“What you’ve been going through-maybe now it’s over. Maybe what happened with the Explorer, maybe that snapped you back. Believe me, dearest, I just want you to get well. I want that more than anything. I want to take you to Maui and lie with you on the beach and know that your biggest worry will be how to keep from getting sunburned. Don’t listen to your brother. Please, Lily, don’t believe there was anything sinister about Lynda’s death. Your brother is a cop. Cops think everyone has ulterior motives, but I don’t. I love you. I want you to be happy, with me.”
Savich, who’d been finishing off his lasagna during this impassioned speech, looked only mildly interested, as if he were attending a play. He laid down his fork and said, “Tennyson, how long has your dad been on the board of the Eureka Art Museum?”
“What? Oh, I don’t know, for years, I suppose. I’ve never really paid any attention. What the hell does that have to do with anything?”
“You see,” Savich continued, “at first we couldn’t figure out why you would want to marry Lily if your motive was to kill her. For what? Then we realized you knew about our grandmother’s paintings. Lily owns eight Sarah Elliotts, worth a lot of money, as you very well know.”
For the first time, Savich felt a mild surge of alarm. Tennyson was a man nearing the edge. He was furious, his face red, his jaw working. He readied himself for an attack, just in case.
But what Tennyson did was bang his knife handle on the table, once, twice, then a really hard third time. “You bastard! I did not marry Lily to get her grandmother’s goddamned paintings! That’s absurd. Get out of my house!”
Lily slowly rose to her feet.
“No, Lily, not you. Please, sit down. Listen to me, you must. My father and I are familiar with the excellent work of the folk at the Eureka Art Museum. They have a splendid reputation. When you told me your grandmother was Sarah Elliott-”
“But you already knew, Tennyson. You knew before you met me that first time. And then you acted so surprised when I told you. You acted so pleased that I had inherited some of her incredible talent. You wanted so much to have her paintings here, in Northern California. You wanted them here so you could be close to them, so you could control them. So that when I was dead, you wouldn’t have any difficulty getting your hands on them. Or maybe your father wanted the paintings close? Which, Tennyson?”
“Lily, be quiet, that’s not true, none of it. The paintings are great art. Why should the Chicago Art Institute have them when you live here now? Also, administration of the paintings is much easier when they’re exhibited locally.”
“What administration?”
Tennyson shrugged. “There are phone calls coming in all the time, questions about loaning the paintings out, about selling them to collectors, the schedule for ongoing minor restoration, about our approval on the replacement of a frame. Endless questions about tax papers. Lots of things.”
“There was very little of what you just described before I married you, Tennyson. There was only one contract with the museum to sign every year, nothing else. Why haven’t you said anything about any administration to me? You make it sound like an immense amount of work.”
Was that sarcasm? Savich wondered, rather hoping that it was.
“You weren’t well, Lily. I wasn’t about to burden you with any of that.”
Suddenly, the strangest thing happened. Lily saw her husband as a grayish shadow, hovering without substance, his mouth moving but nothing really coming out. Not a man, just a shadow, and shadows couldn’t hurt you. Lily smiled as she said, “As Dillon said, I’m very rich, Tennyson.”
Savich saw that his brother-in-law was trying desperately to keep himself calm, to keep himself logical in his arguments, not to get defensive, not to let Lily see what he really was. It was fascinating. Could a man be that good a liar, that convincing an actor? Savich wished he knew.
Tennyson said, “It’s always been my understanding that you simply hold the paintings in a sort of trust. That they aren’t yours, that you’re merely their guardian until you die and one of your children takes over.”
“But you’ve been in charge of their administration all these months,” Lily said. “How could you not know that they were mine, completely mine, no trust involved?”
“I did believe that, I tell you. No one ever said anything different, not even the curator, Mr. Monk. You’ve met him, Lily, up front, so pleased to have the paintings here.”
Savich sipped at the hot tea Mrs. Scruggins had poured into his cup. “None of us hold the paintings in trust,” he said. “They’re ours, outright.” He knew Mrs. Scruggins was listening to everything, forming opinions. He didn’t mind it a bit. Just maybe she’d have something more to say to him or to Sherlock when this little dinner meeting was over. “If Lily wants to, she can sell one or two or all of the paintings. They’re worth about one million dollars each. Maybe more.”
Tennyson looked stunned. “I… I never realized,” he said, and now he sounded a bit frantic.
“Difficult not to,” Lily said. “You’re not a stupid man, Tennyson. Surely Mr. Monk told you what they’re worth. When you found out I was Sarah Elliott’s granddaughter, it would have been nothing at all for you to find out that she willed them to me. You saw me as the way to get to those paintings. You must have rubbed your hands together. I left everything in my will to Beth, at your urging, Tennyson, if you’ll remember, and I named you the executor.”
“As it happened,” Savich said, “Beth did predecease Lily. Who inherits?”
“Tennyson. My husband.” She continued after a moment, so bitter she was nearly choking on it. “How easy I made everything for you. What happened? Big money troubles? You needed me out of the way, fast?”
Tennyson was nearly over the edge now. “No, no, listen to me. I suppose I just saw the paintings as your grandmother’s, nothing more than that. Valuable things that needed some oversight, particularly after you became so ill. All right, I was willing to do that work. Please, Lily, believe me. When you told me that she was your grandmother, I was very surprised and pleased for you. Then I just dismissed it. Lily, I didn’t marry you for your grandmother’s paintings. I swear to you I didn’t. I married you because I love you, I loved Beth. That’s it. My father-no, I don’t believe there could possibly be anything there. You’ve got to believe me.”
“Tennyson,” Lily said, her voice low, soothing, “do you know that I’ve never been depressed in my life until I married you?”
“Dammit, before Beth’s death, you had no reason to be depressed.”
“Well, maybe I did. Didn’t I tell you a bit about my first husband?”
“Yes, he was horrible, but you survived him. But, Lily, it was completely different when your daughter was killed by a hit-and-run driver. It’s only natural that you’d be overcome with grief, that you would experience profound depression.”
“Even after seven months?”
“The mind is a strange instrument, unpredictable. It doesn’t always behave the way we would like it to. I’ve prayed and prayed for your full recovery. I agree it’s been taking you a long time to recover but, Lily, you’ll get well now, I know it.”
“Yes,” she said very slowly and pushed back her chair. “Yes, I know I’ll get well now.” She felt her stitches pull, a tug that made her want to bend over, but she didn’t. “Yes, Tennyson,” she said, “I fully intend to get well now. Completely well.”
She pressed her palms flat on the table. “I will also love Beth for the rest of my life, and I will know sadness at her loss and grief until I die, but I will come to grips with it. I will bear it. I will pray that it will slowly ease into the past, that I won’t fall into that black depression again. I will face life now and I will gain my bearings. Yes, Tennyson, I will get well now because, you see, I’m leaving you. Tonight.”