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Zack expressed great gratitude for his friend's kindness, and declared, with the utmost fervor of voice and manner, that he would repair all his past faults by unflagging future industry as a student of Art. After a little longer delay Valentine at last collected his drawing materials, and fairly began to work; Mat displaying from the first the most extraordinary and admirable steadiness as a model. But, while the work of the studio thus proceeded with all the smoothness and expedition that could be desired, the incidental conversation by no means kept pace with it. In spite of all that young Thorpe could say or do, the talk lagged more and more, and grew duller and duller. Valentine was evidently out of spirits, and the Hercules of the evening had stolidly abandoned himself to the most inveterate silence. At length Zack gave up all further effort to be sociable, and left the painting-room to go up stairs and visit the ladies. Mat looked after him as he quitted the studio, and seemed about to speak—then glancing aside at the bureau, checked himself suddenly, and did not utter a word.

Mr. Blyth's present depression of spirits was not entirely attributable to a certain ominous reluctance to leave home, which he had been vainly trying to shake off since the morning. He had a secret reason for his uneasiness which happened to be intimately connected with the model, whose Herculean chest and arms he was now busily engaged in drawing.

The plain fact was, that Mr. Blyth's tender conscience smote him sorely, when he remembered the trust Mrs. Thorpe placed in his promised supervision over her son, and when he afterwards reflected that he still knew as little of Zack's strange companion, as Zack did himself. His visit to Kirk Street, undertaken for the express purpose of guarding the lad's best interests by definitely ascertaining who Mr. Mathew Marksman really was, had ended in—what he was now ashamed to dwell over, or even to call to mind. "Dear, dear me!" thought Mr. Blyth, while he worked away silently at the outline of his drawing, "I ought to find out whether this very friendly, good-natured, and useful man is fit to be trusted with Zack; and now the lad is out of the room, I might very well do it. Might? I will!" And, acting immediately on this conscientious resolve, simple-hearted Mr. Blyth actually set himself to ask Mat the important question of who he really was!

Mat was candor itself in answering all inquiries that related to his wanderings over the American Continent. He confessed with the utmost frankness that he had been sent to sea, as a wild boy whom it was impossible to keep steady at home; and he quite readily admitted that he had not introduced himself to Zack under his real name. But at this point his communicativeness stopped. He did not quibble, or prevaricate; he just bluntly and simply declared that he would tell nothing more than he had told already.

"I said to the young 'un," concluded Mat, "when we first come together, 'I haven't heard the sound of my own name for better than twenty year past; and I don't care if I never hear it again.' That's what I said to him. That's what I say to you. I'm a rough 'un, I know; but I hav'n't broke out of prison, or cheated the gallows—"

"My dear sir," interposed Valentine, eagerly and alarmedly, "pray don't imagine any such offensive ideas ever entered my head! I might perhaps have thought that family troubles—"

"That's it," Mat broke in quickly. "Family troubles. Drop it there; and you'll leave it right."

Before Mr. Blyth could make any attempt to shift the conversation to some less delicate topic, he was interrupted (to his own great relief) by the return of young Thorpe to the studio.

Zack announced the approaching arrival of the supper-tray; and warned "Hercules" to cover up his neck and shoulders immediately, unless he wished to frighten the housemaid out of her wits. At this hint Mr. Blyth laid aside his drawing-board, and Mat put on his flannel waistcoat; not listening the while to one word of the many fervent expressions of gratitude addressed to him by the painter, but appearing to be in a violent hurry to array himself in his coat again. As soon as he had got it on, he put his hand in one of the pockets, and looked hard at Valentine. Just then, however, the servant came in with the tray; upon which he turned round impatiently, and walked away once again to the lower end of the room.

When the door had closed on the departing housemaid, he returned to Mr. Blyth with the feather fan in his hand; and saying, in his usual downright way, that he had heard from Zack of Mrs. Blyth's invalid condition and of her fondness for curiosities, bluntly asked the painter if he thought his wife would like such a fan as that now produced.

"I got this plaything for a woman in the old country, many a long year ago," said Mat, pressing the fan roughly into Mr. Blyth's hands. "When I come back, and thought for to give it her, she was dead and gone. There's not another woman in England as cares about me, or knows about me. If you're too proud to let your wife have the thing, throw it into the fire. I hav'n't got nobody to give it to; and I can't keep it by me, and won't keep it by me, no longer."

In the utterance of these words there was a certain rough pathos and bitter reference to past calamity, which touched Valentine in one of his tender places. His generous instincts overcame his prudent doubts in a moment; and moved him, not merely to accept the present, but also to predict warmly that Mrs. Blyth would be delighted with it.

"Zack," he said, speaking in an undertone to young Thorpe, who had been listening to Mat's last speech, and observing his production of the fan, in silent curiosity and surprise. "Zack, I'll run up stairs with the fan to Lavvie at once, so as not to seem careless about your friend's gift. Mind you do the honors of the supper table with proper hospitality, while I am away."

Speaking these words, Mr. Blyth bustled out of the room as nimbly as usual. A minute or two after his departure, Mat put his hand into his pocket once more; mysteriously approached young Thorpe, and opened before him the paper containing the Indian tobacco pouch, which was made of scarlet cloth, and was very prettily decorated with colored beads.

"Do you think the young woman would fancy this for a kind of plaything?" he asked.

Zack, with a shout of laughter, snatched the pouch out of his hands, and began to rally his friend more unmercifully than ever. For the first time, Mat seemed to be irritated by the boisterous merriment of which he was made the object; and cut his tormentor short quite fiercely, with a frown and an oath.

"Don't lose your temper, you amorous old savage!" cried Zack, with incorrigible levity. "I'll take your pouch upstairs to the Beloved Object; and, if Blyth will let her have it, I'll bring her down here to thank you for it herself!" Saying this, young Thorpe ran laughing out of the room, with the scarlet pouch in his hand.

Mat listened intently till the sound of Zack's rapid footsteps died away upstairs—then walked quickly and softly down the studio to the garden door—gently unlocked it—gently drew the bolts back—gently opened it, and ascertained that it could also be opened from without, merely by turning the handle—then, quietly closing it again, left it, to all appearance, as fast for the night as before; provided no one went near enough, or had sufficiently sharp eyes, to observe that it was neither bolted nor locked.

"Now for the big chest!" thought Mat, taking the false key out of his pocket, and hastening back to the bureau. "If Zack or the Painter Man come down before I've time to get at the drawer inside, I've made sure of my second chance with the garden door."