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HYDE AND SEEK

by

JACK KETCHUM

Cemetery Dance Publications

Baltimore * 2000 *

www.cemeterydance.com

My thanks to Al Weller, Lance and Ellen Crocker, Alan Morrison,

Marjorie Shepatin, Philip Caggiano, David and Julie Winn, Ellen

Antoville, and especially Paula White.

My gratitude also to Russell Mullen, my first, fine, enthusiastic web

master and friend, who helped promote this book back into print.

To Robert Block, for bothering with kids.

There's a wheel in my hand, but I can't steer.

-Graham Parker

I don't believe in omens, but I think you can know when you're in

trouble.

Follow me on this, even if it sounds like bullshit.

I was working the stacks of two-by-four furring.  What we needed was an

eight-foot length off the top.  We were nearly into the next bundle

down but you could still see a couple of lengths left up there that

didn't look too weathered, so I climbed up after one.  I had my hands

on one when the steel cable snapped on the bundle I was walking on.  A

sound like a whip cracking.  Damn near took my head off too.  And

naturally I lost my footing.  I fell ten feet to the tarmac in ash ower

of heavy lumber.

Not a scratch on me.

I was lucky.

But the boss gave me hell.  You weren't supposed to go up there -though

everybody did--you were supposed to use the forklift  There was an

insurance problem.  So I was breaking the rules.

That was the first thing.  Getting damn near killed breaking the

rules.

That same week I had the Chevy pickup on the coast road, doing maybe

sixty, when a big black tanker passed me on the downgrade.  I let him

have the highway.  But then on the upgrade he slowed to a

crawl.  I swallowed diesel fumes behind him for a while and then

pulled out to pass.

But I guess the guy wanted to play.

He wouldn't let me by.  He'd move over across the broken yellow line

just far enough so that there was a good chance of piling me into the

hillside if I tried.  Then he'd pull back again.  Out and back.  I

could see him watching me through the rearview mirror.

It was very nasty.

I cursed him and waited for an opening.

It came on the downgrade again.  By the time I saw it we were both of

us doing seventy.  Already that was hard on the pickup.  My wheel would

always wobble at sixty-five.  Sol held my breath and told myself to

hell with it, you were only young once, and pressed it to eighty.

The pickup shook like it was trying to fall apart.  I remembered the

old bald tires.  The downgrade was long and steep and we ran it neck

and neck, he and I. I passed him just as the road turned up again.  I

was sweating and my hands were trembling.  I can see that bastard

smiling at me as I passed him even to this day- not so much the man,

but the wicked cut of the smile.  A tanker is a very big thing on a

narrow highway when it's running a foot and a half away from you at

eighty for over a mile.

So that was the second thing.  Being stupid and angry and taking bad

risks.  I could just as easily have waited him out.  It had been a

nice, sunny day.

Then I stepped in dog shit.

Coming home from work, half a block from Harmon's.

Now, I know that's nothing.  Meaningless.  Silly.  Even though it was a

particularly big pile of dog shit, and fresh.  But I'll tell you why I

remember it and why I put it with the other things.  It's very simple,

wasn't looking where I was going.

Now, that's nothing either, unless you take into account the fact that

it's completely contrary to my habits.  I stare at the ground when I

walk.  I always do.  I've been criticized for it now and then.  My

mother used to say I'd get nearsighted and stoop-shouldered.  She

lied, of course.  I got tall and see at twenty-twenty.  But damn it, /

wasn't looking.

I'm aware that these are all random events.  And maybe it's just

hindsight.

But sometimes it seems to me that once in a while you can look at all

the random events you live through every day and see that suddenly

there's a mechanism that's just clicked on, you can see it right then

and there- and the events are not so random anymore.  The mechanism is

eating them, absorbing them, growing larger and larger, feeding on the

events of your life.  To what end?  You don't know.

The mechanism is you.

But it's also fate, luck, chance.  All the things that are not you but

that will change you anyway, irreparably, forever.

Maybe you'd better forget all this.

I'm still a fool, and I meander.

*

But right away she scared me.

They all did, actually.  All three of them.  They were rich kids, for

one thing, and I wasn't used to that.

You should know right off that there was, and is, no more depressed

county in the nation than Washington County.  The per capita income is

right up there with, say, Appalachia.  Everyone I knew was barely

scraping by.  And here were these three rich kids popping around in

Casey's fabulous old white '54 Chevy convertible Steven's blue Chrysler

Le Baron as though tired, sad old Dead Rive were Scarsdale or Beverly

Hills.  What in the hell their folks were doing in this part of Maine

at all I never could figure.  Mount Deser sure.  But DeadRiver?  I

knew that the three families were fri enc back in Boston, and I guess

it was somebody's idea of getting awa^ from it all that brought them

there.  But I don't think the kids knew either.

They resented it, though.  That was for sure.  And I think resenting it

made them crazy.

That was what really scared me.

All you had to do was look at them to see it.  Casey most of all.  You

could see it in her eyes.  Something caught in the act of throwing

itself away, right there in front of you.

Recklessness.  It scares me.  It scares me today.

Because just writing this, that's a kind of recklessness too.  It's

going to bring it all back to me and I've kept it down nicely for a

long

time now.  Not just what happened.  But how I felt about Casey, how

I feel about her still.  I don't know which is worse, really, but I

guess

I'm going to find out.

Starting now.

I'll tell you how I knew she was crazy.  It was the business with the

car.

It was June, a Saturday or Sunday it must have been, because Rafferty

and I were both off for the day.  I remember it was unusually hot for

that time of year, so we'd stopped at Harmon's for a six-pack and

headed for the beach.

There's really only one good stretch of white sand around DeadRiver.

The rest is either stone or gravel or else a sheer drop off slate cliffs

nearlythirtyfeettothesea.  Soon hot days just about everybody you know

is there, and this was maybe the second or third good day that year, so

naturally she was there too, way behind us by the cliffs, near the goat