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Haste, then.

The first thing to do, before hauling the girl to her feet and bracing her in a standing position, was to see if the material that composed the segmented, reptilian belly and chest of the funhouse Lucifer would take a nail. It seemed to be a hard rubber, perhaps soft plastic. Depending on thickness, brittleness, and resiliency of the material, a nail would either drive into it as smoothly as into wood, bounce off, or bend. If the fake devil's hide proved too resistant, he'd have to use the battery-powered drill instead of the hammer, two-inch screws instead of nails, but it shouldn't detract from the artistic integrity of the piece to lend a modern touch to the reenactment of this ancient ritual.

He hefted the hammer. He placed the nail. The first blow drove it a quarter of the way into Lucifer's abdomen. The second blow slammed it halfway home.

So nails would work just fine.

He looked down at the girl, who still sat on the floor with her back against the base of the statue. She had not reacted to either of the hammer blows.

He was disappointed but not yet despairing.

Before lifting her into place, he quickly collected everything he would need. A couple of two-by-fours to serve as braces until the acquisition was firmly fixed in place. Two nails. Plus one longer and more wickedly pointed number that could fairly be called a spike. The hammer, of course. Hurry. Smaller nails, barely more than tacks, a score of which could be placed just-so in her brow to represent the crown of thorns. The switchblade, with which to recreate the spear wound attributed to the taunting Centurion. Anything else? Think. Quickly now. He had no vinegar or sponge to soak it in, therefore could not offer that traditional drink to the dying lips, but he didn't think the absence of that detail would in any way detract from the composition.

He was ready.

* * *

Hatch and Lindsey were deep in the gondola tunnel, proceeding as fast as they dared, but slowed by the need to shine flashlights into the deepest reaches of each niche and room-size display area that opened off the flanking walls. The moving beams caused black shadows to fly and dance off concrete stalactites and stalagmites and other manmade rock formations, but all of those dangerous spaces were empty.

Two solid thuds, like hammer blows, echoed to them from farther in the funhouse, one immediately after the other. Then silence.

“He's ahead of us somewhere,” Lindsey whispered, “not real close. We can move faster.”

Hatch agreed.

They proceeded along the tunnel without scanning all the deep recesses, which once had held clockwork monsters. Along the way, the bond between Hatch and Jeremy Nyebern was established again. He sensed the madman's excitement, an obscene and palpitating need. He received, as well, disconnected images: nails, a spike, a hammer, two lengths of two-by-four, a scattering of tacks, the slender steel blade of a knife popping out of its spring-loaded handle.…

His anger escalating with his fear, determined not to let the disorienting visions impede his advance, he reached the end of the horizontal tunnel and stumbled a few steps down the incline before he realized that the angle of the floor had changed radically under his feet.

The first of the odor hit him. Drifting upward on a natural draft. He gagged, heard Lindsey do the same, then tightened his throat and swallowed hard.

He knew what lay below. At least some of it. Glimpses of the collection had been among the visions that had pounded him when he had been in the car on the highway. If he didn't get an iron grip on himself and stifle his repulsion now, he would never make it all the way into the depths of this hellhole, and he had to go there in order to save Regina.

Apparently Lindsey understood, for she found the will to repress her retching, and she followed him down the steep slope.

* * *

The first thing to attract Vassago's attention was the glow of light high up toward one end of the cavern, far back in the tunnel that led to the spillway. The rapid rate at which the light grew brighter convinced him that he would not have time to add the girl to his collection before the intruders were upon him.

He knew who they were. He had seen them in visions as they, evidently, had seen him. Lindsey and her husband had followed him all the way from Laguna Niguel. He was just beginning to recognize that more forces were at work in this affair than had appeared to be the case at first.

He considered letting them descend the spillway into Hell, slipping behind them, killing the man, disabling the woman, and then proceeding with a dual crucifixion. But there was something about the husband that unsettled him. He couldn't put his finger on it.

But he realized now that, in spite of his bravado, he had been avoiding a confrontation with the husband. In their house earlier in the night, when the element of surprise had still been his, he should have circled behind the husband and disposed of him first, before going after either Regina or Lindsey. Had he done so, he might have been able to acquire both woman and child at that time. By now he might have been happily engrossed in their mutilation.

Far above, the pearly glow of light had resolved into a pair of flashlight beams at the brink of the spillway. After a brief hesitation, they started down. Because he had put his sunglasses in his shirt pocket, Vassago was forced to squint at the slashing swords of light.

As before, he decided not to move against the man, choosing instead to retreat with the child. This time, however, he wondered at his prudence.

A Master of the Game, he thought, must exhibit iron control and choose the right moments to prove his power and superiority.

True. But this time the thought struck him as spineless justification for avoiding confrontation.

Nonsense. He was afraid of nothing in this world.

The flashlights were still a considerable distance away, focused on the floor of the spillway, not yet to the midpoint of the long incline. He could hear their footsteps, which grew louder and developed an echo as the pair advanced into the huge chamber.

He seized the catatonic girl, lifted her as if she weighed no more than a pillow, slung her over his shoulder, and moved soundlessly across the floor of Hell toward those rock formations where he knew a door to a service room was hidden.

* * *

“Oh, my God.”

“Don't look,” he told Lindsey as he swept the beam of his flashlight across the macabre collection. “Don't look, Jesus, cover my back, make sure he's not coming around on us.”

Gratefully, she did as he said, turning away from the array of posed cadavers in various stages of decomposition. She was certain that her sleep, even if she lived to be a hundred, would be haunted every night by those forms and faces. But who was she kidding — she would never make a hundred. She was beginning to think she wouldn't even make it through the night.

The very idea of breathing that air, reeking and impure, through her mouth was almost enough to make her violently ill. She did it anyway because it minimized the stink.

The darkness was so deep. The flashlight seemed barely able to penetrate. It was like syrup, flowing back into the brief channel that the beam stirred through it.

She could hear Hatch moving along the collection of bodies, and she knew what he had to be doing — taking a quick look at each of them, just to be sure that Jeremy Nyebern was not posed among them, one living monstrosity among those consumed by rot, waiting to spring at them the moment they passed him.

Where was Regina?

Ceaselessly, Lindsey swept her flashlight back and forth, back and forth, in a wide arc, never giving the murderous bastard a chance to sneak up on her before she brought the beam around again. But, oh, he was fast. She had seen how fast. Flying down the hallway into Regina's room, slamming the door behind him, fast as if he'd flown, had wings, bat wings. And agile. Down the trumpet-vine trellis with the girl over his shoulder, unfazed by the fall, up and off into the night with her.