you made the guy, but I don't think it'll be serious. Nobody's going to mourn his passing. Come down to the district and make a formal statement, then you're free to go. Does any of his stuff help you out?"
In the other room the bed was covered with bagged articles of evidence and clothing and personal items taken by the scene investigator from the attic, kitchen, bedroom floor, dressers, and closets: Romero's polyester suits, loud shirts, and colored silk handkerchiefs; the chrome-plated.45 that he had probably used to kill Eddie Keats; a twelve-gauge Remington sawed off at the pump, with a walnut stock that had been cut down, tapered, and sanded until it was almost the size of a pistol grip; the spent shell casings; a whole brick of high-grade reefer; a glass straw with traces of cocaine in it; an Italian stiletto that could cut paper as easily as a razor blade; a cigar box full of pornographic photographs; a bolt-action, scoped.30-06 rifle; a snapshot of him in uniform and two other marines with three Vietnamese bar girls in a nightclub; and finally a plastic bag of human ears, now withered and black, laced together on a GI dogtag chain.
His life had been used to till a garden of dark and poisonous flowers. But in all his memorabilia of cruelty and death, there wasn't one piece of paper or article of evidence that would connect him with anyone outside his apartment.
"It looks like a dead end," I said. "I should have called you all."
"It might have come out the same way, Robicheaux. Except maybe with some of our people hurt. Look, if he'd gotten out on that roof, he'd be in Mississippi by now. You did the right thing."
"When are you going to pick up his cousin?"
"Probably in the morning."
"Are you going to charge him with harboring?"
"I'll tell him that, but I don't think we can make it stick. Take it easy. You did enough for one night. All this shit eventually gets ironed out one way or another. How do you feel?"
"All right."
"I don't believe you, but that's all right," he said, and put his unlit, sweat-spotted cigarette back in his shirt pocket. "Can I buy you a drink later?"
"No, thanks."
"Well, all right, then. We'll seal this place, and you can follow us on down to the district." His sleepy brown eyes smiled at me. "What are you looking at?"
The breakfast table was an old round one with a hard rubber top. Among the streaks of canned food that had been blown off the table by Romero's shotgun blast was a pattern of dried rings that looked as if they had been left there by the wet impressions of glasses or cups. Except one set of rings was larger than the other, and they were both on the same side of the table. The rings were gray and felt crusty under my fingertips.
"What's the deal?" he said.
I wet my fingertip, wiped up part of the residue, and touched it to my tongue.
"What's it taste like to you?" I said.
"Are you kidding? A guy who collected human ears. I wouldn't drink out of his water tap."
"Come on, it's important."
I wet my finger and did it again. He raised his eyebrows, touched a finger to one of the gray rings, then licked it. He made a face.
"Lemon or lime juice or something," he said. "Is this how you guys do it out in the parishes? We use the lab for this sort of stuff. Remind me to buy some Listerine on the way home."
He waited. When I didn't speak, the attention sharpened in his face.
"What's it mean?" he said.
"Probably nothing."
"On no, we don't play it that way here, my friend. The game is show-and-tell."
"It doesn't mean anything. I messed up tonight."
He took the cigarette back out of his pocket and lit it. He blew the smoke out and tapped his finger in the air at me.
"You're giving me a bad feeling, Robicheaux. Who'd you say he confessed to killing before he died?"
"A girl in New Iberia."
"You knew her?"
"It's a small town."
"You knew her personally?"
"Yes."
He chewed on the corner of his lips and looked at me with veiled eyes.
"Don't make me revise my estimation of you," he said. "I think you need to go back to New Iberia tonight. And maybe stay there, unless we call you. New Orleans is a lousy place in the summer, anyway. We're clear about this, aren't we?"
"Sure."
"That's good. I aim for simplicity in my work. Clarity of line, you might call it."
He was quiet, his eyes studying me in the kitchen light. His face softened.
"Forget what I said. You look a hundred years old," he said. "Stay over in a motel tonight and give us your statement in the morning."
"That's all right. I'd better be on my way. Thank you for your courtesy," I said, and walked out into the darkness and the wind that blew over the tops of the oak trees. The night sky was full of heat lightning, like the flicker of artillery beyond a distant horizon.
Three hours later I was halfway across the Atchafalaya basin. My eyes burned with fatigue, and the center line on the highway seemed to drift back and forth under my left front tire. When I thumped across the metal bridge spanning the Atchafalaya River, the truck felt airborne under me.
My system craved for a drink: four inches of Jim Beam straight up, with a sweating Jax draft on the side, an amber-gold rush that could light my soul for hours and even let me pretend that the serpentarium was closed forever. On both sides of the road were canals and bayous and wind-dimpled bays and islands of willows and gray cypresses that were almost luminous in the moonlight. In the wind and the hum of the truck's engine and tires, I thought I could hear John Fogarty singing:
Don't come 'round tonight,
It's bound to take your life,
A bad moon's on the rise.
I hear hurricanes a-blowing,
I know the end is coming soon.
I feel the river overflowing,
I can hear the voice of rage and ruin.
I pulled into a truck stop and bought two hamburgers and a pint of coffee to go. But as I continued down the road, the bread and meat were as dry and tasteless in my mouth as confetti, and I folded the hamburgers in the grease-stained sack and drank the coffee with the nervous energy of a man swallowing whiskey out of a cup with the morning's first light.
Romero was evil. I had no doubt about that. But I had killed people before, in war and as a member of the New Orleans police department, and I know what it does to you. Like the hunter, you feel an adrenaline surge of pleasure at having usurped the province of God. The person who says otherwise is lying. But the emotional attitude you form later varies greatly among individuals. Some will keep their remorse alive and feed it as they would a living gargoyle, to assure themselves of their own humanity; others will justify it in the name of a hundred causes, and they'll reach back in moments of their own inadequacy and failure and touch again those flaming shapes that somehow made their impoverished lives historically significant.
But I always feared a worse consequence for myself. One day a curious light dies in the eyes. The unblemished place where God once grasped our souls becomes permanently stained. A bird lifts its span of wings and flies forever out of the heart.
Then I did a self-serving thing that impersonated a charitable act. I pulled off the causeway into a rest area to use the men's room, and saw an elderly Negro man under one of the picnic shelters. Even though it was a summer night, he wore an old suitcoat and a felt hat. By his foot was a desiccated cardboard suitcase tied shut with rope, the words The Great Speckled Bird painted on one side. For some reason he had lighted a fire of twigs under the empty barbecue grill and was staring out at the light rain that had begun to fall on the bay.